Recorded live from @RefugeWorldwide - this show inspired by Mist, all things deep, atmospheric and spacious, with some warmth and soul -- dub techno, deep house, dub-wise tracks.

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #12 Mist @refugeworldwide

It is not easy to find Saphira, and it is even harder to leave. If it so chooses, the city will appear first as a quivering mirage on the horizon, second as a blinding stone mirror, and third as a sprawling maze whose sounds and sensations embrace the traveler in a slow and languid frenzy. Quite famously, it is home to countless locked eyes and spellbound hearts. It is a place whose deep currents of longing, like the sound of its ocean shore, seem to rumble and hiss under the surface of every word and gesture, in every bead of sweat that blooms from the glimmering skin of its people.

Saphira is at all times caught between a low-lying sun to the west and a glowing moon to the east. They hang above the skyline with an eerie stillness, watching the city’s tireless creatures writhe together in tenderness and sin, casting upon them a pale, silvery gold light that hangs heavy in the humid air. It is in the tension of this peculiar light and its slender, tangled shadows that Saphira’s longing grows dense and time thickens within its walls. Traveler and resident alike are suspended in an endless eros, caught tightly between pain and pleasure, between the sting of saltwater in one’s eyes and the sticky sweetness of ripe fruit on one’s lips. 

Perhaps this is why Saphira’s radios and televisions stutter with phrases and images so ghostly yet so intimately familiar, why its dusty buildings seem always to crumble so gloriously yet never collapse, why around every corner there is a street that so closely resembles one of a distant and loving memory, and why the curling flakes of paint on its walls and facades will reach out against the heat without fading or falling. It is a city inside of want and outside of time.

Text by Devon Hansen, Photo by CCL

Invisible Cities Ⅰ: 𝓼𝓪𝓹𝓱𝓲𝓻𝓪

this mix is named after by my favorite collection of poems by louise gluck, a copy of which was gifted to me by my poetry mentor who guided me in my early years writing. The title refers to an early collection of Dante, detailing his love for his eternal muse, Beatrice. In italian, “Vita nova” means new life. 

a few weeks ago my copy of Vita Nova was lost in a electrical fire in my bedroom along many of my most treasured items, books, and letters  - these things i have taken with me through every move, no matter how temporary. yet, as i searched through the rubble, i found that a couple of my most delicate things survived. i feel there must be some symbolism to this. 

since then, i’ve been reflecting on the bittersweetness of renewal and regeneration, of creating space to mourn what was lost - and of finding beauty in the knowledge that each of these material things are connected to individuals and experiences i treasure. 

this mix is filled with tracks i adore, many of which i have been coming back to over the last couple years, or have been shown to me by people i love. it is a live recording from when i played after the brilliant Sybil @syberkid in montreal this past winter. It’s a little rough around the edges — but as always, comes straight from the heart.

⊹ . ݁ ⟡ ݁  vita nova  ⟡ ݁ . ⊹

You know I had to do it sometime! Delving into the expansive discography of the Cocteau Twins for my next radio show. Not much I can say here as their music speaks for itself. Come hang and listen to feel your feelings, maybe shed a lil tear together <3

Just A Dilettante w/ sold (Cocteau Twins Special) - Aug 26th 2025

Bright Patterns is a show about following an internal absolute while navigating endless options.

https://soundcloud.com/vickisiolos
https://www.instagram.com/greekdiner

BRIGHT PATTERNS with Vicki Siolos @ The Lot Radio 10-24-2025

Sweet Abyss resident Mixtress Ov Thee Wormhole Kiernan Laveaux plays solar music for blinking with your mind’s eye 

https://www.instagram.com/kiernanlaveaux
https://www.soundcloud.com/kiernan-laveaux

Sweet Abyss with Kiernan Laveaux @ The Lot Radio 11-09-2025

Special Guest DJ's set recorded on Saturday, 26 July 2025 at Paral·lel Festival in Port del Comte, Spain.

Special Guest DJ @ Paral.lel 2025

Have I been to Amara? Like anyone who has, I’ve no way of knowing for sure. 

I am told she is wrapped in a blue-grey fog that extends like an aura for miles in all directions. As certain kinds of fog have a way of doing, it only makes itself known to you when you are already well within its grasp. At best, the traveller may remember entering and exiting the hazy periphery of this city, but whatever comes to pass within is impossible to recall, and one can only recognize signs in the traces it leaves behind in the mind and body. This may be as subtle as a change in the way you speak, as disquieting as an unaccountable bruise or scrape on the skin, or as drastic as a sudden change in the length of your hair. 

Recently, lovers have told me that my way in bed has somehow changed, that the color of my eyes has grown cooler and softer. Flavors that I once detested are now among my most cherished. Certain objects or images — a marble figurine, a drop of blood hanging from a small cut on my finger, a glass bowl shot through with broken sunlight — have stirred up in me the faintest and most curious ecstasy. It is as though, by some association conjured in these moments, I behold not a memory in itself but the effects it has on everything around it, the lines of sentiment that ripple across the waters of my mind from the invisible impression of an unknown stone.

A city will change you, slowly in time, in ways you may not notice as they set in. But what if the city that changes you is not so much a place as a strange and beautiful void, one that quietly haunts the heart, and from which no memory can escape?

