nice bass riff, tasty guitars, welsh accent vocal... like it! :D

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Shoegaze-esque album with influences from all over different genres. I'm likely to come back and update songs with either a different mix or all together different recordings. So you might come back and find your favourite song is slightly changed.

AI ART FOR THE COVER. THIS IS THE CONCEPT ART.

What's One More Reason To Leave?

"In The Mirror"
Music provided by Devaje Mathis Entertainment Group featuring De-Va'Je

In The Mirror

We Were So Turned On: A Tribute To David Bowie

Ashes to Ashes

Ultimate Painting

Mug Museum

Are You with Me Now?

Swag It for Me

You Betta Get It

Saturn Over Sunset

Blue Cigar

Tinseltown Swimming in Blood

Freedom's Goblin

My Lady's On Fire

Married To The Game

You Can't Fuck With Us (feat. Petey Pablo & NORE)

The Nude Party

Astral Man

Rare Feeling

Solar Pilgrim

Lux Prima

Rides Through The Morning

Serenity

It’S Gonna Be a Good Day

ABOUT US

What's up, what's up? To begin with, my name is De-Va'Je Mathis. I am an R&B singer born and raised in Aiken, South Carolina. 
Musically, my different tone of voice makes me stand out. I have a rare sound and just by my appearance you can guess, I stand out from a crowd. 
I've been musically active for 12 years, which started with my deceased cousin, Young Chuck, whom encouraged me to sing beginning at the age of 16. 
Young Chuck, who is now deceased, inspired me to pursue music. 
I am currently promoting my new hit single "In The Mirror" (beat produced by Cashous Clay), which will be released on December 25, 2014. Make sure you go PURCHASE it on iTunes, Amazon MP3, Google Play, Spotify, CD Baby, Rhapsody and many others. Also, go check out and PURCHASE a song I'm featured on "Personal Stripper" by Skooby Dukes ft. De-Va'Je. 
My goal with my music is to make hits that excite and hype my fans when they hear it. I want them to enjoy it and for it to relax them while its playing.

Music is many things to me... 
A hobby because I enjoy what I do.... A career because I want to expand my work and incorporate and work with other major artists. It is also my way of life because I wake up daily with my mind focused on music and ready to write a new hit; when I'm writing music it relieves my stress.

I hope to inspire many such as; children, adults, and elderly people. I want to be able to present my way of music to all ages. 
I'm working towards spreading my music globally. 
You can find more information about me on 
My Social Networks.
Facebook: Devaje Mathis 
Twitter: @DevajeMathis
Instagram: @Musicaltunes_devaje
Sound Cloud: Soundcloud.com/devajemathis

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

Are You with Me Now?

Cate Le Bon

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