Name: 𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #14 Sea of Clouds @refugeworldwide by CCL
Duration: 1 h 7 min 9 s
Description: (Full recording) inspired by the Sea of Clouds in Alishan National Park (Taiwan)

deep creep live at Horst Festival for Lot x Kiosk Radio Moon Ra Stage 2024

Words by Ceci (@ccl-url): 

"Special thanks to Steevio & Suzybee & all the volunteers, workers & dancers 💙

This is my recording from Friday night Room 2, 12:30-2am, my first time being at the mythical Free Rotation. Playing one of the first sets & seeing the room, decor and the big bad subs of Room 2, years of fantastical lore and reality melded, I wanted to keep it sexy, wonky, trippy— imagining a psychic electric swamp and how one would levitate thru it... to the sky. No bpm trickery this time. Out to the heavenly bodies of the universe! ;)

Mastered by Wordcolour"


i <3

ani/live Fifty Six: CCL @ Freerotation

Recorded Live 15.09. 3-6AM @ Sustain Release

Significant Other Live At Sustain-Release 2024

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

(Full recording) inspired by the Sea of Clouds in Alishan National Park (Taiwan)

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #14 Sea of Clouds @refugeworldwide

naff0007 is from a close friend and one of our favorite DJs @livwutang

In Liv's words :

For this mix, I tried to find the sweet spot between sultry and haunting; cerebral yet somatic. It came together almost on its own—a gently cascading rabbit hole of tech and dubstep, guided by indulgent pads and dubbed-out chords.

Third track blends crafted for headphone listening : )

naffcast007 ⦾ ------  ࿔ ᶫwͥuͮtang ࿔ -------

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

@hjacksonnn b2b @notyumiko live from our first party 

ED0045: Hank Jackson b2b Yumi

Under the Priori (@priori-ties) moniker, Québecois musician Francis Latreille has established himself as a crucial voice in underground techno — as a producer, DJ, and live artist. Across a sprawling discography that includes four full-length albums, several EPs, and a host of collaborative projects, he has crafted a sound that is richly textured and genre-defying.

Priori’s work spans the full spectrum of techno, from introspective and meditative passages to driving, dancefloor-oriented momentum. His productions blend elements of ambient, dub, IDM, and tech house, navigating fluidly between nature and technology with a signature sense of unresolved tension. Fractal-like rhythms, crystalline textures, and meticulous sound design define his sonic world — intricate, vibrant, and emotionally resonant.

Beyond his solo output, Priori is also an accomplished mixing engineer, having collaborated with artists such as james K, Bambii, Maara, Ex-Terrestrial, Roza Terenzi, and D.Tiffany. As a co-founder of both NAFF and Jump Source Studio, his influence continues to shape the contours of underground electronic music across Canada and Europe.

PURE Guest.087 Priori

gather together in love and participants in a campaign.

WAR CRY A LOVE SONG


Thank you very much for always paying attention to my track and taking the time to do so.  
I am always grateful.
Tears heal the heart. Of course, there are tears of sadness and pain too.
Tears relax the mind and body and ease pain.
When you feel like crying, don't hold it in; let your tears wash away the tears.
For the sake of your future! Before your eyes and body become completely dry!
We don't want to share your sadness.
Things that must be overcome will happen!
At that moment, you will meet your stronger self.

※Which moment from your past does this song remind you of?’

※I feel like I'm searching for someone.
This song is my innermost feelings set to music.

Lacryma

@subglow / liquidtime. 
CCL(they/them) liquefaction of rhythmic and melodic matter—combustive phase transitions through wiggle-steppers, trip-no, dub-core, cowgirl-breaks, trip funk, shoe-gays, drum & face.

liquidtime / subglow 
General Inquiries: cali@charm-artists.com
EU/Worldwide: alex@biota.agency
North America: michelle@thebunkerny.com

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #14 Sea of Clouds @refugeworldwide

CCL

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