Hard Relate (Lithe Remix)

Easy Mongo

It won't do the dishes and it won't feed the fishes, but for everything else there's PANG!

It won’t mop the floors, and it won’t lock the doors, but for everything else there's PANG!

It can’t wax your legs, and it can’t boil an egg, but for everything else there's PANG!

It can’t glib your globbles and it won't strewb your flobbles but for everything else there's PANG!

Rescue & Research Pt. 4: PANG

PANG - ULTRA 1

Elpac lurches into the NHS fold with their debut EP, taking form as a selection of four mounds of spasmic drum & bass and dancehall clay. The Pressure Dome affiliated artist captures the essence of his locality – Bristol – through the multiplicity of auditory colours and shapes that define the city’s approach to syncopated, warped electronica eclectica.

The release is fundamentally pacey and pushing, moving in an oddball step along threads of influence with regular moments of transient, oblique leakages. A rich undertone of UK-style sub frequency pervades the collection; the EP is laden with flowing, swelling, pulsing bass that is paired with an unconventional mash of synthesis and percussion.

@elpacuk

Artwork by Jiah Wells
Mastered by Fausto Mercier

Observe, extract - EP

Buy NHS023

Elpac - Stpz Ez

Australian NHS boss Galtier and UK label Synes co-founder Druid team up for a collaborative EP 'Stone Hardware'. The EP’s four tracks are a collection of solo works and collaborative efforts from both producers recorded throughout the duration of late 2020 and early 2021, taking form as a hybrid collection of club-ready dancefloor destroyers.

The established end product of this EP is evident in the release’s title – an organic, primitive sound palette that frequents Galtier’s dynamic sound as heard in the last few years, combined with Druid’s mechanized futurism taken straight from the streets of Neo-Tokyo. Each producer has offered a distinctive focus that they have merged together into one evolving, unanticipated synthesis of proto and post-earthly sound.

Stone Hardware - EP

BUY on BANDCAMP

PREMIERE : Galtier & Druid - Body Horror

Listen to "Xylit" by wrk.dat taken from "Xylit / Breaking Character" 2-tracker out on 5th April via Defrostatica

Pre-order: https://song.link/xylit

wrk.dat is not an artist of many words. The munich-based record collector and dj rather lets his audio visions, which oscillate between experimental ambient and fast shimmering techno, flourish on Bandcamp with various alter egos. His minimal, sophisticated sound aesthetic, which he has been developing for years similar to Sun People, has led him to Defrostatica. After his hypersonic remix for footwork researchers Schmeichel & Shane Lizard at the beginning of the year, his first single is now being released on the Leipzig label. Xylit is a 160bpm acid techno track with riotous potential.

Links:
https://soundcloud.com/defrostatica
https://defrostatica.bandcamp.com
https://www.instagram.com/defrostatica

Xylit / Breaking Character (DESA012)

pre-order

[Premiere] wrk.dat - Xylit (Defrostatica)

A collection of lost project files; eternalised as forever demos. Made over the span of 2014 to 2017. Heavy, weighty movers with plenty of sub and proto-grime/early Night Slugs Club Constructions influenced through and through. Some with subtle yet blatant samples to the keen ear. Repeated noises have been re-sampled across all tracks. I also absolutely rinsed beeps quite alot.

Calibrated (Shellshock) is a repurposed remix of Krizzli & Jerry Riggs that was never released. The rest of the tracks are straight originals that I will never be able to change or edit. Enjoy them as they are.

Tracklist:
Purging
Calibrated (Shellshock)
TAT
CM-88B Jam
Stagger34

Artwork by Jiah Wells

G_Archive01

G_Archive01_Compiled

Listen to "Lunar Eclipse" by Capiuz & B E N N taken from "Fiori Notturni" out on 17th May via Over My Body

Pre-order: https://overmybody.bandcamp.com/album/fiori-notturni

Capiuz returns on Over My Body with a new club-ready album that slashes through a nocturnal forest landscape with fluorescents and violent bursts of color. 
Taking its name from a series of paintings called “Bande di Fiori Notturni” by Italian artist Alice Visentin, the project goes through a wide array of influences and bpms. 

Terra Nuda (naked earth) acts as an opener fusing a foggy drone with drum breaks and dance hall syncopations. Hectic follows up with a more bass oriented attitude incarnated in a heavy pounding kick pattern and driven by metallic drums with a restless spirit. 

