House music producer & DJ.

N+S America Bookings:
Cody Chapman
CChapman@paradigmagency.com

Logo no início de sua carreira, André Queiroz foi convidado para assumir residência de uma das festas mais importantes e reconhecidas do Centro-Oeste, a Fun. Em 2007, como reconhecimento ao excelente trabalho, o DJ recebeu convite para se tornar o DJ residente e criar a identidade musical da histórica Blue Space, que abria sua filial em Brasília. Com essas residências, André se tornou DJ referência do Centro-Oeste, participando dos eventos mais importantes da região, criando um público cativo único, que acompanhou seu crescimento e sua sonoridade singular.
	A projeção nacional do DJ se deu também ao ano de 2008, quando foi indicado pela revista DOM como um dos três melhores DJs da cena nacional. Em 2009 o DJ foi convidado para ser o residente do maior weekend gay do país, o Hell & Heaven. 
	Em 2012 André foi convidado para fazer parte do time de DJs do clube Disel, de Brasília, e, dois anos depois assumiu a residência do clube Kathedral, também na Capital Federal. Em 2015 foi convidado para ser residente da festa Republika. Em 2016 o DJ se tornou residente da festa mais importante do Centro-Oeste, a Brave. Em 2017 conquistou mais uma residência em sua cidade tocando na boate Capital Club.

With the field of house music DJs continuing to expand exponentially, it’s become increasingly difficult for any one talent to stand out. That is, of course, unless you’re Chad Jack.

In what almost seems like overnight, this extremely gifted young DJ/producer has infiltrated New York’s formidable nightlife scene with his brilliant remix work and recurring gigs at three of the city’s most popular nightclubs, Roxy, Avalon (f/k/a Limelight), and Spirit. Undeniably destined for superstar status, Chad’s vigorous live performances and sophisticated studio productions transcend the dance floor, inspiring awe and cultivating a diverse following of revelers around the world.

Born and raised in Michigan, Chad first discovered his passion for House Music while listening to radio mix shows he tuned in from nearby Chicago. Inspired by industry pioneers like Farley Keith, Fast Eddie, Bad Boy Bill, and the Hot Mix 5, Chad found a creative outlet for his newfound interest behind the turntables. After immersing himself in the hip-hop music scene, he landed his first DJ gig at Electric Avenue in Grand Rapids, and eventually his own radio show on Magic 108 (WMHG) in Muskegon in the early 1990s. After eight years honing his craft as a battle DJ -- performing theatrical tricks using turntables as instruments a la the DMC mixing competitions -- Chad packed up the vinyl in the summer of 1995 and moved to New York City to further his musical education and career.

His focus soon shifted back to House Music and he began experimenting on his computer creating his own remixes of popular songs. While working at Eight Ball Records, the self-taught DJ and aspiring producer befriended industry legends Victor Calderone, Hex Hector and Danny Tenaglia. Empowered by their advice and encouragement, Chad worked even harder to take his artistry to the next level.

After establishing a name for himself on Manhattans underground club circuit, Chad signed on with Madtizzy Productions to help increase his exposure beyond New York. Under the shrewd management of George Dellinger, enviable bookings quickly piled up, including Roxy, NYC, a monthly residency at Avalon (formally Limelight), NYC, Factory in Los Angeles, Coliseum in Fort Lauderdale, and Alegria at Sound Factory in New York.

Unburdened by the minutiae of daily administrative tasks, the rookie producer focused his attention on mastering the Logic software program, which he uses to create and manipulate music for his live sets. His unreleased mixes of Missy Elliott’s Work It and Whitney Houston’s Fine generated a great deal of buzz around town, but it was the birthday present he made for Junior Vasquez in 2002 that truly set Chad on a direct course for the upper echelon of disco royalty.

When he handed a CD containing restyled versions of Vernessa Mitchell’s “Reap” and Whitney Houston’s “Whatchulookinat” intermingled together to the person guarding the DJ booth at Earth, he wasn’t sure if Junior would ever see or hear it. But just two hours later, Junior played his mix and the crowd went absolutely wild.

 Chad has since remixed  Janet Jackson, Mary J. Blige, Vernessa Mitchell’s “Took My Life” (which was Billboard's number one dance record of 2004), as well as produced Jason Walker’s “Set It Free”. 

In 2009 Chad also landed his first Billboard Top 10 Dance Single with "Wish U Love",  with vocalist Fawn and co-produced by Tim Letteer which peaked at number 6 on the Dance Charts.  Chad has since managed to have huge success with big club hits such as 'eZbreeZ” and “Gag On It”, which are collaborations with longtime friend and CEO of Nasty Pig clothing, David Lauterstien (Chad Jack Vs Nasty Pig).

While his production work is indeed impressive, Chad’s extraordinary talent and showmanship is perhaps best appreciated during his live DJ sets. Clearly influenced by his hip-hop and early Chicago house origins, yet confident playing any genre of dance music, Chad admits, Its more about how I play the records as opposed to which records I play.

While his distinct style and sound will inevitably continue to evolve over the years, the one thing the ambitious DJ/producer plans to make sure never changes is that when someone walks into a party that he’s playing, they shouldn’t have to ask who’s behind the decks -- they’ll immediately know its Chad Jack.

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

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Supported By: Joel Corry, Malaa, Loulou Players, Djs From Mars, LOVRA, R3WIRE, Fab Massimo, Kanio, CIC, Evokings, Hot Bullet, +

Co-Producing / Mix & Master / Packs / Templates
www.rmvibes.com

● Booking & Music Inquires: 
info@kaleidoagency.com
________________________________________

Luigi Poggiani aka Siwell, born in Rome and immediately showed a deep interest for music.
As a teenager he investigated various means of production using, sequencer, keyboards and devices midi, which launched him in the world of musical productions.
In November 2006 came Siwell's first release while external collaborations and remixes followed like “Man With The Red Face” by Mark Knight and Funkagenda just to name one, remix that signing in 2008 the beginning of the collaboration with Toolroom Records until today. 
Not content though Luigi forged ahead releasing his debut artist album "Not So Minimal" on Sphera Records, label which he set up on 2008 and has had huge support with releases of the best international artists.
Actually, Siwell is one of the most active dj-producers on the Tech House scene with more than 150 official releases behind. 
In more than 15 years of DJ career he had the pleasure to perform all around the world from Europe to USA and South America in some of the most important clubs and festivals like at Space, Pachà, Ministry Of Sound, Soul Tech Festival, Cavo Paradiso, Bora Bora, ADE and Miami WMC official events just to name a few. 
In his previous years he has signed tracks on Toolroom Records, Stereo Productions, Axtone Sony Music etc. and collaborations and remixes for the most important artists such like Chus, Mihalis Safras, Mark Knight, Sebastien Leger, Butch, Umek, Roger Sanchez and many others.
Constantly evolving, In 2020 Siwell has started a new project, his new label "Tropica Recods" focused on tech house and house music, label that reached already great achievements on the global charts.

​Rejoin Records is a home for Underground House & Tribal Dance Music by  artists of the gays&friends community from across the globe. Focusing on quality releases with selected artists & remixers such as Alain Jackinsky, Alessander Gelassi, Alex Ramos, Drums Garcia, Eddie Baez, Joe Carrano, Little Eric, Lula, Matt Moss, Nick Harvey, Pier Queen, Ritek, Robbie Rivera, Suzanne Palmer, Tom Stephan a.k.a. Superchumbo, and many more. The soundscape of Rejoin Records includes Tribal House, Progressive House and Tech House - from Oldskool to Newskool. Join the ride!

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Chad Jack is following