HK_Calm-&-Steady_tracks_137

Drifting With Perseus

"Thorn & Soil" reflects the genre that will be explored on the next Mood Exhibit EP-
(thank you Brendan and Lisa for a lifetime of inspiration and influence)

Mood Exhibit - Thorn & Soil

Instruments:
Gold Tone tenor guitar, Burke low G tin whistle

Brown Snail On A Green Mushroom

Music composed by David Paulet ( Divady )
video https://www.youtube.com/watch?v=U01PRX7Koa0
composed 25/07/2021
je change de style pour un son plus electro

composed with Fl studio...nexus 3 & zebra ,ozone

ANALOGIC WAVES _ (Ambient /Electro)

Stream/Buy: ffm.to/Norlto 

Calabrian Woods’ is the new single by Indian Wells, the project of producer Pietro Iannuzzi from southern Italy. Introspective and engaging, the track mixes influences of Radiohead and Aphex Twin within a capsule of emotive techno and humanised electronics. It’s the first track to be taken from his upcoming album ‘No One Really Listens To Oscillators’, set for release on 15th July 2022 on Max Cooper’s Mesh imprint.

The album’s conceptual input comes from an article in The New York Times talking about a new conceptual architectonical style. The term “Incompiuto” (Unfinished) was theorized by Alterazioni Video & Fosbury Architecture and concerned unfinished works that reveal the inability of projects to make infrastructures useful and sustainable for the community. 

“The head of this article was a photo of an escalator in the middle of nowhere in Calabria, where I live,” explains Pietro. “Which is from where the track gets its title”. I knew this escalator very well and I immediately realized that my perception of this "reality" could be really different from people who have never lived in this area. It can be said that I grew up in the unfinished - between unfinished houses and other half-built works that are now an integral part of the landscape, without really noticing. In reality, our experience is influenced by everything that surrounds us and this context shapes us to make us live a distorted reality, which we very quickly get used to.”

Indian Wells’ last album, 2017’s warmly received ‘Where The World Ends’, was supported by an array of tastemaker press (“Soaring euphoria” Mixmag Top 50 Albums of 2017, “Tender, pulsing techno” Resident Advisor, “A standout cut in the realm of emotive techno” XLR8R, “Techno with an artful, emotive edge” Clash, “A refreshing vision of club music” Electronic Sound, "The album simply glows" A Closer Listen) and standout track ‘Cascades’ received plays across BBC Radio (Gideon Coe, Huw Stephens, Jamz Supernova, Pete Tong, Phil Taggart, Tom Ravenscroft). 

‘No One Really Listens To Oscillators’ is set for release on 15th July 2022 on LP and digital formats.

No One Really Listens To Oscillators

Calabrian Woods

An instore session with Bufiman (aka Jan Schulte) at one of Belgium’s best record stores, Music Mania (Ghent).
Bufiman played playing at Mo’Juice that same evening (13.12) at Maaltebruggekasteel (Ghent), together with Maurice Fulton.
Keep an eye on his forthcoming album ‘Albumsi’ on DEKMANTEL very soon.

More info at wearevarious.com

Bufiman (Dekmantel) at Music Mania (Instore Session ) | 13-12-19

Recording of Wisdom of Bananistan DJ Set @ Space Safari Festival

DJ-set Space Safari 2022

Al Casalone 30/12/2024
Riscaldamento 
dopo AummaAummaRecords
prima del Lizard

ThomasLesVaches | LentaFineLentoInizio | Riscaldamento

This is the sound of B. 

Live recording of our dj sets at Bonnefooi (Brussels).

Stay tuned, more mixes are coming very soon !

Merry Xmas & Happy New Beat [part one] /ϟ/ Celtric /ϟ/ 2024

@polynation - Hyfen
Label - @atomnation

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Instagram: https://www.instagram.com/sinchicollective
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG

♫ Info + Buy ♫

PREMIERE – Polynation – Hyfen (Atomnation)

This is the sound of B.

Live recording of our dj sets at Bonnefooi (Brussels).

