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English Suites N. 1, 2 & 3

English Suite No. 1 in A major, BWV 806: I. Prelude (Original Version)

The special thing about recordings by "The Peter Debik Movie Orchestra" is that everything is played and produced by just one person. The overture to Gioachino Rossini's "The Barber of Seville" poses a great challenge. The dynamics require special attention in the mix of instruments. The fast playing must not blur the tones even with the reverberation, but must nevertheless remain pleasantly flowing and harmonious for the ear. The elaborate production of the one-person orchestra does not place the listener far away in the hall with the conventional, washed-out sound, but with the unmistakable, crystal-clear sound of "The Peter Debik Movie Orchestra" directly at the conductor's desk of the orchestra. This means that individual instruments can even be heard in tutti passages.

Il barbiere di Siviglia

Il barbiere di Siviglia: Sinfonia

Overture to the opera "Il barbiere di Siviglia" by Gioachino Rossini [2022, one person orchestra]

The Ontario Pops Orchestra is one of the most diverse professional orchestras in Canada. Music director Carlos Bastidas and the musicians of the Ontario Pops Orchestra are featuring three black women soloist on this Breaking Barriers Album.

St. Paul's Suite for String Orchestra, Op. 29, No. 2: II. Ostinato by Gustav Holst

Kneeling Before Giants

William Tell Overture (Gioachino Rossini)

I feel  like dancing in the  moonlight....moonlight sonata/Mondscheinsonate (first movement) played  by  Bastian Lee Jones just  after  his  recovery  from his  bicycle  accident, where  he  broke  his both  arms: 
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EARMErecords LC 29347  ISRC DE-QB2-14-00048

©2022 composed by Ludwig van Beethoven  - ©2022 photo source: google search & copyrightowner & design by Bastian Lee Jones 
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Moonlight Sonata Op. 27 No. 2 (adagio sostenuto)

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Ludwig v. Beethoven - Moonlight Sonata Op. 27 No. 2 (adagio sostenuto)

Ludwig van Beethoven - Franz Liszt
Symphonies nos. 4 & 5
Yury Martynov, Blüthner piano (1867)

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Beethoven/ Liszt: Symphony No. 5 In C Minor, Op. 67  I. Allegro Con Brio — Yury Martynov

Th is is my piano improvisation, i play on KAWAI VPC1 coupled with VST p piano Ravenscroft 275

Piano Improvisation as an Impression after seeing an operetta Die Fledermaus (The Bat)

A recording by the Paris Conservatoire Municipal du Gabriel Fauré's student orchestra at Salle des Fêtes, Mairie du Vème arrondissment, 2013.

Jacques Offenbach: Can Can from ''Orpheus  In The Underworld''

Antonio Vivaldi:Concerto No. 2 in G minor, Op. 8, RV 315, "L'estate" (Summer), mvt. Presto (Storm)

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The Piano Sonata No. 11 in A major, K. 331 (300i), by Wolfgang Amadeus Mozart is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely (Paris and dates as far back as 1778 have also been suggested). The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

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Movement Three - Rondo Alla Turca (Turkish March).

The last movement, "Alla Turca", popularly known as the "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla Turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.

Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. 

Retailers:

Deezer:
http://www.deezer.com/album/11116224

Tidal:
http://listen.tidal.com/album/53171424

Amazon:
http://www.amazon.co.uk/Mozart-Project-Mozartisan/dp/B014MVAV7Y

Rhapsody
http://www.rhapsody.com/artist/mozart-2/album/mozart-symphonies-sonatas-serenades-concertos-and-overtu

MediaNet
http://www.mndigital.com/content-experience/music_content/albums/378851987/Wolfgang_Amadeus_Mozart/Mozart_The_Essential_Collection/

Spotify:
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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Piano Sonata No.11 in A-Major, K. 331: III. Rondo Alla Turca - Allegretto

Live Recording at Philharmonie Essen | 21 February 2009

Asta Kriksciunaité, Sopran
Laima Jonutyté, Mezzosopran
Audrius Rubezius, Tenor
Ignas Misiura-Tumanov, Bassbariton
Chor der Universität Witten/Herdecke
das junge orchester NRW
Musikalische Leitung: Ingo Ernst Reihl

Giuseppe Verdi: Messa da Requiem - Excerpt from "Dies Irae"

V011-Antonio Vivaldi – The 4 Seasons Violin Concerto in F minor, Op. 8, No. 4, RV 297, L'inverno

Album release: June 2017

An intense and fascinating exploration of the myriad facets of the violin over the centuries
Kaleidoscope. That single word encapsulates Elsa Grether’s aim in her new album: to illustrate the full expressive range of her violin by exploring its repertory in all its stylistic diversity. From Bach’s famous Chaconne to Ton-Thât-Tiet’s contemporary idiom in Métal terre eau, by way of Eugène Ysaÿe, Aram Khachaturian, Arthur Honegger and Isaac Albéniz, the violinist’s third release for Fuga Libera offers a cocktail of colours and timbres. She charms her listeners with an invariably elegant sound and firmly sculpted lines as she invites us to explore this multifaceted instrument. A voyage of discovery across time, space and aesthetics that will appeal to the widest audience!

Sortie de l'album : Juin 2017

Un voyage intense et passionnant dévoilant les mille facettes du violon à travers les siècles.
Kaléidoscope. Ce seul terme décrit le propos d’Elsa Grether dans son nouvel album : illustrer l’ensemble de la palette expressive de son violon en explorant toute la diversité stylistique de ce répertoire. De la fameuse Chaconne de Jean-Sébastien Bach au contemporain Métal terre eau de Ton-Thât-Tiet, en passant par des pièces d’Eugène Ysaÿe, Aram Khatchatourian, Arthur Honegger ou encore Isaac Albéniz, la violoniste nous emmène pour son troisième opus chez Fuga Libera dans un cocktail de couleurs et de timbres. Elle charme par un son toujours élégant et aux lignes bien dessinées, et invite à l'exploration de cet instrument aux mille facettes. Une découverte à travers le temps, l’espace et les esthétiques à mettre entre toutes les mains !

Cantos de España, Op. 232: V. Asturias, leyenda in G Major

Sergei Prokofiev  Romeo And Juliet Suite No. 2 From The Ballet Op. 64ter (1936)

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

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Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Some Classic Dubstep!
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Ludwig Van Beethoven - Für Elise (Lucas Fader Remix)

Johannes Brahms - Hungarian Dance Nº 1 In G Minor

Kiveli Dörken – piano
Danae Dörken – piano
Vassilis Varvaresos – piano
Lars Vogt – piano

recorded August 16th 2018 at Molyvos Castle

Sound master - Kaspar Wollheim

Camille Saint-Saëns - Danse macabre, op. 40, arr. for 2 pianos 8 hands

Retailers:

Mozart
https://music.amazon.co.uk/albums/B015NWNCY0

Mozart Tidal
https://listen.tidal.com/album/53171424

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Best of Mozart Deezer
https://www.deezer.com/us/album/12179034

Mozart on Spotify
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Mozart Album Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Mozart Playlist
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

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