Full bodied beats, timeless electronic cuts and talent from every continent.

House Salad Music is a label based in Mexico dedicated to promoting Underground House music across the world, supporting DJs, producers and labels, who love and enjoy House Music.  Our mission is to give you your dose of the freshest underground House.
Keep it Underground
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House Salad Music, es un proyecto dedicado a promover el House Underground en México y en el mundo, apoyando a djs, productores y disqueras que aman y disfrutan el sonido de esta vertiente de la musica electrónica.  House Salad Music busca espacios para dar a conocer al talento mexicano y al internacional que genera sonidos y mantienen la escena real del House Underground.
La misión es nutrirte con lo más fresco de la escena House Underground a nivel mundial.
Keep it Underground!

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Submit a mix/Promos/Demos/Buy a shirt?
Contact us:
housesaladmusic@gmail.com

EVERYTHING IS HERE ✌️ : https://linktr.ee/FortRomeau

Launched in 2010, THE REFLEX is a project from producer / DJ Nicolas Laugier, a French national based in the UK since 1998. Following on the footsteps of remix / DJ edit pioneers Larry Levan, Shep Pettibone, François Kevorkian or John Luongo, The Reflex somewhat redefined the remix rules book by using stems and multitracks to craft fresh, innovative versions (dubbed ’revisions’) from classics tracks and artists, genre-hopping through the decades and styles with ease, combining creativity and functionality with often spectacular results.
With constant support from superstar DJs, tastemakers, A-list artists and creatives to high profile brands / events through to bedroom DJ’s, The Reflex revisions are now part of the musical landscape.

Clocking over 100M+ streams, The Reflex is a multi-faceted artist that has lent his skills to ads for Louis Vuitton, Karl Lagerfeld, to remixes for the biggest names in pop and dance music, to extensive catalogue revisits for the likes of London Records, Salsoul/Westend and Zagora/Because, to a long standing collaboration with Noel Gallagher and to legendary artists like Joe Walsh (Eagles), Cerrone, Kathy Sledge, Blondie, Michel Polnareff, Nile Rodgers, Rita Lee, Kid Creole and more.
Boasting a strong online following and a loyal fanbase, including 322,000+ fans on YouTube, The Reflex is now ready to move into original productions; his first artist track “Weekend” has been snapped up by Glitterbox for release in May, with Ibiza / Malta gigs and a Defected Basement mix lined up to support the arrival of this first single.
On his own vinyl label Discolidays, The Reflex has collaborated with Because Music in Paris re-imagining the catalogue from (Daft Punk) Thomas Bangalter’s father, Daniel Vangarde, and his label Zagora while showcasing his remix work for Cerrone, Patrice Rushen, D.C. LaRue, Nile Rodgers ft Nubiyan Twist, Bruise and others to commercial and critical acclaim.

As a DJ, The Reflex sets are energy-packed workouts firmly rooted into disco / house / balearic territory somewhere between trainspotters’ paradise and revision anthems, with an ability to adapt to audiences and venues through his 20+ years DJ experience.

Bookings / Remix / Press Enquiries: mgmt@discolidays.com
https://linktr.ee/thereflex

Socials
https://www.youtube.com/c/TheReflexRevision
https://soundcloud.com/thereflex
https://www.facebook.com/thereflexmusic
https://www.instagram.com/thereflexmusic/ 
https://open.spotify.com/artist/6E7SbenCPEit9gDFnMlDUA?si=RxLmyt67Q9W-NJgCSSQC9A

Disco was, for far too long, maligned and misunderstood. It was the original underdog, enjoyed by the outcasts of society until, by some miracle, this minority driven milieu emerged in the mainstream, lodged in the minds of the middle-class through the likes of Ethel Merman, a Disco Duck and countless rock stars crossing over to cash in. Overnight, it was everywhere, albeit in a banal, watered down form, being forced down the throats to such a degree that it was bound to trigger a gag reflex. And it did. Lead by the "Disco Sucks" movement, Disco was retched to the depths from which it came; the underground night clubs, lofts and warehouses that were also to produce house music. The fall of disco, from such dizzying heights, was a blessing in disguise, as only the faithful remained - the dancers, deejays, musicians and producers who got funkier and freakier with the music than ever before.

Beam Me Up’s understanding of Disco is far-removed from the AM radio polyester-set, focusing instead on the soul, funk and jazz which is at the core of this genre-bending movement. It’s expressive, eloquent message is the furthest thing from formulaic, with a four on the floor beat that is tailored for the dance floor and an egalitarian nature that is inclusive, loving and full of positivity. These sentiments have been echoed in the spirt of the guests that Beam Me Up have been able to bring in: Kon, the Boston Disco Don. Al Kent, the Glaswegian Giant. Psychemagik, the Cosmic Couple. Tom Noble, the Regent of Rare. These parties in loft, warehouse and back-room bar alike are the evidence that embody the Beam Me up belief; Disco is not dead.

Cut in Brooklyn // Good for Dance!

Contact:
Tapey [a] Razor-N-Tape [dot] com

Demos: demos [at] Razor-N-Tape [dot] com

@boogieangst

http://linktr.ee/kraaksmaak

mgmt | worldwide bookings (live / dj): jordi@electrichustlemgmt.com

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