Stay tuned, more mixes are coming very soon !

Merry Xmas & Happy New Beat [part Two] /ϟ/ Celtric /ϟ/ 2024

IPA [aɪ̯ pʰiː eɪ̯] podcast series // as.oo7
Tsola is the founder of the Terrible Twos party series and on a mission to promote the alternative side of Belgrades electronic scene. He became one of the Mrak’s and @disco-forma regular cubs, and as Dims resident he's throwing total mayhem alongside with @illillillillill. You may catch him regularly spinning at @drugstorebeograd , @karmakoma-club-beograd , KC Grad, Leposava, to name a few…

He usually revolves around EBM, acid house and electroclash, but is very fluent in other genres cheekily throwing (dis)course elsewhere and back as you may hear in this latest mix he prepared for the IPA podcast episode. 

I take this opportunity to present to you one of my favorite b2b companions and collaborators @cola_v and his open format defining selection. Cheers!

Visit our socials and explore more: https://linktr.ee/aipiei
Join our telegram channel: t.me/aipiei

xoxo

Support the artist: @yasssa @cashminusmusic @danielle-dax @oliverho13 @ncx3 @m_y_n @rgamble @stereolab @nursewithwound @chriscosey

Support the labels: @italo_moderni @the-ransom-note @claremont-56 @umay_works @celtricdj

Support the collective:
https://www.instagram.com/ai.pi.ei

IPA [as.oo7] w/ tsola

Buy us a coffee to support the page: www.buymeacoffee.com/theclassicmixcdseries
Like us on Facebook: www.facebook.com/theclassicmixcdseries
Buy it here: www.discogs.com/sell/list?master_id=25759&ev=mb

---

Big shout out to Scott for the share on this!

Exhibitionist

258 - Exhibitionist - A Jeff Mills Mix (2004)

Vani Vachi is a DJ and producer emerged in Kyiv underground scene. Part of the creative formation @katacult, she has played in various venues across Ukraine, Russia and Germany. Her style is always unpredictable, combining darker 80-s references with atmospheric soundscapes and driving electro. 

https://soundcloud.com/vanivachi/
https://www.instagram.com/vanivachi/
https://www.facebook.com/vanivachi/

> > DARK DISCO #040 podcast by VANI VACHI < <

FutarinoTEATIME

Dance Mekanik is born from the vibrant underground of Ghent and Brussels, dedicated to pushing the boundaries of electronic music culture. More than just a party, Dance Mekanik is a movement—a fusion of sound, spirit, and community. At its core lies a commitment to sonic innovation, communal connection, and deeper awareness through dance.
Dance Mekanik curates a bold, cutting-edge soundscape—celebrating the raw, hypnotic pulse of techno, electro, industrial, and experimental electronic genres. Their events are carefully crafted journeys, showcasing both emerging and visionary artists who challenge the norms of dancefloor music. Every event becomes a living lab for new frequencies, a sanctuary for sound exploration, and a gateway to altered perception.
Rooted in inclusivity and collaboration, Dance Mekanik cultivates a space where differences dissolve into rhythm. It brings together dancers, creators, and seekers into one shared experience—one collective body in motion. Through intentional gatherings, immersive visuals, and powerful sonic architecture, the collective builds an ecosystem of mutual support, respect, and expression.
Inspired by the ancient power of dance as a ritual of transformation, Dance Mekanik approaches the dancefloor as a sacred site—a portal for inner discovery. The energy of movement becomes a tool for presence, elevation, and collective awakening. By aligning music with symbolic intention, the collective invites its audience to not just dance—but to remember, transcend, and awaken.
Dance Mekanik’s emblem—a radiant Egyptian pyramid honoring Betelgeuse, the red supergiant star of the Orion constellation—is no coincidence. It’s a tribute to cosmic knowledge, ancient wisdom, and the deep interconnection between earth and stars. The logo reflects the collective’s ethos: bridging primal energy with galactic consciousness, grounding the rave in myth, mystery, and meaning.

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Drifting With Perseus

Dance Mekanik

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