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Warrior of the Night by Aero Chord

Tequila Remix (TRAP) (SICK!) [By J. Rabbit]

Second single from Ludwik Zamenhof's album Balkan Error.

Ludwik Zamenhof’s new solo album is inspired by Bulgarian, Polish, Balkan, Indian and Syrian music. Folk and Ethno samples are mixed with new electronic music such as Dubstep, Drum and Bass, IDM, Breakcore and Glitch Music to create an intoxicating and exotic brew guaranteed to get your feet moving.

Ludwik Zamenhof aka Andrzej Zagajewski is a producer, musician, dj and vocalist living in Cracow, Poland where he is a member of many bands. His primary instrument is tenor mandolin but he also plays banjo and saz. He sings in the folk-punk band Hańba! (translation: Shame!) whose lyrics refer to the political and social problems in Poland before Second World War. Other folk bands he is involved with are Bumtralala, Iglika and Kapela Hanki Wójciak. He also plays with UnitraProdiż, an experimental, noise, hip hop duo. Andrzej recently produced a fusion dance and Polish traditional music album for Południca!

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Alina

Rain is a standout track from Mamaku's third album Twigs of Gold released in 2014. http://monkeyrecords.bandcamp.com/album/twigs-of-gold

Mamaku Project's celebrated electro-organic sessions have crystallized into a compelling new album with a wide emotional spectrum, drawing on trip-hop, quirky grooves, and chanson. The lush sound palette, organically electronic, carries tender vocals, broody harmony and rhythmic word. Cinematic layers of altered guitar, flesh out driving analog-synth bass lines and stirring beats. Woodwinds, horns and conch shells adorn the compositions with luminous lines and inspired improvisations. Dark yet playful, contemplative yet dynamic, this record, indebted to Aotearoa/New Zealand's soil and sea, offers songs of the moment with a truly global sensitivity. 


Rain

Worse than the pain of knowing, is to not. 'Empty Vicious Nights' is a tale of a housewife's decent into madness as she questions her husband's fidelity. Thick, pulsating strings and hypnotic beat drive the anguished vocals to a crescendo - as the song builds, sanity departs. 

Broad Oak (aka Monkey Records founder Nigel Braddock) recorded and produced Charity Children's acclaimed debut album, The Autumn Came, and here delivers a hypnotic cello-driven remix of the second single Empty Vicious Nights.  

Says Braddock, "I like the original version of this song on the album but I always felt it could be darker and more intense to match Chloë's despairing vocal. For the remix I brought up the cellos and added some extra strings (care of Monkey artist John White on viola) and subtle keyboard parts plus a driving minimal club beat."

Hear the original and the rest of the album here: https://monkeyrecords.bandcamp.com/album/the-autumn-came

Empty Vicious Nights (Broad Oak Remix)

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Apex Rise - Take U Out [Trap City Release]

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Grandtheft drops a loaded 9-track remix pack with reinterpretations from Champagne Drip, Drops, Kid Kamillion, Pusher, Smalltown DJs, Spenda C, Damaged Goods, Stööki Sound, and Swick. As the cherry on top, Grandtheft & Sleepy Tom follow up their summer hit “Hold On" with a 2.0 bloghouse roller. Grandtheft’s squad rolls deep! 

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Quit This City (Remixes)

All The Way Up (Damaged Goods Remix) [feat. Lia Ices & Brasstracks]

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Grandtheft - All The Way Up (Damaged Goods Remix) [feat. Lia Ices & Brasstracks]

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ManMan’s mosh pit anthem “Takin Shots” gets an absolutely insane, uptempo rework from new Fool’s Gold signees GLD. Pure festival firepower!

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ManMan Savage - Takin Shots (GLD Remix)

The Animal album is a result of Sergey Onischenko’s two and a half year hitchhiking journey through 13 countries from Ukraine to New Zealand. In June 2013 he left his hometown Kharkiv in Ukraine with his guitar in hand and headed to the East chasing the rising sun. It was the beginning of a vagabond trip that he had always dreamed about. 

Since then he’s played about 250 gigs in around 200 cities in Russia, China, Hong Kong, Macao, Lao, Vietnam, Cambodia, Thailand, Malaysia, Singapore, Indonesia, Papua New Guinea, Australia and New Zealand. In late 2015 he toured Russia and Ukraine to promote the release of his new album with touring plans for Europe and who knows where else in 2016. 

Sergey started giving a birth to this album when he made a stop in Bali and recorded three songs in his DIY studio that he set up in bungalow near the ocean where he was living. Three other songs were recorded in Auckland, New Zealand at the MAINZ studio. The last two songs were made in collaboration with Cosmic Setter (Russia), Compact Substance (Ukraine) and Anna Denisova (Ukraine). Overall the album is surprisingly cohesive and Sergey’s breathy understated vocals over minimal acoustic arrangements (with the exception of the last two electronic-infused tracks) are sometimes reminiscent of early Iron and Wine or Bon Iver.

Album available here on CD or digital: https://monkeyrecords.bandcamp.com/album/animal


Some Day (ft. The Cosmic Setter)

Lifted from Freddy Fudd Pucker's latest album Hourglass Wine, this song sees him in a more reflective mood as opposed to some of his faster foot stomping, thrash folk numbers. Available on vinyl or CD with a handmade 16 page zine hand-drawn by Freddy himself. The digital version also includes a pdf of the booklet to download. https://monkeyrecords.bandcamp.com/album/hourglass-wine

Freddy Fudd Pucker (Tom Young) is originally from a small city at the edge of the earth called Dunedin, New Zealand. However, he has spent the last five years or so touring the world, playing hundreds of shows across Australasia, the USA and Europe. The last two years have seen him based in Berlin, Germany, focusing on a nearly constant European tour schedule. Freddy looks at touring as a way of cultivating not only a growing and loyal fanbase but the very experiences and characters that make up his songs. 

Hourglass Wine is a 10 track offering of break-neck speed, emotive, folk songs. The bulk of the which revolve around the simultaneous, multi-instrumentation of one boy and his high-gain acoustic guitar, bass drum and voice. 

Lyrically, the songs seem to be born out of a desire to restructure and rebuild dialogues often over-simplified in mass media. When listening to the album one picks up the fury and disillusion Freddy perhaps feels in this modern age of disinformation that shapes conversations around issues such as ecological catastrophe and the politics of international migration. Freddy pleads with the listener, and perhaps with himself, to search for a sense of self-worth beyond simply that of a consumer within an unmerciful, global economic system. The heavy lyrical content of Freddy’s songs proves he is not afraid to explore complex ideas within his high-energy, strangely fun, punkrock influenced, folk music.
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Black Honey

"You just keep pushing me, pushing me to the edge."

Catnapp - No Cover (Int01 Remix)

Catnapp - No Cover (Int01 Remix)

Down In The Basement

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Thunder

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