Praised for her equally fierce and bold dramatic performance style, Sylvia Hinz is one of the leading recorder players worldwide, specialized in contemporary music and improvisation. #RecorderPower
Besides working as a classical trained musician, she is part of the industrial project Catenation and bass player & vocalist in dissonant-tech-death-metal band Coma Cluster Void. in her spare time, Sylvia likes to #SmashThePatriarchy.
https://soundcloud.com/sylviahinz
www.sylviahinz.com
http://sylviahinz.bandcamp.com
Sign up for Sylvia's newsletter here: http://eepurl.com/gFUp3D

TRACKLIST:
1. Fuck the Patriarchy by Offering in Spite
2. noisebonus16 by del_f64
3. Room 02 (Deep Wounds) by Catenation
4. Controvento by Marie Rose Sarri
5. Alexithymia by Sarkha
6. Dosage (Demo Version) by Holidaywife
7. Air Voice by Pillar Of Garbage
8. windserie 13 by Sylvia Hinz
9. Escape At Bedtime by Marie Wilhelmine Anders
10. Iota by Jomoon
11. Inductive Encounter by Steffi Baron-Neuhuber
12. Zami by Moor Mother
13. Channel Z by Zustand D.
14. Erschiessen by Ideal

f:p podcast episode 90_Sylvia Hinz

Catenation – Spiral III (Radio Edit)

VūMantra Records presents:

[VMNTR#043]

KSYLEN
"Ksylen" [EP]

Ksylen’s 4-tracks EP incorporates EBM, post punk, wave, industrial and techno elements, and she radiates power with distorted vocals over spicy broken beats.
Ksylen’s music creates hypnotic and fizzy potions that remove awareness of our own essence and create a new state of mind.
She is part of the Female Pressure, an international network in the fields of electronic music and digital arts.
credits
released September 8, 2022

Lyrics and Voice by Ksylen
Music produced and mastered by Vū
Remixes by Dutch Fist - Fangarm - Øperat - Stranddna - Catenation
Remixes mastered by Vū
Artwork and Videos by Vince Gagliardi [ The Nent ]

DOWNLOAD THE REMIXES FOR FREE vumantra.bandcamp.com/album/ksylen-ep

Ksylen

FREE DOWNLOAD

KSYLEN - Shaking Drones [ Catenation - Remix ]

"ashes on my tongue" by Jeanne Artemis, performed by Hashtag Ensemble:
Lilianna Krych - Conductor
Aleksandra Demowska-Madejska - Viola
Adam Eljasiński - Bass Clarinet
Paweł Janas - Accordion
Ania Karpowicz - Flute
Magdalena Kordylasińska-Pękala - Percussion
Mateusz Loska - Double Bass
Marta Piórkowska - Violin
Dominik Płociński - Violoncello
Wojciech Psiuk - Baritone Saxophone

Composed during the Virtual Partner Residency with Hashtag Ensemble supported by the Goethe Institut

"Ashes On My Tongue" (performed By Hashtag Ensemble)

This release is an international compilation of 10 tracks produced exclusively by women from various horizons. This compilation was curated in support of women and the Iranian people in general. Proceeds will be redistributed to the "Collectif Femme Azadi" association, which provides material and media support for their struggle.