Words: Devon Hansen
Image: Mike Midnight

Invisible Cities II:  ​🇦​​🇲​​🇦​​🇷​​🇦​

A genuine wildcard, Philly freaker Furtive draws on technoid propulsion and whiplash psychedelia to conjure refractions of the rave. Expect to ride a progressive groove of surprises and delights from the Bounce House boss. 

https://www.instagram.com/furtive.sasha
https://soundcloud.com/furtivetrax



Furtive @ The Lot Radio 11-12-2025

The next chapter in our live series is a special recording from Amsterdam based artist mangruv.  A three hour closing set after kinetic favourite @upsammy back in october. 

@mangruv

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Alek Kurniawan / He/Him / Amsterdam

𝘄𝗵𝗲𝗿𝗲 𝗮𝗻𝗱 𝘄𝗵𝗲𝗻 𝘄𝗮𝘀 𝘁𝗵𝗶𝘀 𝗿𝗲𝗰𝗼𝗿𝗱𝗲𝗱? 𝗦𝗲𝘁 𝘁𝗵𝗲 𝘀𝗰𝗲𝗻𝗲 𝗳𝗼𝗿 𝘂𝘀…This was recorded in Garage Noord curated by upsammy 4 Oct 2025 with Rabih Beaini originally but Loma Doom in the end sits in for Rabih.

𝘄𝗵𝗮𝘁 𝘄𝗮𝘀 𝘆𝗼𝘂𝗿 𝘃𝗶𝘀𝗶𝗼𝗻 𝘄𝗵𝗲𝗻 𝗽𝘂𝘁𝘁𝗶𝗻𝗴 𝘁𝗵𝗶𝘀 𝘀𝗲𝘁 𝘁𝗼𝗴𝗲𝘁𝗵𝗲𝗿?
I was thinking to combine all the range of my musical reach into one fun mix closing the floor of Garage Noord.

𝘆𝗼𝘂 𝗱𝗼 𝘀𝗼𝗺𝗲 𝘄𝗼𝗿𝗸 𝗯𝗲𝗵𝗶𝗻𝗱 𝘁𝗵𝗲 𝘀𝗰𝗲𝗻𝗲𝘀 𝗮𝘁 𝗴𝗮𝗿𝗮𝗴𝗲 𝗻𝗼𝗼𝗿𝗱, 𝗰𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝗯𝗶𝘁 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗶𝘀?
Yea so i have been working in GN as a sound engineer for over 3 years. I started doing live bands on thursdays before doing club nights and I grew up musically by working with various artists from different scenes. I admire the core of different subcultures and i think there is always some attitude or vision that i picked up along the way forming my own musical taste

𝘆𝗼𝘂 𝗮𝗹𝘀𝗼 𝗿𝗲𝗰𝗲𝗻𝘁𝗹𝘆 𝗰𝘂𝗿𝗮𝘁𝗲𝗱 𝘆𝗼𝘂𝗿 𝗼𝘄𝗻 𝗻𝗶𝗴𝗵𝘁 𝘁𝗵𝗲𝗿𝗲, 𝗰𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝗯𝗶𝘁 𝗮𝗯𝗼𝘂𝘁 𝘆𝗼𝘂𝗿 𝗶𝗱𝗲𝗮 𝗯𝗲𝗵𝗶𝗻𝗱 𝘁𝗵𝗲 𝗰𝘂𝗿𝗮𝘁𝗶𝗼𝗻?
The idea behind the curation is to bring out my friends that i have worked with to get to know one another. I worked with Ciro for his graduation project called Last Paradise together with 6 other SNDO graduates, touching the theatrical element of what can be music performance. Laura (RRRadiant) used to be my studio mate back at a.round studio with whom i grew very fond of as a person and as a collaborative spirit. She also does the artwork for my Radio TNP series Pseudosonik. Pittori Locali is the band i have been digging a lot ever since we met on Keep Space Fest 2024 in Utrecht, where it showcased the collision of DJ ‘digging’ culture with live improv musicians. And Lars (Jaine) is also one of the most interesting curators at the moment in Amsterdam with his crew Ponte Neuro which just collaborated with Knekelhuis during this year’s ADE at Phonolake which was my ADE highlight. All of these different acts i have never seen together and wanted to bring that spirit in one curation night.

𝘄𝗵𝗮𝘁’𝘀 𝗻𝗲𝘅𝘁 𝗳𝗼𝗿 𝘆𝗼𝘂? 𝗔𝗻𝘆 𝗰𝗼𝗼𝗹 𝗴𝗶𝗴𝘀, 𝗽𝗮𝗿𝘁𝗶𝗲𝘀 𝗼𝗿 𝗿𝗲𝗹𝗲𝗮𝘀𝗲𝘀 𝗰𝗼𝗺𝗶𝗻𝗴 𝘂𝗽?
My most current project is running the studio Scarlab at NDSM Amsterdam. Its a live room and creator/maker hub for people who want to build their own instruments, make music and perform for a small intimate audience that further emphasise collaboration between different artistic disciplines.

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝘀𝗲𝘁 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀?
Fun, and hopefully banger.

Photo credit: https://www.instagram.com/oliviamulready/

kinetic live 12: mangruv live at garage noord, amsterdam

Howl

@subglow / liquidtime. 
CCL(they/them) liquefaction of rhythmic and melodic matter—combustive phase transitions through wiggle-steppers, trip-no, dub-core, cowgirl-breaks, trip funk, shoe-gays, drum & face.

liquidtime / subglow 
General Inquiries: cali@charm-artists.com
EU/Worldwide: alex@biota.agency
North America: michelle@thebunkerny.com

Invisible Cities II: ​🇦​​🇲​​🇦​​🇷​​🇦​

CCL

Invisible Cities II: 🇦🇲🇦🇷🇦