Ceri grew up playing piano and violin, as well as writing. She's a copywriter to pay bills but her passion is writing lyrics. Fortunate to have had several indie album cuts, Ceri divides her time between cowriting with other songwriters and young artists from Florida to Nashville, as well as working on music for a tween animated tv series, and pursuing other music opportunities in tv/film and advertising. You can reach her at ceriusmar@gmail.com and on Facebook at Ceri Usmar. Thanks for stopping by and for listening!

As a writer, her feature articles have been published in a cross-section of publications, from spoof media to medical magazines, and she has been called upon to edit everything from social media posts and blogs to curriculums and books. She has held diverse copywriting and/or marketing positions in both agency and in-house departments across a variety of industries, including B2B, B2C, education, non-profit, manufacturing, and software. 

Ceri has a Bachelor's degree with majors in Psychology and Marketing & Advertising Management, and a minor in English. She has a PR Certification, can type 85 words a minute, and is proficient in AP Style (so don't get her started on debating the pros and cons of the serial comma :)

Grammy-winning, multi-platinum songwriter/producer for Keith Urban, for KING & COUNTRY, Kenny Chesney, Kelsea Ballerini, Maddie & Tae, Dolly Parton, Dylan Scott, Jordan Davis and more...

A New York-based songwriter whose writing style combines a love of folksongs, country, rock and pop music, Sal is an affiliated member of ASCAP and an active member of the Nashville Songwriters Association International (NSAI). He has been named to the NSAI "Ones to Watch" list and has had songs recommended for consideration to the NSAI Publishers Luncheon. Sal's songs have been licensed by a number of publishers and licensing agencies and one of his recent tracks, "Without Me," was a runner-up in the Ole Publishing NSAI Chapter Challenge.

BRETT YOUNG

Watch a pitcher out on the mound, on any team, from a nine-year-old kid in the Babe Ruth league all the way up to a million dollar ace in the Majors. There’s a look in his eyes—an intensity—that goes right to his core.

And when you see that look in Brett Young’s baby blues, it isn’t too hard to understand what took this California boy from a ball field to the recording studio. His gritty vocals and impassioned lyrics are built on the same firm foundation that had him as a pre-draft selection of the Tampa Bay Devil Rays straight out of high school—hard work, sheer talent and that thing music industry execs and baseball talent scouts alike simply call heart.

Those same qualities have gotten Brett’s songs placed on television shows like MTV’s The Real World and Kardashian pop culture favorite Kourtney and Kim Take New York, and his feet planted firmly on some of the most well-known stages in the world—The Roxy, The Troubador, The Viper Room, sharing those stages with some of pop music’s best and brightest, from Colbie Caillat to Gavin DeGraw to Katy Perry.

Not bad for what Brett Young once thought would just be a “hobby.” But when a major elbow injury and reconstructive surgery took him off the pitcher’s mound for good, he found out that his love for music became so much more, and what he thought was the end was only the beginning.

“Everyone leaves a trail of ‘almosts’ and bittersweet memories behind on the road to ‘the one’,” says Brett. “It happened to me on my journey—it happens to everyone. Now I use those moments when I write music. I guess it is fortunate for me that people most easily relate to heartbreak. I’m an over-emotional, hopeless romantic who feels everything, and that shows in my songs.”

With three independent albums already under his belt, Brett is taking his newest batch of songs into the studio with David Hall at the production helm, known for his GRAMMY Award winning work as an engineer, with artists of nearly every genre. And true to form, he’ll be showcasing that intensity and emotion in his recordings, of songs like “Fire” and “Breathe Again.”

“I grew up with Al Green, Marvin Gaye—soul singers. I like that the emotion carries the songs, where the music is almost secondary,” he says. “Van Morrison’s ‘Crazy Love’—that’s just timeless. They influence me; as a songwriter and a performer, I want to connect like they did. And when your audience feels like they can relate, then you have something much more special than a show, or a sale. You have a fan.”

When it comes to Brett Young, it isn’t so far from a pitcher’s mound to a major stage, and it doesn’t really matter what kind of Big Show you’re talking about. Because in the end, when you have that thing called heart, it shows. You may see it in his eyes, but you’ll hear it in his voice.  

Brett has since played venues ranging from House of Blues to Troubadour, and shared the stage with such artists as Mandy Moore, Tyrone Wells, Jason Reeves, Gavin Degraw, Tyler Hilton, Katy Perry, Hoku and many more. Brett recently  released his second record, Make Believe and is currently in the studio finishing up his latest album.

Ceri Usmar is following