Instagram: instagram.com/solomonnn.millerrr

Lyrics:
Sometimes
I lose days caged inside myself
Suffer silently
Alone there’s nothing wrong with me

But I might find
Any other time
I’ve got everything to lose

I’m problemed
Feeling everything, I’m lost in it
The present moment dies tired
Obsessed thoughts circling higher

But I might find
Any other time
I’ve got everything to lose

I wanna thank you for the work you’ve done
But I’m not done
I know this is not an ode
It’s a swan song
I wanna praise you for the work you’ve done
But I’m not done
I know this is not an ode
It’s a swan song

I could lie, say I’m free of confusion
But there are days I rely on you
Tell myself there’s linear improvement
And it’s all modeled after you

But I might find
Any other time
I’ve got everything to lose

I wanna thank you for the work you’ve done
But I’m not done
I know this is not an ode
It’s a swan song
I wanna praise you for the work you’ve done
But I’m not done
I know this is not an ode
It’s a swan song

Who's That Girl

By Your side

She's Here

Drift Away

Fading Petals

Standing Still

produced by fogdiver (03/17/2026) C029 wavebird 2026 remaster

wavebird (remaster)

Голова станет ж

Eklo

Walked in trying not to think
Sat down with a double drink
Friends were laughing way too loud
Still felt lost inside the crowd
Checked my phone a hundred times
Nothing new, just old signs
Thought tonight might clear my head
But you’re still stuck in it
Five o’clock somewhere
They say
So why not here? It’s been a long day
If I leave now
I’ll beat the traffic

Call a taxi
Don’t care what it costs

Let’s have a drink and talk
’Bout the way it used to be
We were young and runnin’ free
All those nights on Primrose Hill
I’d give all I have and will
To go back and have one more chance
But it don’t work like that
So let’s have a drink and talk
’Bout the way it used to be

Don’t look now
But she’s here
Take a shot
Get rid of the fear
She looks happy
Oh
Good for her
She’s a mother now
Still lighting up the room
Looks like her husband’s just perfect

Oh
I hope that he knows
She’s too good to lose

Let’s have a drink and talk
Like we never left that dream
We were wild and seventeen
All those nights on Primrose Hill
I’d give all I have and will
Just to steal one more slow dance
But it don’t work like that
So let’s have a drink and talk
’Bout the way it used to be

I almost ruined everything
Just to feel you one more time
Almost crossed a line tonight
That your heart had redesigned
But I saw it in your eyes
You were finally somewhere safe
You deserved a kind of love
I was always too afraid
Some of us are just the lesson
Somebody else gets the fate

Let’s have a drink and talk
One last time for old time’s sake
Some forever hearts just break
All those nights on Primrose Hill
I’d give all I have and will
Just to know you’re happy now
But it don’t work like that
So let’s have a drink and talk
’Bout the love we couldn’t keep

5 O’Clock Somewhere

Dive into “You Are Locked In Here With Me” by mhatanGRAUZAHN — a high-energy fusion of Pop Rock, Synthpop, Electro, and vintage 80s Metal attitude.

This track is more than just a song — it’s a dialogue between a human and their own heart. For years, the heart has worked silently, reliably… unnoticed. But now, it demands recognition. Respect. Control. And it makes one thing terrifyingly clear:

“You’re not locked in here with it — it’s locked in here with you.”

Driven by explosive glam rock energy, infectious synth layers, and a relentless pulse, the song builds into a chorus that sticks in your head long after the music stops. Inspired by the iconic Rorschach quote, the hook delivers a haunting, almost addictive mantra that blurs the line between body and identity.

⚡ Expect:

A powerful, visceral vocal performance
High NRG rhythm that mirrors a pounding heartbeat
A dark, introspective concept wrapped in anthemic sound
Retro 80s metal & glam influences with modern electronic production

If you’re into Alternative Rock, Electro Pop, Glam Metal, or Synth-driven anthems, this track will hit hard and stay with you.

🎧 Turn it up. Feel your heartbeat.
Because it’s already listening.

YOUareLOCKEDinHEREwithME

7c3.  Lamento de Sotobanari - Sotobanari's Lament III (Remix 02) - POR-B 01

7b3. Lamento de Sotobanari - Sotobanari's Lament III (Remix 01) - POR-B 01

8c3. Ratapan Sotobanari - Sotobanari's Lament III (Remix 02) - INDO 01

Psychosis

8b3. Ratapan Sotobanari - Sotobanari's Lament III (Remix 01) - INDO 01

8a3. Ratapan Sotobanari - Sotobanari's Lament III - INDO

It's not mine, this is not my face
It's not mine, must be someone else
It's not mine, this is not my place
It's not mine, must be somewhere else

Singing along to my favourite song
The words are all wrong
I wish I knew where I belong

It's about time to break out of this cage
It's about time to defy my fate
It's about time to end this chase
It's about time to unleash my rage

Playing along to my favourite song
The chords are all wrong
Tell me where do I belong

If this ain't me and that's not you
What can we still hold on to?
If this ain't real and that's not true
What are we supposed to do?

