Beautiful and point ob recap on the whole Situation!

This is such a mood. Great minds think alike 🔥 Track🔥

I'm glad I can open my mind to new ideas Great song

This song is fire 🔥 Keep up the good job

POP MUSIC NEW 2023 - VOLUME 1

Want Me Too

Unforgettable

You Think A Girl Is Shy But Turns Out She A Satan Loving Sexual Freak

“Let’s celebrate one love, one world, one you, one me.”

Kick 2020 to the curb with this alt-indie rocker “2020 In My Rearview” by singer-songwriter, Catlea. This high energy song encourages us to put the worst year in memory behind us in a powerful celebration of love and unity.

Catlea invites us to party all night and dance until the daylight while remembering that love is the highest calling of all.

2020 In My Rearview

2020 in My Rearview

Closed Scenery

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Winter Songs

Eating Variations - IV. The Dietary Moralist

So I'm a big fan of The Mandalorian and I really loved Ming-Na Wen's character 'Fennec Shand', but I noticed that she didn't have her own theme song...so I made one! I took some elements of the official Mandalorian main theme and composed this theme song as a tribute to Fennec's character and the awesome actress Ming-Na Wen as well. Hope you like it!

Fennec Shand Unofficial Theme Song | "Desert Assassin"

Space Ocean Space

On The Phone

Emulator

Winsome

Lyrics:
Walk That Talk Back (feat. Kimera Morrell)  
BPM = 95   © Bobby Martinez, HeartLove Music, ASCAP
Intro:
Da da … 

Verse 1:

Babe I know you want me bad
Yeah you wanna be my man
No no I’m just curious
So don’t be gettin’ serious

If I let you in my space
Gonna put you in your place
When we kiss the taste is sweet
But you’re the flavor of the week

Pre-chorus 1:

Tell me that you want me
Say you wanna touch me
Tell me that I’m yummy  
But don’t tell me that you love me

Chorus 1: 

Walk that talk back
I’m not even ready for that
Walk that talk back
I’m not even thinkin’ ‘bout that
Yeah I’m wanting you 
But not the way you want me to
Walk that talk back
Baby we’re not even all that

Verse 2:

In the night I’ll keep you warm
I won’t be there in the morn
I’m not cold there’s just one thing
It’s not the time for diamond rings

We’re like friends with benefits
Move to fast I’ll call it quits
I’m allergic to your talk
You keep it up I’m gonna walk

Pre-chorus 2:

Maybe say I’m funny 
Say you need my honey
Call my body money
But don’t tell me that you love me

Chorus 2
(same as Chorus 1) 

Chorus 2b:
Da-ahh da da da yeah-ah-ah-ah-ah-ah-ah ahh
Da-ahh da da da walk it back, walk it back, walk it back now 
(repeat)
  
Pre chorus 3:

Talk about whatever
When we’ll be together
That’ll be never
If you talk about forever

Chorus 3 
(same as chorus 1)

Walk That Talk Back

Apollo square

The pre-series

Away from you

An Indie/Alternative soundtrack inspired by cinematic animes and epic JRPG's.

Anime, JRPG Soundtrack | "Dream"

join the site for free promos

https://m.facebook.com/groups/magicsoundbeats/

For rising pop star Catlea music has always been the point. It helps them get up in the morning, get through the day, and find meaning in a confusing, chaotic world.

To the native Cincinnati singer-songwriter, music is the ethereal substance between body, mind and spirit, between isolation and connection. 
     
Inspired by music’s endless possibilities and the infinite ways to express one’s self beyond words alone, Catlea’s songs are filled with layers of meaning, layers of gorgeous vocals, and layers of complex soundscapes in an eclectic musical spectrum ranging from indie-pop to rock and EDM.      
     
Having written and released fourteen singles, achieved over 9 million streams, and over a million video views on YouTube, Catlea wrote “Language Barrier”—a multi-layered tour de force that takes the listener on a journey through a shattered relationship. In response to the real-life gaslighting actions of a former partner who betrayed Catlea in an elaborate web of deceit, “Language Barrier” is a cathartic release. Beyond Catlea—to anyone who’s experienced heartache— “Language Barrier” offers a liberating path to healing and personal empowerment. 

Catlea is represented by David Rippe david@catleamusic.com, 513-253-4854.

2020 in My Rearview

Catlea

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