Remix for the mighty Grave Index in Toronto, they the north.

Grave Index - Underdome (Nobody Likes The Remix That Nahash Plays)

@aeondelit
@diversionprogram
@infinite-monkey-theorem
@xozgk
@persuasionsounds
@sim_mtl
@lacedetail
@viiaan
@chioini
@djsuzmo
@gobekli
@delianleague
@jiovanni-nadal
@quasistate
@disk-wraith
@amselysen
@benedictemusic

Mastered by SIM.
Artwork by Bruno Lauzon Tanzi and Nela Paki in collaboration with artist Marilou Lyonnais Archambault.

VA [CC003]

Previews: VA [CC003]

David Kaplowitz's aka DKAPZ first solo release is filled with grainy headstrong electronica and twisted minimal house beats.

More: https://ins-rt.net/audio/dkapz-echolocation-strictly-prohibited-in-this-area

Concerning Bats

Article

Premiere: DKAPZ - Echolocation Strictly Prohibited in this Area

RA:005 - VA001

laced - Starclip (@lacedetail)

all profits to be donated to www.musichelps.org.nz

Releases on cassette and digital on 19/11/2021

Mastered by Ike Zwanniken
Cover Art by Mas Guerrero
Digital Design by Molly McLennan
Cassette Layout by Grace Verweij

RA:005 - VA001

laced - Starclip

Full stream of Aeondelit's "Primary Sensation," taken from his EP Anima Minima on Sadan Records, out March 17.

More: www.orbmag.com/music/

@sadan_rec
@aeondelit

Anima Minima

Listen more

Premiere:  Aeondelit - Primary Sensation

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Elon Skum - [SW002] Self-Combustion
Silence Collapse, 2025
𝓑𝓾𝔂 👉🏾 https://silencecollapse.bandcamp.com/album/sw002-elon-skum-self-combustion

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
Pluralist: 

https://soundcloud.com/pluralist
https://www.instagram.com/_pluralist_/

Elon Skum:

https://soundcloud.com/elonskum
https://www.instagram.com/elon_skum/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/silencecollapse
https://www.instagram.com/silence_collapse/

#newmusic #electronicmusic #BassMusic #Club #Experimental

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#408 📢 Elon Skum - Shadow Feed (Pluralist Remix) [Silence Collapse]

da shaker

Despina's 'Futurecrimes' pits frenetic, nearly-recognizable sampled percussion against a deep, bubbling bassline and walls of psychedelic soundscapes.

More: https://ins-rt.net/audio/despina-futurecrimes

Polychronia

Premiere: Despina - Futurecrimes

On ACEN 017 London producer hmurd joins the All Centre ranks following releases on TT & Cherche Encore.

Title track ‘Low Grade Plastics’ continues with the sparse landscapes and dizzying atmospheres explored in hmurds productions so far. Opening with spartan drum choices, heavy kicks and cantering hi-hats sit at the tracks core whilst heavily processed percussion and FX make fleeting appearances. With eight on beat snare drum repetitions the track descends into it’s main theme. An austere four note melody, with frenetic kicks firing off around it as a loosely anchored snare provides a woozy half time rhythm. As the track progresses further FX heighten the sense of tension building around the tracks core, with a single oscillating bass note providing a nod to the tracks dubstep influences.

B side ‘Beighton Champ’ takes a different slant to its counterpart. Rapid hi-hats and percussion signal the tracks beginning and create a rhythmic sense of security, before being dispelled as the track collapses into a series of erratic de-quantised percussion breaks. Suddenly the confusion is broken, melting away into familiar percussion patterns accompanied by an angular melody courtesy of hmurd collaborator Emile Frankel. The melody is suddenly broken by a rising granular sound which signals an abrupt switch to a straighter beat, with kicks, claps and breath sounds carrying the groove.

‘Low Grade Plastics’ is available across all platforms from the 5th of June.

Low Grade Plastics

hmurd - Beighton Champ

memories which were never yours, laser-etched across a crystal plane

from 'Holy Endings', out March 26th on Doom Trip
https://lighghtmusic.bandcamp.com/album/holy-endings

Pre-Order Holy Endings

Lighght - care2kno

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

Blood

Laughing Ears - Murderous Means

⌗ Xen Model - Timesaver [CC-007]
https://causalchain.bandcamp.com/album/timesaver

⌗ laced - oko [CC-006]
https://causalchain.bandcamp.com/album/oko

⌗ Xen Model - Quark [CC-005] 
https://causalchain.bandcamp.com/album/quark

⌗ dybbuk - Unruhe [CC-004]
https://causalchain.bandcamp.com/album/unruhe

⌗ VA002 [CC-003]
causalchain.bandcamp.com/album/va-cc003

⌗ Xozgk - skllpt [CC-002]
causalchain.bandcamp.com/album/skllpt-cc002

⌗ VA001 [CC-001]
causalchain.bandcamp.com/album/cc001-va

run by
☍ @lacedetail

designs by
☍ @bruno-lauzon-tanzi

music by 
☍ @disk-wraith
☍ @xozgk
☍ @xenmodel

Previews: VA [CC003]

Causal Chain

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