2017

TWO INCH ASTRONAUT's "Part of Your Scene" is the second single from the band's sophomore full length "Foulbrood" coming November 25, 2014 on Exploding In Sound Records. PRE-ORDERS are available at www.twoinchastronaut.bandcamp.com/album/foulbrood

Sam Rosenberg - vocals/guitar/bass
Matt Gatwood - drums

produced and mixed by Michael Seigel
mastered by Carl Saff

Two Inch Astronaut - Part Of Your Scene

Begin Here

Burnover

Curtain

Bird on a Swing

Coach

Bury the Key

Chlorine

Falling on my Sword

Black Sand

Dancing Shoes

Kneel

JIVE

WE WERE JUST HERE

DIG THE NEW SINGLE "NEVER TRUST A JUNKIE" FROM THE DEBUT FULL LENGTH "ANGLO SAXON SUMMER" (LP/CASS/CD) COMING THIS FALL ON LOLIPOP RECORDS!!!

DANTE ELEPHANTE - "Never Trust A Junkie"

Street Chant -  Pedestrian Support League

Tall Friend's debut EP "Tawl Friend" is begin re-released by Exploding In Sound Records on January 27th, 2017 ahead of the band's upcoming full length debut (due out this August. Pre-order: http://www.explodinginsoundrecords.com/products/583823-tall-friend-tawl-friend

Tall Friend - Termites

Rock Pool

Aside From Growing Old

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

Aside From Growing Old

Cate Le Bon

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