Portions Transparent/Opaque (2014/2023) excerpts

the Additive Arrow

Wave Forming (2019)
Xavier Lopez and Bryan Eubanks, synthesis
Newton Armstrong, binaural mix
excerpt from All That Dust release, 2020
https://allthatdust.com/

Wave Forming (binaural mix) 2019 excerpt

Rebecca Lane, microtonal bass flute
Jon Heilbron, contrabass
Adam Asnan, recording
Samuel Dunscombe, mixing
excerpt from 2021 release on Another Timbre
http://www.anothertimbre.com/catlambmuto.html

Muto Infinitas (2016) Excerpt

Jay Campbell, multi-tracked cello, recording/mixing
excerpt from the middle of a 2 1/2 hour realization, 2020

Descensus Trio Jay's version (excerpt) 2020

Koen Nutters, contrabass
Johnny Chang and Cat Lamb, violas
Lucio Capece, bass clarinet

Document from an initial performance on October 20th, 2013 at Ausland, Berlin.


Areas of Presence: material/highlight (2013)

inter-spatia (2020/22)
Catherine Lamb

performed on March 18th, 2022 at Nykirken, Bergen, Borealis Festival

Microtub (Robin Hayward, Martin Taxt, and Peder Simonsen), Rage Thormbones (Mattie Barbier and Weston Olencki), with MO Abbott and Henrik Nørstebø

tuba trio + trombone quartet

recorded by Weston Olencki

inter-spatia (with Microtub and Rage Thormbones)

section X from Divisio Spiralis (2019)

JACK Quartet

February 25th-26th, 2021, Oktaven Audio, Mount Vernon, New York
Mastering engineer: Ryan Streber
Editing/Mixing: Christopher Botta and Christopher Otto

Catherine Lamb

Divisio Spiralis X (2019)

#9 of new works in collaboration with Sarah Saviet and Joseph Houston, created during Fall 2022

piano harmonically aligned with the open violin tuning

this is a piece that culminated after 9 studies, realized by Sarah and Joe

recording is taken from the live concert recording, December 2nd, 2022, KM28, Berlin

violin/piano study #9 for Sarah and Joe (by Catherine Lamb)

first and second studies in collaboration with Sarah Saviet and Joseph Houston, created during Fall 2022

piano harmonically aligned with the open violin tuning

realized by Sarah and Joe

recording is taken from the live concert recording, December 2nd, 2022, KM28, Berlin

violin/piano study 1 & 2 for Sarah and Joe (by Catherine Lamb)

Modi in Cascada

for A Filetta and Ensemble Resonanz
premiere performance WDR Funkhaus Köln,
21st August, 2022

Modi In Cascada (2021/22)

premiere performance of song/form
by EXAUDI vocal ensemble

December 2022, Kings Place, London

song/form (2021)

for the Ghost Ensemble

excerpt recording, first 12 minutes

premiere performance by the Ghost Ensemble

December 2022, Roulette Theater, Brooklyn

mixed by Ben Richter

interius/exterius (2022) excerpt

Tilt Brass performs overlays/smear in 2015, somewhere in New York City or Brooklyn

overlays/smear (2015)

excerpts from Portions Transparent/Opaque

-IC to IIG
-IIIH to end

Ilan Volkov, conductor
BBC Scottish Symphony Orchestra
July 24th, 2023
Royal Albert Hall, London

Lamb BBCSSO Portions IIIH End July23 Excerpt

Portions Transparent/Opaque (2014/23) 

IC-IIG excerpt recording [6:00 beginning of Portion II]

Ilan Volkov, conductor
BBC Scottish Symphony Orchestra
Royal Albert Hall, London
July 24th, 2023

Lamb BBCSSO Portions IC IIG July23 Excerpt

tone/noise (emergence patterns)  [2011]

the Additive Arrow (2021/22)

middle excerpt of a live recording

Lucy Railton, cello
Rebecca Lane, microtonal bass flute
Thomas Nicholson, secondary rainbow synthesizer

December 2023, Emmaus-Kirche, Berlin

the Additive Arrow (excerpt middle) Lane - Railton - Nicholson

the Additive Arrow (2021/22)

beginning excerpt of a live recording

Lucy Railton, cello
Rebecca Lane, microtonal bass flute
Thomas Nicholson, secondary rainbow synthesizer

