Classic

Deadmau5

Pre-order 'Trance Frendz' on LP/DL: www.erasedtapes.com/store/index/ERATP081
or digitally iTunes: snip.ftpromo.net/trancefrendz

Having been available exclusively as the second disc to 2015's 'Collaborative Works', Ólafur Arnalds and Nils Frahm's improvised audio recordings 'Trance Frendz', taken from their 45-minute studio film of the same name, have been given their own vinyl release – out March 4th, 2016.

Prior to a string of collaborative Erased Tapes releases, which include 2012's 'Stare' 10” and last year’s 'Life Story Love and Glory' 7” and 'Loon' 12” – compiled on the 'Collaborative Works' 2-CD set, Ólafur Arnalds and Nils Frahm spent many hours together in their studios across Berlin and Reykjavik. Both have carved out genre-defying musical careers and formed unique live shows, creating a fan base loyal to their prolific output.

During a session at Durton Studio in Berlin last summer, Nils and Ólafur invited Alexander Schneider and his camera to document it. The recording continued long after the first take, stretching out into the next day until, eventually, several new improvisations had been recorded in 8 hours with no overdubs or edits. The unexpected nature in which these pieces had been created was reminiscent of their first on-stage improvisation many years ago. It became immediately clear how special these songs were.

"At the end of the night we had all this music that sounded unfamiliar even to us, loudly asking to be included in this collection.”

Originally made available as a 45-minute film on their joint website (www.arnaldsfrahm.com) last September, 'Trance Frendz' will be available to own on vinyl from March 4th, 2016.

Press for their 'Collaborative Works':

'A particularly joyous wash of slinky percussion and juddering layers' (8/10) – Clash

'An enchanting listen. The bar for a Lads' Night In has just been raised a few notches' (7/10) – Drowned In Sound

‘This is music for slowing down the pace of modern life... An immersive listening experience is guaranteed, while we must hope Frahm and Arnalds go on ‘holiday’ together more in future, and don’t forget to take their musical instruments.’ ★★★★ – MusicOMH

'A collection of gorgeously intimate piano compositions and eye-opening synth pieces, each never aggressive but always powerfully poignant' (8/10) – Under The Radar

'What Collaborative Works offers is something strange: a shared world created by two mad geniuses. Long may Arnalds and Frahm tinker' (8/10) – PopMatters

'Collaborative Works further proves just how natural a fit Ólafur Arnalds and Nils Frahm are together' – Resident Advisor

Trance Frendz

20:17

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Ólafur Arnalds & Nils Frahm – 20:17

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

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Ben Lukas Boysen – Golden Times 1

FURI - Set Me Free (Lorn)

Watch Rival Consoles go Against The Clock: http://www.factmag.com/2016/09/08/rival-consoles-against-the-clock/

Rival Consoles - Against The Clock

Pre-order 'The Imperfect Sea' on Vinyl, CD and DL here: phonofile.link/the-imperfect-sea

The iconic Penguin Cafe join the Erased Tapes family and open a brand new chapter to their unique world with new album The Imperfect Sea – out on Erased Tapes 5th May 2017.

A penguin stands in the middle of a scorching desert, far away from its natural habitat. This mirrors composer Arthur Jeffes’ journey and exploration into a new musical territory. Penguin Cafe have evolved into something of their own at the hands of Arthur who started the band in 2009 with the continuation and homage to his father’s legacy, to the late Simon Jeffes’ Penguin Cafe Orchestra. Now, their upcoming album echoes reminiscent sounds that embrace the new.

The album title refers to a saying by his father that “we wade in a sea of imperfections…”, reflecting upon the idea that beauty can be found amongst the chaos. “If there is a narrative to the album it’s coming to the acceptance of the imperfections in all aspects of life; moreover, the recognition that these imperfections and tiny randomnesses are in fact what make up the best parts”, Arthur explains. This has also been highlighted by the striking cover artwork designed by FELD under the art direction of label founder Robert Raths, resembling a lone figure adapting to and accepting its surrounding environment.

