Catercorner

The Other Osmium

I like to try and make fun noise

you tube topic Brett Owen

Blackened Death Metal from Santiago, Chile.

Line-up:
Valerie Kilgore: Vocals
Vik: Guitars / Backing vocals
Peracles: Guitars / Backing vocals
The Hund: Bass
Mr. Julivs: Drums

Atmospheric Progressive Metal from Glasgow, Scotland

"Enlighten Me",  "Instinct" and "The Generalist" now streaming on SoundCloud, BandCamp, Spotify and YouTube.

https://linktr.ee/sgaile

Autumn’s Grace is based in Atlanta, GA and consists of members 
Nick Russell - Guitars/Bass
Hunter Blackwell - Drums/Producer

Autumn’s Grace started as a home studio project in California with Nick recording guitar tracks and writing songs. Now based in Atlanta Georgia, wanting to push the music further, Nick reached out to like minded musicians and found Hunter.

Hunter AKA "Beast Beats ATL" is a drummer at the core, but also an aspiring producer and now newly dedicated band member to "Autumn's Grace."

Go ahead and listen to a variety of our music and follow for more to come 🤘
Check out and subscribe/follow on other platforms 👇👇

https://www.youtube.com/user/naruss65

https://www.facebook.com/AutumnsGraceNR/

https://www.instagram.com/autumnsgraceguitarist

https://soundcloud.com/beastbeatsatl

I'm a black sheep, I make music, I suck at mixing, I can't sing, I love music, I NEED music

London-based experimental metal band. Blending aggressive metal and glitchy electronica it largely defies categorisation, creating something progressive, unique and extreme. 

Available to download on Bandcamp and stream on Spotify. If you like the music, like us on Facebook to stay up to date with what we get up to.

Hey everyone i am Adro The Toxic Waste and i come from Sardinia (Italy) what about you??? ehehehe. I have been living in UK since 2013 and i am a guitarist based in Brighton and Hove, England. I started when i was 14, just a kid. Always been through music i use to play so many generes and styles such as black, death, thrash metal, hard rock, hardcore, metalcore. I have made my own music during these years self written, self produced and self recorded. Looking for collaboration with guitarist, bassist, drummers, keyboardists or whatever, open to any genres. Just hit me up ciao! Adro the Toxic Waste is currently a solo project because of lack of musician, i'll find someone in the future. Thanks for your attention, forever yours, Adro <3

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

DJ / Beat Maker
House  | Techno | Uk Chill