December 2023, Emmaus-Kirche, Berlin

the Additive Arrow (excerpt beginning) Lane - Railton - Nicholson

the being/the world (2024)
for Juliet Fraser and Ensemble Musikfabrik

extract recording: 
scene 10: the atmospheric agent, 
scene 11: aria (happiness) [from 4:28], 
and part of scene 12: ensemble (love) [from 10:00]

premiere recording extract from WDR, Köln on 3 March 2024

total piece duration: 1 hour

in loving memory of Amelia Cuni

commissioned by Ensemble Musikfabrik and Kunststiftung NRW
photograph: Janet Sinica

the being/the world (2024) scenes 10, 11, 12 (extract)

the being/the world (2024)
for Juliet Fraser and Ensemble Musikfabrik

extract recording: scene 5: duo (love)

Juliet Fraser, voice
Sara Cubarsi, viola d'amore
Benjamin Kobler, synth organ
+ MusikFabrik

premiere recording extract from WDR, Köln on 3 March 2024

total piece duration: 1 hour

in loving memory of Amelia Cuni

commissioned by Ensemble Musikfabrik and Kunststiftung NRW
photograph: Janet Sinica

the being/the world (2024) scene 5 (extract)

the being/the world (2024)
for Juliet Fraser and Ensemble Musikfabrik

extract recording:
scene 1: asleep,
scene 2: awake [from 3:00],
scene 3: mesmerized [from 6:00]

premiere recording extract from WDR, Köln on 3 March 2024

total piece duration: 1 hour

in loving memory of Amelia Cuni

commissioned by Ensemble Musikfabrik and Kunststiftung NRW
photograph: Janet Sinica

the being/the world (2024) scenes 1, 2, 3

the second half of a recording made by the London Contemporary Soloists, 2015

string quartet (second half) (2009)

performance at Hospital Kirche, Stuttgart, March 10th, 2017

Catherine Lamb, composition, viola/voice
Bryan Eubanks, electronics (Secondary Rainbow synthesizer)

from a series of pieces named "Prisma Interius" in development(2017)

Prisma Interius III (2017)

an excerpt from a first performance recording at Kule, Berlin, October 2017

dedicated to V.T. / Johnny Chang / Konzert Minimal

Johnny Chang, viola
Andrea Neumann, secondary rainbow synthesizer

recorded by Adam Asnan

Prisma Interius VI (for V.T.) 2017 excerpt

excerpt of 52 min. recording of the last in the series Prisma Interius on New World Records:
web page: http://www.newworldrecords.org/album.cgi?rm=view&album_id=95221

for: Ensemble Dedalus

Didier Aschour (electric guitar)
Amélie Berson (romantic flute)
Cyprien Busolini (viola)
Yannick Guédon (voice, treble gamba)
Thierry Madiot (bass trombone)
Pierre-Stéphane Meugé (secondary rainbow synthesizer)
Christian Pruvost (trumpet)
Silvia Tarozzi (violin)
Deborah Walker (cello/voice)

recorded and mixed by Benjamin Maumus at Centre Pompidou, Metz, France, July 2018

mastered by Paul Zinman

image by Uta Neumann

Prisma Interius IX (2018) excerpt

excerpt from recording session at Guebwiller cathedral, France
May 2023

with Ensemble Proton

Ingo Schmidt-Lucas, sound engineer

Curva Triangulus (2018/21) excerpt

Prisma Interius IV (2017/19)

excerpt from a performance made at KM28 on April 18, 2019 (an hour + in length)

Rebecca Lane (microtonal bass flute, voice)
Bryan Eubanks (voice, secondary rainbow synthesizer)
Cat Lamb (voice, viola)

Prisma Interius IV (2017/19) excerpt

Bryan Eubanks and Xavier Lopez, synthesis
first 16 minutes of an hour long piece
performance recording from November 2019 at Petersburg Artspace, Berlin

wave forming (astrum) excerpt

London Contemporary Orchestra, 
Robert Ames director, 
Tate Modern, Sept 2017

Prisma Interius V (2017)

James McVinnie and the London Contemporary Orchestra
October 2016, Union Chapel, London

Cumulus Totalitas (2016)

descensus trio (2020)

first 15 minutes (pages 1 & 2) of premiere performance (55 minutes total) performed by:

Biliana Voutchkova (violin), Lucy Railton (cello), and Cat Lamb (viola)

commissioned by the DARA string festival, Berlin, August 2020
recorded by Roy Carroll

Catherine Lamb

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