The sounds and textures of Fiori Notturni are heavily inspired by the works of John Cage and his use of percussive instruments for both rhythmic and textural purposes. These influences become pretty clear in slower cuts like Black Needle and the title track, where jingles, rattles and other high-pitched instruments create a moving bed for the rhythmic section. 
Other works such as 0400 and the collaboration with label head B E N N, Lunar Eclipse, bring a faster pace to the project with a higher focus on rhythmic layering. Before giving its way to the Ancestral Vision remix, the “night” is closed off by Hallucinogen, a longer track driven by a steady kick that plays with different odd timed patterns to create an exciting and enveloping trip.

Capiuz is the experimental dance project of producer and performer Luca Favaro. Based in Italy, his genre-merging production focuses on exploring rhythm and sound design in a club context. Often leaning towards live performances, Capiuz’s music takes the form of a heavy hitting outburst filled with heavy bass, breakcore progressions and granular textures. He is currently the host of a show on Radio Raheem and has published with Unizone, Over My Body and Early Reflex. As a programmer he’s developing max for live devices with HIDE Productions, including granular audio effects and instruments and flexible percussive synths.

Links:
Capiuz
https://soundcloud.com/tu_music
https://capiuz.bandcamp.com
https://www.instagram.com/capiuzzz
B E N N
@bedoublensound 
www.instagram.com/bnnw_tw/
https://ra.co/dj/benn
Over My Body
@overmybodytw
https://overmybody.bandcamp.com
www.instagram.com/overmybody.tw/

Fiori Notturni

pre-order / bandcamp

[Premiere] Capiuz - Lunar Eclipse (feat. B E N N) (Over My Body)

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Blown by the wind 
Club Late Music , 2024
𝓑𝓾𝔂 👉🏾 https://linktr.ee/clmxgn

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://www.instagram.com/ziyiziyiziyiz/
https://ziyiz.bandcamp.com/
https://soundcloud.com/ziyiz
https://open.spotify.com/intl-fr/artist/26j2JkcasHlx5eRbqny54Q

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://clublatemusic.bandcamp.com/
https://www.instagram.com/clublatemusic/
https://soundcloud.com/club-late-music
https://clublatemusic.com/

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#225 📢 Ziyiz - Tract Topographies [Club Late Music ]

Listen to "PM" by tipp.exe taken from "MIDNIGHT_CIRCUITRY" out now on Kulture Lab

Bandcamp: https://kulturelab.bandcamp.com/album/midnight-circuitry

Drawing inspiration from the raw energy of underground music, tipp.exe unleashes a sonic storm with their second solo release on the label. From techno to bass to breaks, this EP embraces the essence of hybrid dance music, capturing the eclectic and vibrant spirit of Cape Town's underground scene. Inspired by the pulsating beats and infectious energy of the local rave community, tipp.exe crafted MIDNIGHT_CIRCUITRY as an ode to the thriving hybrid rave and 160+ scene that's flourishing in the heart of the city.

Links:
https://kulturelab.bandcamp.com
www.instagram.com/kulture_lab
https://soundcloud.com/kulture-lab-radio
tipp.exe
www.instagram.com/tipp.exe
https://tippexe.bandcamp.com
https://soundcloud.com/tippexe

MIDNIGHT_CIRCUITRY

bandcamp

[Premiere] tipp.exe - PM (Kulture Lab)

“Ambiente für die Berliner U-Bahn” is a site-specific composition to listen to while taking a ride in Berlin underground. This is a piece that emphasizes certain elements in the surrounding, unites sound events of a scape and lets them contribute during the whole experience of listening.

Since the crucial part of “Ambiente für die Berliner U-Bahn” is the sonic environment, it is important to listen to the piece on a moderate volume, for the outer sounds should equally contribute to and participate in the composition. I would recommend to use a noise-cancelling headphones when experiencing the work, because they nicely filter out all the low muddy frequencies from the outside. The prerecorded soundtrack on the one hand and indeterminancy of the soundscape on the other always make a new piece in mutual interaction. It is suggested to try listening to the soundtrack during different dimes of a day, on different lines, both inside a train and outside on a platform. The sound characteristics of platforms are quite different from how it sounds when one is travelling inside a train.

Ambiente für die Berliner U-Bahn

cadeu

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