Nice to hear some proper metal.  Subtle synth work really adds an intricate layer to the powerful guitars and wonderfully aggressive vocals.

good job man! i really like it! keep it up

dope for sure heavy, solid production! great vocals

Too much focus on the track, but great song nonetheless

holy heavy metal awesome vocal 2horns up keep it metal

Lied to Be Led to Silence

Suite of choral movements from A New Eaarth for orchestra, chorus and narrator. This version for chorus and piano.

Publisher: Bill Holab Music:
http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1837

View Score:
https://issuu.com/robertpaterson/docs/paterson_choral_suite_from_a_new_ea

For more information:
https://robertpaterson.com/choral-suite-from-a-new-eaarthh
http://robertpaterson.com/a-new-eaarth

PROGRAM NOTE
Although I have lived in cities most of my life, I do not think of myself as a city person and have always felt more connected to the outdoors rather than to asphalt and tall buildings. Many of my works are inspired by nature, and I am deeply concerned about environmental issues, particularly climate change.

Of the many excellent books on the environment, one of the best and the one that moves me most is Eaarth by Bill McKibben, a famed author, educator and environmentalist. McKibben’s assertion is that we have waited too long, and that massive climate change is not only unavoidable, but already underway. He states that we may as well call this new planet Eaarth, because it is still recognizable, but fundamentally different. I feel strongly that he is correct, and wanted to express this in a musical way. A work for orchestra, chorus and narrator seemed like the ideal vehicle for reflecting on this critical issue.

Choral Suite from A New Eaarth consists of the four choral movements from A New Eaarth for orchestra, but with piano rather than orchestra. I designed these movements so they could be performed as a stand-alone suite, and in fact, for the purpose of rehearsals, I composed the choir and piano versions first, and then orchestrated them so they could be integrated into the whole orchestral work.

The suite includes texts by Wendell Berry, James Joyce, Percy Bysshe Shelley and William Wordsworth. The poems, at least as part of the entire orchestral version, allude to the four ancient classical elements—earth, air, fire and water—a theme that permeates many of my other works.

A New Eaarth was commissioned by the Vermont Youth Orchestra Association through a Music Alive! residency grant from New Music USA and the League of American Orchestras.

Eternal Reflections

Choral Suite from A New Eaarth - IV. There Was A Time (William Wordsworth)

CRUSHER (Demo)

[Verse 1]
Drums like thunder, rolling through the night
Every heartbeat’s a battle, every step’s a fight
Born from fire, I was forged to reign
Standing tall where legends carve their names

[Pre-Chorus]
Raise your hands, let the sky ignite
We were made for glory, we were made to rise

[Chorus]
I am the King of Kings! (Oh-oh, oh-oh!)
Hear the people sing! (Oh-oh, oh-oh!)
With the crown of light, I will never fall
I am the King of Kings, I was born to rule it all

[Verse 2]
Voices rising like an endless flame
Every soul united, shouting out my name
Walls will crumble, shadows fade away
Nothing stands against the power I proclaim

[Pre-Chorus]
Raise your hands, let the sky ignite
We were made for glory, we were made to rise

[Chorus]
I am the King of Kings! (Oh-oh, oh-oh!)
Hear the people sing! (Oh-oh, oh-oh!)
With the crown of light, I will never fall
I am the King of Kings, I was born to rule it all

[Bridge – Chant/Breakdown]
Stand! Fight! Never bow!
Shout it louder, hear it now!
Stand! Fight! Raise your flame!
All the world will know my name!

[Final Chorus – Full Power]
I am the King of Kings! (Oh-oh, oh-oh!)
Hear the people sing! (Oh-oh, oh-oh!)
With the crown of light, I will never fall
I am the King of Kings, I was born to rule it all

[Outro – Crowd Chant]
King of Kings! (Oh-oh, oh-oh!)
King of Kings! (Oh-oh, oh-oh!)
Forever we rise, forever we call
King of Kings, I was born to rule it all


King Of Kings

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Yesterday’s gone! 
Today I’m going conquering 
with all of these strangers and friends
We don’t look back 
We only forge ahead, on and on, smiling at death! 
We don’t know where we’re going, but we’re going anyway 

In the strangest way, you’ll be in my soul 
Your laughter is wrapped ‘round my bones 
And when you cry, tears fall from my air 
Your shadow follows me everywhere 
So, I don’t need you! 
No, I don’t need you, anyway, baby 

No, I don’t need you 

Honey, I’m sorry 
I didn’t mean to hurt you 
Everyone we love, we’re sailing away from 

I’ll miss the others, but my Mother Nature 
tells me to run on, and on, and on...
...

