After a great success with the previous release we are glad to welcome Sisko Electrofanatik back to CODEX with his "Osiris" single release along with remix from the legendary Loco & Jam!
Enjoy!

Osiris

Sisko Electrofanatik - Osiris (Original Mix)

Hailing from the concrete post-communist city of Sofia, Balthazar &amp; JackRock make their first appearance on Hypnostate. Promoting their own festivals, touring on six continents and appearing on top-notch techno labels, the Bulgarians have been deeply involved in the electronic music scene for the past 25 years.

Starting with "Bizarre Blue", Balthazar &amp; JackRock deliver their signature stomping beats, combined with uplifting melodies, which drive the energy levels to the roof. Layered with mind-twisting vocals, acid sounds and a wholesome of percussion, "Psychedelic" is representing the duo's own flairly polished perception of modernised industrial techno. "Frame Of Mind" comes from the melodic side of Balthazar &amp; JackRock, adding a softer touch to the EP. Nostalgic arps, trancy pads and emotional basslines enhancing the illusion of depth will draft you to another dimension. Concluding with &bdquo;Step Into The Void" - a very energetic piece loaded with solid rocking drums, joining forces with the uprising joyful synths and raving groans, it has the proper rave sentiments being added to it.

Balthazar & JackRock - Psychedelic (Original Mix)

June the 24th meet Frank Deka on Set About!

"I am not satisfied with the horizon, I look for the infinite"

Frank Deka is a very promising talent on the scene. He delivered two tracks with great bass lines and synth lead, enough to do serious damage to any techno dance floor.

'Awake' features a hard kick and a hypnotic, rolling bassline, accompanied by acidic stabs that give obsessive rhythm. In the break a hypnotic and dark arpeggio start that gives a sense of psychedelic journey into a dark forest.

'Pills' offers deep techno stabs with pure rhythms, obsessive rolling bassline and hypnotic vocal line. Frank's sound is unmistakable, enjoy ;)

Awake

Frank Deka - Awake (Original Mix)

The new compilation of the best sound of Segment Music 

YACCO - Traces (Original MiX) 44100 24 bit

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Pink Is My Favorite Color

Mac Vaughn - Pink Is My Favorite Color (Alex Stein)

Pre-order https://www.beatport.com/release/the-truth/2259219

After a string of strong releases on Kraftek, Noir and Elevate, Rob Hes’ Pursuit welcomes SAMA with a killer EP including three originals and a deep sub shattering remix by Hatzler (Senso Sounds, Stil Vor Talent).

SAMA - The Truth EP (Inc. Hatzler Remix)

Pre-order

Premiere | SAMA - We Thought (Hatzler Remix) Pursuit

Oh no, Oh no, it is happening - hold your horses, start your last dance.
Canadian national, Berlin based, Weska has created a Stellar tidal disruption. 
This 4 tracker is meant for ravers who want to experience spaghettification at it's finest.
This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Weska - Transforma (Original Mix) [Filth On Acid]

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’. 

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Buy all

Joey Beltram — Can You Feel It — A-Sides Vol. 8 — Drumcode — DC211

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Mac Vaughn - Pink Is My Favorite Color (Alex Stein)

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