Spycker came to Earth in the Dutch town of Zoeterwoude, famous for its beer brewery and its magnificent water tower. After finishing high school, he went to study physics. Frustrated at not discovering the smallest particle around, he decided to join a radical rural community in Northern Bulgaria. 

After 5 years his beard had grown too long and his toenails too soft. He left, but not without a newly-crafted plan: finding the Lord our God. Spycker did actually find God, but he discovered that God was a jealous God, and also very angry with the fact that our hero had neglected his duties at the bi-weekly grain offerings. 

Finally, Spycker decided that it was time to return to his homeland. In a small bordertown, he stumbled across the long-lost songs of the 16th century Flemish troubadour Armelius Klaasz Spycker. Adopting the name of his beloved musical ancestor, Spycker modernized these songs and went on to become another wannabe nobody.

English :
After writing a dissertation on  "The effects of sound on visual perception in contemporary art", Charles-Eric Péard organised parties, festivals and art exhibitions with the association RadioFG/Global Tekno, then he worked during 10 years in cultural communication (radio, musical events, contemporary art, theater, fashion and design). He became sound designer creating several sound pieces for art exhibitions like "Diorama III" with the artist team UltralabTM at the Magda Danysz gallery (Paris, 2005) or "So Natural" at Le Cube (Issy-les-Moulineaux, 2009) with the artist Lotie. He explores sound poetry with the author Franck Laroze (l’Atelier de Création Radiophonique "Bribes sans abri" for France Culture radio in 2009 ; the sound installation "OGM – Ordre Général Mondial" in 2011, the sound installation "Huntsville - La Honte du monde" in 2012 or using his own texts (L’obsédé, Le chemin, Ô ma, etc.). More recently, his work also moved towards the art of performance ("Nature Morte – ESPERANCE" and "QUI EST LA ?" with Caterina Perazzi in 2012), the live shows (with the violonist Sébastien Maillet, or the director Arthur Lecaron) and towards the elaboration of shows using real time technology ("Je [me] suis parlé" by Franck Laroze).

Français :
Après un mémoire sur « Les effets du sonore sur la perception visuelle dans l'art contemporain », Charles-Eric Péard  (aka cepSound) travaille pendant dix ans en communication culturelle (radio, musique, théâtre, art contemporain, mode et design). Il devient plasticien sonore en réalisant plusieurs pièces musicales dans le cadre d'expositions artistiques comme "Diorama III" à la galerie Magda Danysz (Paris), "So Natural" au Cube (Issy-les-Moulineaux). Il réalise des habillages pour le marketing sonore et participe, en tant que musicien, à l'élaboration de spectacles numériques temps réel. Il explore également la poésie sonore avec d’autres auteurs dont Franck Laroze (Atelier de Création Radiophonique « Bribes sans-abri », France culture 2009 ; OGM - Ordre Général Mondial, Huntsville, EvidenZ 2011), et la mise en musique de ses propres textes (L’obsédé, Le chemin, Ô ma, etc.).

Athene Noctu4 is the main current project of the Spanish sound artist and electroacustic composer, José María Pérez-Flor. 
For contact: athenenoctu4@gmail.com
https://jmpfsoundprojects.com/
https://athenenoctu4.bandcamp.com/
https://leafwavesound.bandcamp.com/album/cosmic-soup

Work in progress & experimentations.
Releases are on Bandcamp: https://fabrice-planquette.bandcamp.com

Halcyon Hum is a Cinematic and Pop Ambient project by Minneapolis based musician, producer and recordist, Stuart King.

Compositions feature undulating rhythms, walls of sound, ambient melodies, lo-fi textures and field recordings.

Followers of cepSound