// Dubstep & Bass Music //

Philly-based producer with Quebec roots, channeling raw emotion through cinematic bass and retro-futurist energy, crafting the next generation of bass music.

Booking/Inquiries: Steffani@theindustryvault.com

Music Producer / Remixer / Mixer. Production credits: MCA Records, DKG/Universal Music, Bunim/Murray Productions, Waako Records, EastWest & Black Butta Sample CD's.

Greg has a passion for music and a drive for creative exploration which has taken him on a producing, writing and remixing adventure.

After he cut his first studio demo, in the back of a store front off Dale Avenue in St. Paul, MN., he received a call from a London based lawyer looking to buy his songs. “I began to think that maybe I needed to give this music production thing a little more thought”.

And that is what he did.

Greg's first release on the Beat Oven compilation, Yoda Mistress "Is This Real" featured the silky and soulful vocals of, Melodee who spent many years touring with Alexander O'Neal.

His 1st 12 inch single released in 1996, Superstitch "Come and Get Me", saw nationwide club play, peaking at #5 on the dance charts

In 1996-1998, Greg was signed to Stacey Castro's Hollywood, CA based, GroundWorks Music, a production and management company which led to remix work and also another successful 12 inch single, "(The) Kama Sutra", released on New York's Waako Records. This single went on to see much national and international club success as well as being a choice cut for several compilation CD's released by labels such as MCA Records. It was also selected to the initial voting rounds for the 40th Annual Grammy Awards.

From 2000-2005, Greg worked with producer and former Flyte Tyme Studios (Jimmy Jam & Terry Lewis) guru, Jeff Taylor of Madjef Productions. Work included programming, mixing and producing sample CD's (EastWest Black Butta series) as well as other production and remix work for various artists. Also along with Madjef, producing, writing and programming tracks for DKG / Universal Music recording artists, KUSH and Rhian Benson. 

Greg also had licensed cuts for Bunim/Murray Productions series, Making The Band 2 & How To Live Like A Model on MTV.

On a whim in 2011, Greg decided to register for a producer showcase event in Minneapolis sponsored by New York based company, iStandard Producers. Out of the 50 plus applicants he was chosen as the #2 best producer for the event by a panel of industry judges. To quote JayZ / 50 Cent producer (and judge) Buckwild, “ahhh, what can I say”.

In 2015 Greg collaborated with independent artist, Miss Krystle for a remix of her single, "Don't Leave" https://music.apple.com/us/album/dont-leave-bugs-gregory-after/955292278

Today Greg continues his creative journey and exploration working out of his home based music production suite somewhere in Groovesalot, MN.

#1 position for 9 straight weeks on Broadjam's Top 10: Electronic - Dance with remixes Sherlock Tones "California Girl" (G's Props To The Father Remix): and Jessie and the Toy Boys "Push It" (G's Pushalicious Remix): 

Studio Stuff--

Signal Processing:
Mac Studio M2 Max with 12‑core CPU | Apollo x8 Gen 2 | LUNA Pro | Logic Pro | UAD-2 Octo Custom | UAD-2 Quad Flexi | UAD plug ins along with many others | Lexicon PCM-80 & 90 | Eventide H3000D/SE | Empirical Labs Fatso Jr | UA 2-610 | AKG C414 B-TL II.

Equipment:
Roland 5080 & JD 800 | Emu E4XT | Akai S3000 | Kurzweil K2000 | Ensoniq EPS 16+ | Novation Bass Station Equipment:

Monitoring:
Benchmark DAC1 | Genelec 1032 | Yamaha NS-10M | M-Audio BX5a | Auratone | ASC Attack Wall.

Bookings: Tripdropofficial@gmail.com

RELEASES WITH:

@makewavs

@wubaholics

@spicyboisco

@headbangsociety

@subciety

@wtfsthatsound

@dontdieatwork

THE MAGIC - TRIP DROP (OUT NOW)

————————————————————————

1/2 of KOOL BEANZ @kool-beanz-official

BUY MERCH: http://wormholemusicgroupstore.com

Curated by @secretrecipemusic

Spotify Playlist: https://spoti.fi/30zNAEe

SUBMISSIONS CURRENTLY CLOSED

Wormhole Music Group is a label from the fine folks that bring you Wormhole Entertainment in the SF Bay Area. Our goal is to push forward-thinking, next-level bass music sounds that defy genre and push boundaries.

NITEOWL BIO 

Soaring through the late hours and early mornings, Niteowl emerges from the depths of the forest. Starting his career back in 2017 on open decks at Barfly, Niteowl has been flying through the bass scene in the Twin Cities. After joining the EDM club at the University of Minnesota, where he was able to hone his craft, Niteowl began making a career for himself. In 2017 he opened for Steve Aoki, and in that moment, Niteowl knew his destiny. Niteowl continued to impress the dance scene of the Twin Cities from getting the party started at the Skyway Loft, opening up for Malaa with groovy house at Vanquish, to playing heavy riddim and bass as direct support for Doctor P x Funtcase at The Loft. With a diverse mixing style, Niteowl blends the likes of house, dubstep, and dnb that gets audiences dancing all night long, claiming all of his fellow Night Owl tribe along the way.


SHOWS PLAYED TO DATE..
 
4/20/19 Studio B for Herobust 
5/25/19 The Loft support for PhaseOne 
6/6/19 studio B for Flosstradumas 
6/20/19 Barfly Support for D3V 
9/06/19 The loft Support for Decadon 
7/04/20 The loft Support for Velvo 
10/10/20 Main stage Skyway Theatre ( support Bailo Beatz ) 
5/21/21 The loft direct support Crizzly 
7/15/21 The loft direct support for Doctor P x Funtcase ( Niteowl b2b NRGi ) 
12/18/21 studio B support for Virtual Riot 
8/1/22 The Loft Support for Jykl x Hyde
4/16/23 Cowboy Jacks Mpls Retox 
5/20/23 opening set for Cyclops 
6/15/23 Vanquish Support for Malaa 
7/20/23 House Top ( Crave Rooftop ) Headline set
8/27/23 Cowboy jacks Mpls Retox 

Genres
Dubstep
House 
Techno 
Drum & Bassc

Catelin Do is following