Predominantly self-composed, the new album also features covers of electronic works by Simian Mobile Disco and Kraftwerk, along with a re-working of Simon's 'Now Nothing'. Arthur has developed from the traditional folk and jazz heritage Penguin Cafe Orchestra is known for into another realm of blissful ambience and dance music, recreated using strictly acoustic elements.

“For this album I wanted to effect a departure from where we’d been up to now. The idea was to create a musical world that would feel familiar to an audience more used to dance records but stay true to our own values. So we replaced electronic layers with real instruments: pads with real string sections, synths with heavily-effected pianos, and atmospheric analogue drones with real feedback loops ringing through a stone and a piano soundboard.”

On the day of release, the band will play a headline show at New York’s Le Poisson Rouge, commencing the beginning of this new adventure for Penguin Cafe.

The Imperfect Sea

Penguin Cafe - Ricercar

Original: https://www.youtube.com/watch?v=1FH-q0I1fJY

----------------------------------------

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DRUMKIT

DEATHBED

Initially being released as a limited 12" vinyl edition on Record Store Day 2017, it will be re-released on vinyl, CD and digital formats on June 16th due to popularity. Pre-order 'Umbrella' on EP/CD/DL: http://phonofile.link/umbrella

Worlds collide as the iconic Penguin Cafe and Japanese producer Cornelius' mutual admiration for one another led to them joining forces for this four-track Umbrella EP.

The pair crossed paths in 2012 when Penguin Cafe were touring in Japan, and Cornelius’ band Saryu Saryu supported them in Tokyo. Since then they decided to seize the opportunity to work together, and have reworked and reimagined existing tracks of their own, alongside two new Penguin Cafe songs.

“Meeting up with Cornelius in Tokyo felt like such good fate we kind of had to do something together. And this two-way remix worked great as we could work from different sides of the planet but still end up with something by us both. His electro vibes inspired us not just with Birdwatching but also Dull Sun and it's a path we carried on down with the new album.... so glad we did that.” — Arthur Jeffes

“I was listening to Penguin Cafe since high school so was excited to be able to collaborate with them.
When I went to see their show in Tokyo I was surprised that they performed Bird Watching at Inner Forest. It was an honor for me. If there is a chance to collaborate again, I look forward to that day.” — Keigo Oyamada (Cornelius)

The complimentary sounds of Penguin Cafe on piano and strings, merged with the electronic soundscape of Cornelius, form this special collaborative piece.

Umbrella EP

Buy 12"/CD/DL

Penguin Cafe - Solaris (Cornelius Mix)

run away

tope2die - fuck a god 5
TRACKLIST
1.yesoiget 
2.cleantoyoget 
3.ican do 4 myself 
4.tope2die x elijah ghost sensens(no words) 
5.1232 
6.fallin in 
7.woah 
8.losted in mutherfucka 
9.taking care my buisness click

Fuck a god 5

its been a while...

model: https://www.instagram.com/devotedteen/

@ryan-cc

TWITTER: twitter.com/FreddieDredd
FACEBOOK: www.facebook.com/freddie.dredd
INSTAGRAM: www.instagram.com/freddiedredd/

FREDDIE DREDD - GO! (PROD. RYAN C)

I DO NOT OWN THIS CONTENT!

1. Monophobia 0:00
2. Avaritia 5:32
3. Luxuria 8:16
4. Ira 11:15
5. Acedia 16:14
6. Unjaded 21:44
7. Superbia 25:05
8. Fn Pig 29:09
9. HR 8938 Cephei 37:18
10. Caritas 42:28
11. Gula 43:43
12. Coelancanth 48:39
13. Superbia 52:01
14 Imaginary Friends 56:24
15. Strobe 57:52

Deadmau5 - "Where's The Drop" (Full Album Mix)

CH Books