friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

from @RefugeWorldwide for my dramatiq emo queens

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #8 ꜰʀᴏꜱᴛ [21.12.2022] Winter Solstice Edition

A special liquidtime set from one of my Favs @napmusick live and direct from liquidtime kwia :) 

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 #13 ft NAP: lava mística @refugeworldwide (LIVE)

@2shy2dj

For cheeky Q&A with DJ Fart in the club... 

https://pipipi.life/mix/djfartintheclub

DJ Fart in the Club - 12.7˚

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

(Full recording) inspired by the Sea of Clouds in Alishan National Park (Taiwan)

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #14 Sea of Clouds @refugeworldwide

Presenting the ever-lovely and ever-inspiring @mikemidnight for #175 in the series. The Boorloo/ Perth based artist initially garnered attention through his output of insanely dreamy trip-hop productions... the perfect combination of emotional & uplifting, and immaculately produced. Mike plays live as a solo artist and now makes up 1/3 of the exciting new band Trickpony, made up of Roza Terenzi, Emkay & Mike himself. 

Beyond his knack for weaving tear-jerkingly beautiful trip hop infused songs - Mike is also a great DJ. Here, with a more club-oriented mix, he showcases his taste & talent, a BTS look into the genres & moods that make up the mind of the talented artist.

Very happy to have you in the series Mike! Thanks for the mix <3

Downloads enabled

Animix One Hundred & Seventy Five: Mike Midnight

Having crossed the Atlantic on a sailboat and toured all over North America by bus and train, Nono Gigsta attempts to translate the adventure through music. 

https://www.instagram.com/gigstab
https://www.soundcloud.com/gigstab



Nono Gigsta @ The Lot Radio 06-27-2025

@kia-sydney is @mixmaganz's July Cover Artist.

In just over an hour, one of Australia's most exciting talents presents a mix made up entirely of new and forthcoming material on her equally influential @animalia-label.

Tracklist:
1. @okegmusic - 'Spirit' (Forthcoming)
2. @sub-basics - 'Signal' (Forthcoming)
3. @okegmusic - 'Veil' (Forthcoming)
4. @sub-basics - 'Lobby' (Forthcoming)
5. @zaraolsen - 'Whirl' 
6. @sub-basics - 'Residual' (Forthcoming)
7. @o-utlier - 'Pulse' 
8. @andy-martin - 'Skye Spirals' (Forthcoming)
9. @aedis-aedis - 'Ortogon' (Forthcoming)
10. @o-utlier - 'Ionic'
11. @sub-basics - 'Proportion' (Forthcoming)
12. @shoall - 'Median'
13. @aedis-aedis - 'Vaen' (Forthcoming)
14. @www-coloursound - 'Sierra' (Forthcoming)
15. @andy-martin - 'Afrofuturism' (Forthcoming)
16. @shoall - 'Temporal Blend'
17. @www-coloursound - 'Locus' (Forthcoming)

Kia: Mixmag ANZ Cover Mix 06 (100% Animalia)

“Release Youth” from Sasha Smirnova’s record Gone Stray. Built around a simple, repetitive melody, the track combines bass-heavy minimalism, trap-inspired hi-hats, and field recordings. Calm on the surface but unsettling in tone, it lingers in tension and restraint.

Credits
Composed and produced by Sasha Smirnova
Mixed by Mika at Movement
Mastered by Lorenzo C. at Coreless Collective Sound Studio
Released on White Forest label on September 26th, 2025

Gone Stray

Release Youth

Dive into the twilight hush of the ancient Tigris, where stone tombs whisper and bazaars pulse with slow, breath‑like rhythms. This 8‑track journey weaves oud drone, ney sighs, djembe heartbeat, and ambient synth into a lounge‑electronica tapestry that feels like a prayer carried by the river’s mist.  

#Mesopotamia #Tigris #AncientMusic #ArabicRitual #LoungeElectronica #DeepChillout #WorldFusion #Ambient #Chill #BuddhaBar #ZenithDunes

Khan Kun

@subglow / liquidtime. 
CCL(they/them) liquefaction of rhythmic and melodic matter—combustive phase transitions through wiggle-steppers, trip-no, dub-core, cowgirl-breaks, trip funk, shoe-gays, drum & face.

liquidtime / subglow 
General Inquiries: cali@charm-artists.com
EU/Worldwide: alex@biota.agency
North America: michelle@thebunkerny.com