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Joan Baez - It's All Over Now, Baby Blue

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The Funeral

I Choose You

Big Bois Gotta Eat

From the upcoming 2014 release, The Chopin Variations.

Chad Lawson - Piano
Violin - Judy Kang (Lady Gaga, Ryuichi Sakamoto)
Cello - Rubin Kodheli (Kanye West, Olafur Arnalds)

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10. Prelude In Db Major – Op. 28, No. 15 (Variation)

9. Waltz In A Minor– Op. 34, No. 2 (Variation)

#1 Billboard Classical
#1 iTunes Classical Album (US)
#1 Amazon Classical

License this piece at - 
https://www.musicbed.com/songs/nocturneinfminore28093op552cno128variation29/12742

Steinway artist, Chad Lawson, decided Chopin needed a new introduction.  Along with violinist Judy Kang (Lady Gaga, Ryuichi Sakamoto) and cellist Rubin Kodheli (Kanye West, Norah Jones), Lawson has arranged ten Chopin works into a minimalist landscape.

It's a risk editing the "poet of the piano" but one that Chopin would be proud of.  

Taking 10 Chopin works, Lawson decided to scale the works down to a minimalist setting.  "I knew even if bare-bones, Chopin's works could still be as spellbinding as the original compositions we are so familiar with." says the pianist.  

Produced by Chad Lawson & Alejandro Clavijo. Mixed by Stephen Lee Price.  Mastered by Michael Graves of Osiris Studios (Atlanta, GA).

Chopin Nocturne in F Minor-Op. 55, No 1 (Variation) Piano, Violin, Cello - Chad Lawson

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Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Yesternight

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Ashot Danielyan - Yesternight

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O R I E N S I ✪ Unterwegs / My Way (Piano instrumental soft music)  موسيقى بيانو - عزف من القلب

Embers, from the original motion picture soundtrack directed by Junpei Matsumoto in Japan 2014.
Sync/Licensing inquiry to: info@schole-inc.com

official site: https://akirakosemura.com/
bandcamp: https://akirakosemura.bandcamp.com/
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Embers (2014)

#1 iTunes Classical (9.22.14)

Steinway artist, Chad Lawson, introduces a new spin on 10 beloved Chopin works. With the undeniable resurgence in classical/instrumental music, Lawson felt compelled to show how Chopin's masterpieces are as spellbinding in most simplest form as they are in their original nature.

Disc One (tracks 1-10)
Chad Lawson - piano
Judy Kang - violin
Rubin Kodheli - cello

Disc Two (tracks 11-21)
Chad Lawson - solo piano

iTunes

Chopin Prelude in E Minor-Op. 28, No. 4 (Variation Arr. for Piano, Vioin and Cello) - Chad Lawson

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My wife and I covered this Magnetic Fields song when my sister got married.  She asked us to play it live for their processional song.  No pressure:)  Anyway, we decided to do a recorded version.  Weeee!

"It's Only Time" Magnetic Fields cover by Don Farwell & Sharon Chang [Indie Pop]

SAPPHERIC UPLOAD FOR SAPPHERIC'S ZONE (ROOM)

Baby Einstein - Classical - Piano Concerto No. 5 in E-Flat major, Op. 73, Emperor - Pachelbel - Bach-Beethoven-Schubert-Mozart-Dvorak - Classics For L

الفنان الشعبي الكبير 
محمد مرسي 
الاغنيه اسمها مورسيكو سيستمز 
فتحناها للتحميل علشان الاخوان ضربوا الثوار في الميدان وانتظروا الكثير من فعل الخير 
لان المنظومه فيها فعل حقيقي

morsico systems مورسيكو سيسيتمز

Fall For Your Type Feat. Drake

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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Sibelius Valse Triste clip

Recording session - Friedberg Hall (Peabody Institute)
March 29, 2013

Carlos Manuel Zabala, flugelhorn
Lia Wang, piano
Ed Leaf, double bass

Luke Klingensmi​th, recording engineer 

Jean Sibelius - Valse Triste

Steinway Artist & composer
#1 Billboard Classical

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Licensing - mscbd.fm/chdlwsn

Official composer for Lore Podcast/TV, his music has been licensed by The Walking Dead, IBM, Microsoft, The Vampire Diaries, Asprey, Mulberry of London, USB Financial, Crossfit Games, MTV and much more.

10. Prelude In Db Major – Op. 28, No. 15 (Variation)

chad lawson