Written & Produced by Stallion Dunquis
© all rights reserved

New Morning

Stallion Dunquis - New Morning (Radio Edit)

I turned on the TV so it's not obvious that I have lost my mind/ been staring at a blank screen, I'm afraid in time that someone will catch on/ what happens if Prince Charming never shows?/ will i be the consolation prize waiting in ragged clothes?/ i don't know/ well everyone that i know has a reason to say "hello" then "fuck you"/ some girls disguise with eyes that burn so bright you'll never see them hang the noose/ "hello?"/ "FUCK YOU!"

Sanity's Last Little Ditty

Don’t miss the video 🎥

https://youtu.be/oOfujR5Ctx4


The Lockdown Sessions is a conceptual instrumental Jazz EP composed and recorded during the covid-19 lockdown in April 2020.

The album reflects the perception of the artist before, during and his hope for the future.

SOHO
This is a song that represents past. A more relaxed and classic Jazz club take on experiencing live music. You can even hear people clapping together before social distancing was even a thing. At the end is noticeable that something happen. It all have been so abrupt. 

WHAT’S GOING ON? (INTERLUDE 1)
This short statement transition us from an unexpected situation to an emotional state. Uncertainty comes to mind.

QUARANTINE
This song represents present, the lockdown state. Fear, sadness, acceptance. Everything into a sensible deep instrumentation form of chords waiting to transcend into emotions. This song really reflects the way I’m feeling (at the moment of writing this) regarding this crazy situation. (By the way, today is easter Sunday. )

WHAT NOW? (INTERLUDE 2)
This interlude is very calming and soothing. I was emotionally tired when I was composing this piece, So I created the music I needed to hear at the moment. An easy and warm transition to the future ahead, the kind of music that tucks you into bed. Tomorrow will be another day.

NOVEMBER
A song that represents change, a new beginning, a future cohesive sound to embrace. November will deliver an immersive experience. We don’t know when and if things will get back to “normal” November is just a dot in the horizon to think about the future. There will always be another November…

The Lockdown Sessions

November (Future)

Catercorner

Orchestral Grind

Hang Goat
Lyrics: 
After I die hang me a what for
Damn it all to hell and ask me for more
Ask me what for and I will ask all 
Gave it all up and I ask for more
about a hang goat fills wet ashes
A goat in a world bet goat hang dies
After I hide play another instinct
Miss her and I ask am I the one to die 
I don’t have an instinct am I the one to die am I the one to die about a hang goat fills wet ashes 
A goat in a world bet goat hang dies

When we were young

Hang Goat [demo]

Royalty Free Music – DIRECT DOWNLOAD from SoundCloud!

***
Track name: Waltz of Ghosts
Music by Michael Herter
Free Download: https://cutt.us/WaltzOfGhosts
Video: https://youtu.be/G2IuiQhDflY

Waltz of Ghosts is a classic horror music track perfect for a horror movie trailer and Halloween parties.
Solo performance on the grand piano.

Honestly, I turned on the light when I did this track!
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***
A Commercial License can be purchased on Audiostocks: 

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https://artists.jamendo.com/en/artist/sibviolin/

***
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***
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___
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Thanks For Listening!

Shadows of Black Forest

Waltz Of Ghosts

I taught myself guitar with the Beatles and Elvis music books when I was 16 but when it came to the piano many years later, after learning the basic major/minor chord shapes, I just began trying to busk/write songs to practice (I haven't improved much btw!!!!) and this song stemmed from that time trying to join chords together. The idea about "closing the door and never coming home" reminded me of the Beatles 'She's Leaving Home' and I just went with it: Imagining contrasts of George Michael or Morrissey singing the 'big' chorus I could hear in my head in their own unique ways. It's another story song and is about no one in particular. I don't expect this song to be an 'in-context' hit on Soundcloud but it is a personal favourite of mine.

Charles Hardin

Nobody Else

London-based experimental metal band. Blending aggressive metal and glitchy electronica it largely defies categorisation, creating something progressive, unique and extreme. 

Available to download on Bandcamp and stream on Spotify. If you like the music, like us on Facebook to stay up to date with what we get up to.

Orchestral Grind

Catercorner

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