CENAP

from the album "the world through your polaroid glasses" available 11/8!

so, what i remembered,
um- like this moment
where i could either face the consequences of my actions,
because it was my fault,
and the consequences were going to be bad
it was gonna be really, really bad

or i had the choice of doing a do-over,
but i could be transported to a different reality
i could stay in this reality,
or i run the risk of accepting the do-over
but not being being able to remain in this reality

but it's like it was a gamble, and i chose
and i basically gambled my life
and i should have accepted reality as it is
and not tried to, like, change it
because i lost everything
and... it wasn't worth it

people get upset that bad things happen,
or even that they caused bad things to happen
and they wish that they had gone back and done things differently
or there were no consequences to it
but you don't know that it's like- well the bad things happen
but maybe that was the best case scenario
and we have this idea that maybe if that hadn't happened,
we would be okay
but maybe that's not the case

recorded, mixed, and mastered by uncle joe
vocal recording from kat
art by Snowykins

i left my love at the wayside

aught point - soak

赤髪の緑の男

premiere performance of song/form
by EXAUDI vocal ensemble

December 2022, Kings Place, London

song/form (2021)

Jeph Jerman, For Alvin Kelly

Pointillism for sampled human voice

As a boy, my dad raised seahorses as a hobby.   He always told me that after the babies were born, the mom had to be removed from the tank so she wouldn't eat them.   I later realized this was a metaphor.

seahorses

becoming sounds - 30 objects 10 minutes is a book and sound project.
http://www.rienakajima.com/becomingsounds.html

becoming sounds - 30 objects 10 minutes

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

London Contemporary Orchestra, 
Robert Ames director, 
Tate Modern, Sept 2017

Prisma Interius V (2017)

Catherine Lamb

Recent comments

szzdz

Michael Halls

Related tracks