Progressive House / Electro House Producers from Italy Giacomo Caputo aka "Jake"  19 years old and Raffaele Zarrella aka "Zarrella" 22 years old.

Already supported by:
- Blasterjaxx
- DVBBS
- Joey Dale
- MARNIK
- Juicy M
- HELENA
- JAGGS
- Simon De Jano
- Djs from mars
- Emrah Is
- Jay Cosmic
 and many more

Info:
info@jakeandzarrella.com
Booking:
booking@jakeandzarrella.com

Jetpak is a rebel from the far reaches of the galaxy. His home planet is advanced and evolved and they are a peaceful, happy, musical society with a bunch of Good Energy. Because of that, this planet wants to destroy any other planet with a lot of Bad Energy (since it's bad for the galaxy). Jetpak doesn't want any planets destroyed, so he rebels and makes it his mission to save Earth from destruction. 

Flying to Earth, there's so much Bad Energy that his jetpack drains quickly and he crashes down (that's how abundant Bad Energy here is), so he sets out to increase Good Energy overall with music. 

Will Jetpak raise Good Energy enough to save Earth? Or will he fail in his mission?

C.e.o. of Heart4HipHop
Founder Of Heart4HipHop The Label
A&R / Artist / Song Writer / Producer

Jamie Porteous is an electronic music producer and DJ, recently having left Ibiza to return back to Australia after many years abroad.

Montreal-bred songwriter JF Robitaille is no stranger to lofty expectations. Yes, he’s long been celebrated as one of the most engaging songwriters North of the 49—a fact evident even in his earliest days, when he fronted indie- rock outfit the Social Register in the aughts—but with 2013’s Rival Hearts, the world began to take notice. After the album charted in Germany, he found himself playing for large crowds at Hamburg’s fabled Reeperbahn Festival along with several other gigs throughout that country. Robitaille’s international rep began to resemble his accolades in Canada. Here, a troubadour cut from the same cloth as Leonard Cohen. Or Nick Drake. Or Bob Dylan.

Those hat-tips were undoubtedly flattering—as was the appearance of Rival Hearts on plenty of year-end lists, including his hometown newspaper, the Montreal Gazette—but they also set an imposing precedent. Thankfully, with his third full-length, entitled “Palace Blues”, Robitaille has delivered on those expectations—just not in the way you’d expect. Robitaille’s literary penchant and sophisticated song craft may still get him Cohen comparisons, but unlike Leonard’s Songs of Love and Hate, you’d never find him sipping scotch in the basement of the Matador. 
Because, as Robitaille has admitted, this is certainly not a folk album.

Instead, “Palace Blues” is the most ambitious album Robitaille has ever written. Sure, he recorded the LP in familiar environs—it was captured at Preston, Ontario’s House of Miracles with longtime bassist-guitarist Tavo Diez de Bonilla (Octoberman, Jenn Grant), drummer Marshall Bureau (The Pinecones), keyboardist J.J. Ipsen (Hayden, Jim Guthrie), and horn player-guitarist Andy Magoffin (Raised By Swans, Two Minute Miracles). Studio owner Magoffin also engineered—and the result is JF’s boldest, brassiest, and most accomplished work yet. No small feat.

His whispery vocals still guide the affairs, but with this album, he lets his arrangements do much of the storytelling. Take, for instance, the melancholic “December Moon,” where Robitaille nearly lets his lyrics fall into the background, instead letting rollicking guitars and nocturnal organs paint a picture. Or “Missing You,” where he taps Canadian indie-rock mainstay Julie Doiron (Eric’s Trip) to add bright dabs of vocal colour to his detached delivery.

Not that “Palace Blues” is a fully extroverted affair. As ever, it’s still a window into Robitaille’s psyche, and as ever, his universe is fraught with complexity. “Radio,” for instance, is built around a sunny chord progression and sprightly organ, but dig a little deeper, and it’s balanced with a worldly weariness that’d make Neil Young proud (JF has, after all, called Montreal, Toronto, New York, and countless hotel rooms home). On “Murder,” Robitaille grapples with the raw fallout of an extinguished romance. And “Palace Blues” subtle maturity might be best defined on “Love Songs for the Lonely,” where, atop gold-spun acoustics, Robitaille sings, “Fairy tales don’t move me like they used to.” Us either.

More than anything, this album is about transition—no, he may not buy into picture-book romance, but Robitaille was a one-time believer. He’s an ideologue at his core, but he’s not gullible. He’s an introspect, but he’s earned the patina that only comes with countless passport stamps. And musically, he’s not Canada’s answer to Bob Dylan or Nick Drake—he’s J.F. Robitaille, and he’s delivered his most actualized album yet.

CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE CULTURE 

BIOGRAPHY
Daniele Boncordo’s gift to the world is to make music that works well in a small club, at a huge event, or in your living room. He is one of those artists who doesn’t sit still, but constantly progresses into unknown territory, creating new sounds, and inspiring others along the way.
Based in London since 2014, Daniele Boncordo has been making electronic dance music for many years. In fact, he has been making music for so long that many of our more seasoned ravers will agree with the fact that he definitely knows what he is doing when it comes to making hard-hitting and amazing Minimal Techno music.
To say the least, hearing Minimal Techno live is one of the most amazing but also overwhelming experiences in the dance world. The amount of bass paired with the quick tempo makes it literally impossible not to dance like a lunatic.
Since Daniele Boncordo switched his moniker from ‘Overtrash’, in the space of only 6 months he obtained releases on important Minimal labels such as DC10 Records, Hungry Koala Records, Drugstore Records and many more. His is a world without rules or boundaries, one where regular formulas are sidestepped in favor of carving out a unique sonic footprint, which is what Spiritual Techno is.

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