nice bass riff, tasty guitars, welsh accent vocal... like it! :D

They are not in any way to go home now I can I get just enjoy this wweek was

Tennis - I'm Callin'

♥ on HYPEM: http://smarturl.it/CKFerrariHypeM
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ferrari

Stoked to announce that I have signed with Marathon Artists and will be releasing an EP on vinyl which is available here: smarturl.it/HE_Buy

Never Going Home

Buy 2xEP

Hazel English - Never Going Home

In The Summer

Written and performed by The Yetis
Produced by Kyle Slick Johnson

Recorded on February 28, 2015

Christian - rhythm guitar, vocals
Nick - lead guitar, vocals
Stefan - bass guitar
Patrick - drums

Photograph by The Yetis
Logo and additional artwork by Freddy Kempel

Where You Goin'

North American City (2023) remasters + bonus tracks

A Sailor's Song (Acoustic)

Kaleidoscope World

Pink Frost

Mug Museum

Are You with Me Now?

Sisters

Their Satanic Majesties' Second Request

Anemone

Charlotte's Thong

Recurring

I Love You

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

Are You with Me Now?

Cate Le Bon

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