Worldbuilder // Founder of UPSCALE

>> https://frequent.audio <<

>> https://soundcloud.com/upscale-recordings <<

Bookings // Contact: nolan@frequent.audio 

Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Submissions: aia.ag/Music-Submissions
Spotify: aia.ag/AIA-Spotify

Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

spoti.fi/2yNMfyW
instagram.com/notrogerwilco/
twitter.com/NotRogerWilco

CENOB1TE is Chess & Graham 

BOOKING: 
CENOB1TEbooking@gmail.com

MGMT/PR/RMX: 
CENOB1TEmusic@gmail.com 

BIO: 
Explorers in the further region of experience. Demons to some. Angels to others. 

Dial Jess is an electronic producer from Los Angeles, with Chicago roots in the diverse queer and indie dance scenes. Her eclectic taste and Gemini duality manifest themselves into pulsating rhythms that span the emotional spectrum. Simultaneously dark, sensual, and joyfully mischievious, Dial Jess's music and explosive performances urge packed dance floors to embrace their eccentricities and twirl with their shadow selves.

­░▒▓██ • 𝚃𝙾𝙼𝙾𝚁𝚁𝙾𝚆 𝙸𝚂 𝙰𝙽𝙾𝚃𝙷𝙴𝚁 𝙳𝙰𝚈 • ██▓▒­░

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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