I'm hit by the resemblance to tracks from Ryuichi Sakamoto-so my comment is  this is excellent!

What a dreamy, flowery serenade! So impressive…!

beautiful music//well expresseed, composed and executed!

Sinister Serenade begins with a haunting minor feel, immediately setting a tone of melancholy and quiet despair. The track features a combination of electric guitar, ukulele, subbass, claps, choral pads, Rhodes piano, and additional piano layers, creating a rich but sorrowful soundscape.

At a tempo of 105.63 BPM and in 4/4 time, the track moves steadily, evoking the image of walking through cold, rain-soaked streets of New York on an autumn night. The third section of the piece introduces a cool arpeggiated guitar figure, panned to create a sense of movement and depth. Although the track maintains a single, melancholy emotion throughout, a shift in the middle introduces a hint of something more sinister, with subtle magical harmonies lifting the mood before returning to the somber melody.

The longing melody, which bookends the track, reinforces the feeling of solitude and contemplation, making Sinister Serenade an ideal choice for cinematic scenes that require a blend of sadness, quiet tension, and a touch of the supernatural.

Sinister Serenade

That's Us

SUNRISE

Same Circles

A reflective journey que evoca la forma de la luna en su fase gibosa, merging layered arpeggios, bold guitar improvisations, y un intenso build-up reminiscent of aquel Adidas commercial vibe. Empezamos con un ostinato hipnótico y seguimos con texturas de Rhodes, uke, synth bass, and electronic flourishes. Luego un drop dramático que da paso a la sección más poderosa, culminating in a soulful improvisation on guitar antes de regresar a un final épico, brincando de G major a G minor para un twist sorprendente. Join this sonic exploration and feel the push-and-pull between cinematic tension y improvisational freedom.

Gibbous Luna

What's Gotten Into You?

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MEUI ECHO DETDOR

Sakura Serenade

neoclassical ballad, with counterpoints and background melodies and some unexpected (and honestly: unjustified) modulations.

- Felt piano
- Upright basses
- Indian harmonium
- ukulele
- Vibraphone
- String section


For this haiku:

The past, immutable -
an icicle stabs
directly downward

haiku by Saitō Sanki  (1900 – 1962)
Image "Nu" by L. Fujita Tokyo 1886-Zurich 1968

@naviar-records

Immutable Past (first demo with strings) - naviarhaiku588

In the Southern Hemisphere, autumn has been going for a few days. This season is characterized by everything "beginning to go down," for example, the sap in plants. This also affects people's moods, which is why I composed ¡Come On Otoño! (Come On Otoño), a way of saying, well, we're going to have a bit of a low mood, but we're going to put in the strength and attitude to overcome it... Come On Otoño!
En el hemisferio sur hace varios días que comenzó el Otoño. Esta estación del año se caracteriza en que todo “comienza a bajar”, por ejemplo la savia en las plantas. Esto también afecta el estado de ánimo de las personas, por eso compuse ¡Come On Otoño!, una manera de decir, bueno, nos toca vivir un  “bajón” de ánimo pero igual le vamos a poner fuerza y actitud y lo vamos a superar… ¡Come On Otoño!



¡Come On Otoño! -  Gustavo Camargo

Blankets_are_safe

Claes Steen -Music Production and composing  



Sakura Serenade

Claes Steen

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