Singing along to my favourite songs
The words are all wrong
Won't you tell me what is wrong?
I wish I knew where I belong

Belong

Mostly:  Synthpop, Electro, melancholy, sad, House, Trance, Trip-Hop, Electronica, Synthwave

Also a YouTuber (aber nur für Deutsche)

I'm a one-man project playing all the instruments, singing as well as writing and recording all the songs myself.

Rainforest Cowboy

So you want to know more about the mysterious (and yes, still handsome 😏) Rainforest Cowboy, eh?

I come from a classical and technical background that somehow found its way back into music — but not in the usual way.

In school, I studied music for four years, playing in both orchestra and band. My main instrument was the tuba — the low foundation that carries rhythm and weight — under a traditional German composer and conductor. I also played early keyboards and organs, experimenting with MIDI back when an Atari ST was cutting-edge. Around that time, I fell in love with orchestral works, early New Age and experimental music, and the idea that languages themselves are musical instruments. That curiosity never left me.

Life pulled me away from music for many years. I worked, took care of my father through illness, and eventually built a career far from the arts. But creativity has a way of waiting patiently.

A few weeks ago, through volunteering — including helping pick up food for elderly women — I saw how hard people work quietly, without recognition. I wrote a song simply to say thank you. Friends encouraged me to share it publicly. I barely knew what SoundCloud was at the time.

And then something unexpected happened.

What I’m Doing Here

This project isn’t just about individual songs. It’s about stories, worlds, and connections.

I work in arcs:

- musical storylines that unfold across multiple tracks
- recurring characters (sometimes human, sometimes instruments with personalities)
- themes that evolve rather than repeat

I blend:

- East–West instrument fusions (Erhu, Koto, Taiko, Shakuhachi, Cello, Bass-Cello, Electric Guitar, Toy Drum, and more)
- multiple languages as emotional textures, not novelties
- sound-design and cinematic SFX (intros, outros, environmental layers) to place the listener inside the story

Some tracks are song-only.
Some include SFX.
Some have extended, almost audio-novel openings — like short documentaries or film scenes — while still remaining music.

This scale and continuity is rare on SoundCloud, and I’m intentionally exploring it.

Process (Short Version)

Research first — sometimes days or weeks, especially for cultural or historical pieces

Story before sound — lyrics are poetry; the song dresses the story, not the other way around

Tech as craft — I treat music creation almost like programming: key, tempo, instrumentation, language, emotional arc

AI as collaborator — not a tool, not a shortcut, but a specialist partner

Final polish — custom 4K–8K cover art, organization, HD/lossless upgrades, and SFX where it serves the story

I’ve worked with computers since the Apple ][ in 1977, later leading large-scale tech systems as a CIO. Merging narrative, music theory, and AI feels natural — like coming home.

Why I’m Here

I’m not chasing trends or numbers in a commercial sense — this is a hobby driven by curiosity, craft, and storytelling.

That said, I’m deeply grateful for every like, share, comment, and follow.

Those signals matter to me, not as validation, but as conversation. They tell me what resonates, what moved you, and what you’d like to hear more of. Many of the SFX and extended versions exist because listeners showed love for the original tracks — your engagement quietly guides where the stories go next.

So while this isn’t about profit or algorithms, your feedback genuinely helps shape the journey. Thank you for listening closely and responding — it means more than you know.

This is a hobby fueled by curiosity, respect for culture, and love of storytelling. The response so far has been humbling, and I take it seriously.

If you have:

- a story
- a place
- a culture
- a memory
- a charity
- a love, a loss, or a hope

…reach out.

If it resonates, the Rainforest Cowboy just might turn it into a song.

Nyx Pulse

experimenting sounds, beats, moods, and ideas.

This is a space to blend genres, try things that might not fit neatly, and learn by making. I write music that’s reflective and honest, about what I notice, what I question, and what sticks with me after the noise fades.

Some tracks are minimal, some rough, some more polished. All of them are part of the process. If it feels real, it stays.

No rules. Just curiosity, emotion, and growth through sound.

🎧 headphones
🔁 repeat listens

chill vibes from the midwest
thanks for tuning in ✨️

follow me on insta and youtube ~ @diegoxrives
My nose is big for a reason.

New tracks tagged #Indie Pop