Submergence for amplified bass clarinet quartet

layer cake or whatever you're gonna have for dinner tonight
for ensemble

excerpt from the 1st movement
recomposed part from "spreading"

music: Anna Blanch Fàbregas
conductor: Ernest Martínez-Izquierdo
flute/bass flute: David Albet
bass clarinet: Antón Seijas
percussion: Enric Albiol
drums: Lluís Pérez-Villegas
piano: Jordi Masó
violin: Helena Satué
viola: Marina Soler
cello: Marc Galobardes

may 2021

layer cake

klavir 2023

Recorded live on April, 25th, 2024 
CRR de Paris

Ruben Mattia Santorsa, electric guitar

Ensemble 2e2m
Léo Margue, dir.

Natura Electrica

Performed by Signum Quartet
Boulez Saal, Berlin
September 2024

Unfettered and Alive

Shifting Presence

Orgel: Geerten van de Wetering https://www.geertenvandewetering.nl/
Panfluit: Matthijs Koene https://www.matthijskoene.nl/
Registranten: Joël Boone en Koen van Andel
Audio engineer: Matthijs Koene

Shifting Presence was commissioned by https://podium21.nl/
Uitvoering: Kloosterkerk Den Haag

Shifting Presence

Doorstromingen
For choir & accordeon | Voor koor & accordion

Uitgevoerd door het Nederlands Studenten Kamerkoor en Ilse Kok.
Onder leiding van Lodewijk van der Ree.
https://nskk.nl/

Doorstromingen

Song of Normality (2017) for solo (amplified) flute

to Roy Amotz, Meitar Ensemble - CEME 2018

Song of Normality explores the potentiality of utilizing the flute as a companion and extension of the human voice. Through the pitch fluctuations of air noises amplified by the flute, the various syllables that articulate musical notes, and the most primitive form of human singing/shouting… The work becomes a song with unconventional elements.

Premiered Jan. 5, 2018 @ Israel Music Conservatory, Tel Aviv, Israel

Song of Normality (2017)

High Hours

Played by KLUSTER5
Composed by Celia Swart
Recording and mix by Oscar Bouwmans

// Performed by Kluster5 // Live in TivoliVredenburg

High Hours

Live recording.
Concert in the Lutheran church in Groningen, Netherlands.

"Batalla" is an electronic composition by the Dutch composer and electronic music specialist René Uijlenhoet (*1961). Immediately after this piece I played "Circuli" for organ solo by the Austrian organist/composer Franz Danksagmüller (*1969).

Batalla - René Uijlenhoet/ Circuli - Franz Danksagmüller

Viola, Anna Atkinson + Piano, Anna Höstman

After The Rain: Variations in 2 colours, viola & piano

Composer and visual artist based in Rotterdam
www.celia-swart.com

High Hours

Celia Swart

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