The journey begins with The Year of Blood by Gülce Özen Gürkan, a multi-layered dark and industrial soundscape, incorporating samples of the voice of Masih Alinejad that introduces the political nature of this release. Next, I Am an Iranian Woman by Nour Kara & Juliette Capel is a mixture between industrial, organic sounds, cello and voice, with a powerful atmosphere. The track Infinite Expansion by the duo Catenation is a dark ambient interlude before the banger Corpo in which Sara Brown lays her words on the edge-cutting production of Mad Monkey. Another duo, Flugen feat. Hura Mirshekari, proposes Mashaal, an introspection tack with deep vocals and rhythmics : The message of Mashaal is that the torch can never be turned off; wherever we are, we hold the roots of our lands and it is our duty to keep the fire burning. To wake you up from this dream comes Constructor, a breakbeat roller by Lyschen Finkorum, developing a great work on evolving patterns. Afterward, F9THF brings us Mina, on which she used her voice and complex polyrhythms in a delightful and glitchy combination. The next track, suyumuz özelleştiriliyor by pyruvicac.id, sounds like a long and gloomy ritual, with mutating vocal pads, tabla drums and acid synths. The penultimate track, Hundestern Klein produced by Marka Tamea, is a downtempo acid banger, containing crazy-sounding vocals by Rasputoin. Finally, The Chase, a mental techno roller by SDYK, closes this compilation.

Artists: @gulce , @nourkara , @juliette-capel , @catenation , Sara Brown, @fl-gen , @lyschenfinkorum , @f9thf , @pyruvicacid , @mark-tamea , @djyokai

Cat No: 909CNT009

Format: Digital

Release date : July 4, 2023

Artwork by Clémence Estivals
Mastered by Perception Mastering

SUPPORT <3

[909CNT009] JIN JIYAN AZADÎ: Voices for Iran

Lost Helmet is an industrial alias of Nika M, who is involved in the Heaven On Earth project and is also known as lutin. She has previously released albums on TESTFM and Eternal Delight.


https://www.instagram.com/rougedelutin/

Produkt 079: Lost Helmet

january contribution to LNA's monthly challenge

all sounds made solely out of her original vocal sample (the "show me the nightsky" you hear), chopped up and resampled with FX in the Digitakt II

Look Up

Jeanne Artemis - Sketches for Hardware Synths III. (4 sketches)

Entirely composed on the Syntakt, using lots of modulation via MIDI from the Digitakt II.

Quite squelchy and raspy, with drum sounds that don't sound very drum-y.

Hurried Operand

Score Video: https://www.youtube.com/watch?v=FrU98tcRs6U

Jeanne Artemis Strieder - for my being, I am (2019 version)
Performed by Nilper Orchestra, Conductor: Navid Gohari
World Premiere at the 4th Tehran International Contemporary Music Festival
@ Roudaki Hall, Tehran, Iran, June 2019

The piece is orchestrated to have an “outer ring” and an “inner ring”.
The top half of the score is the inner ring on the front.
The bottom half of the score is the outer ring on the back.
Each voice is composed as an individual.

"for my being, I am" (2019 version) for String Orchestra (performed by Nilper Orchestra)

Complete performance: https://www.youtube.com/watch?v=U7RDzMQu-wQ

Performed by Fidan Aghayeva-Edler
Unerhörte Musik Konzertreihe @ BKA Theater, Berlin, Germany, June 2020

"Amabile" (Fenster) for Piano (performed by Fidan Aghayeva-Edler)

@dissonant_witchcraft
The unique music of Catenation can be described as a mixture of Industrial, Doom, Glitch, Noise, Techno and Ambient. They weave intricate sonic textures with raw, electric-electrifying energy, delivering an intensely physical encounter with sound.
Catenation use instruments such as recorders (from sopranino to sub double bass), modular systems, analogue and digital synthesisers, electric bass guitar, found object percussion as well as broken retro equipment.
Catenation has performed at e.g. Krema Festival CH, Elektron Super Sekvens, Unerhörte Musik DE, Rock Sound EG, Goethe Institute Cairo and Alexandria EG, SoundsLikeTHIS UK, Dampfzentrale Bern CH, Interfilm Festival Berlin DE, IntegratedConf BE, Marry Klein Kulturdonnerstag DE, Setfest IR and Klangwerkstatt, played as support for Plaid, appeared on compilations such as Listen To Berlin and received scholarships from the Musikfonds, Neustart Kultur and the Goethe Institute.

Jeanne Artemis - Sketches for Hardware Synths III. (4 sketches)

CATENATION