awesome track, great rythmn and grooviness, a lot of fun!

RandomStuff

Pompeii

Harbour

Frankie Cosmos :: Birthday Song

Frankie Cosmos :: Owen

Michelangelo Dying

About Time

Is It Worth It (Happy Birthday)?

Coach

Lone Wolf

Taken from 'Dancing Shoes', released July 02, 2025 on Ninja Tune: https://NiluferYanya.lnk.to/dancing-shoesSo

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Where To Look

Dancing Shoes

Kneel

JIVE

I Never Dream About Trains

Frankie Cosmos "Next Thing" out April 1st 2016 on Bayonet Records. Artwork by Meredith Wilson. 

Pre-order the limited edition LP. Comes with clear+white specks vinyl, zine+poster, lip balm and pin: http://bayonetrecords.com/products/frankie-cosmos-next-thing

For the alternate  sky blue vinyl version head to your local record store on April 1st! Comes with all of the same goodies.  

Next Thing

Sinister

Frankie Cosmos "Sinister" Official Single

The beauty in Frankie Cosmos' writing can be found in her ability to examine situations and relationships with heartbreaking sincerity. "Next Thing" explores new emotional and instrumental territory for Frankie Cosmos, and is slated for release April 1st on Bayonet Records.

Order "Next Thing" LP/CD: http://hyperurl.co/frankienextthinglp
Spotify: https://play.spotify.com/album/6TBmcO9ZzPVWFsWTm9F1Iv
Itunes: https://itunes.apple.com/us/album/next-thing/id1079006535
Bandcamp: https://ingridsuperstar.bandcamp.com/album/next-thing

Frankie Cosmos  "On The Lips" Official Single

'Wonderful' is the first single taken from Cate Le Bon's forthcoming album 'Crab Day'.

'Crab Day' is released worldwide on 15 April 2016. 
Pre-order: https://kontrabandstor.es/catelebon/
Digital: http://po.st/CrabDayiTunes

Wonderful

Julianna Barwick - "Same" from the album 'Will' out May 6, 2016 on Dead Oceans

Dead Oceans: smarturl.it/jbarwick
iTunes: smarturl.it/jbarwick_it
Amazon: smarturl.it/jbarwick_amz
Support you local independent record store: smarturl.it/jbarwick_ind

Same

Julianna Barwick - Same

Cate Le Bon is an artist hailing from Carmarthenshire, rural West Wales. Be it on her more minimalist, acoustic-leaning 2009 debut album Me Oh My or critically acclaimed, liquid-riffed 2013 LP Mug Museum as well as 2016s Crab Day and the Mercury Award nominated Reward, Cate Le Bon’s solo work — and indeed also her production work, such as that carried out on the recent John Grant album, Boy From Michigan, or  Deerhunter's Why Hasn’t Everything Already Disappeared?  (4AD, January 2019) — has always resisted pigeonholing, walking the tightrope between krautrock aloofness and heartbreaking tenderness; deadpan served with a twinkle in the eye, a flick of the fringe and a lick of the Telecaster.

New album Pompeii bears a storied title summoning apocalypse, but the metaphor eclipses any “dissection of immediacy,” says Le Bon. Sonically minimal in parts, its lyrics jog between self-reflection and direct address. Written primarily on bass and composed entirely alone in an “uninterrupted vacuum,” Le Bon plays every instrument (except drums and saxophones) and recorded the album largely by herself with long-term collaborator and co-producer Samur Khouja in Cardiff, Wales.

The songs of Pompeii feel suspended in time, both of the moment and instant but reactionary and Dada-esque in their insistence to be playful, satirical, and surreal. From the spirited, strutting bass fretwork of “Moderation”, to the sax-swagger of “Running Away”; a tale exquisite in nature but ultimately doomed (The fountain that empties the world / Too beautiful to hold), escapism lives as a foil to the outside world. Pompeii’s audacious tribute to memory, compassion, and mortal salience is here to stay.

Wonderful

Cate Le Bon

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