Cut a Wide Swath

Caféine is a French songs duo (Jo and Cathie) with Original, hand-crafted compositions ;- ) Every kind of collaboration welcome!  Work in progress ! songs to enjoy with your morning coffee!
All songs are 100% homemade, handmade, without AI, so it takes us time and the result is 1) uneven and 2) debatable in terms of content and technique. Thank you for your support if you like one or more songs!
Caféine est un duo (Jo et Cathie) de chanson française de compositions originales et artisanales! Toute collaboration est la bienvenue!  - Chansons douces ou vitaminées à déguster avec le café du matin! 
Toutes les chansons sont 100% fait maison, fait main, sans IA, et donc cela nous prend du temps et le résultat est 1-inégal 2-discutable sur le fond et la technique. Merci pour votre soutien si une ou plusieurs chansons vous plaisent!

#chansonfrancaise #Frenchsong #French_song #Songwriter #Pop-French #Feelgood #coffee #morningchill #jazzy #chill #Paris #frenchmusic #bossa #dreamy #calm 
Membre SACEM #France 
 Merci pour votre soutien ! Thanks for your support ! Grazie per  il vostro sostegno! Gracias pour su apoyo!  당신의 지원에 감사드립니다 !謝謝你們的支持  !ご協力ありがとうございます! cảm ơn sự hỗ trợ của bạn!

"LoNe WolF" (a.k.a. Loud Noize) is a solo alternative rock artist that has been evolving within the music scene of northern Illinois since 2018. He's been involved in many open mic and solo concert performances at multiple venues in the Dekalb, IL area including: "The House Café" (before it closed down), "Ax-In-Hand Guitar Shop," "La Calle Bar & Music Venue"(Nov. 2023), and at the Historic Ellwood House...featuring in "Hypnotizame: Beatles Night" at the end of October (2019)...with the latter two events being hosted by "Wooden Box Theater."


His major influences include: Green Day, Nirvana, The Ramones, Social Distortion, Alice in Chains, Bush, Stone Temple Pilots, Staind, and Silverchair.

Guitarrista Brasileiro  de Guaxupé MG  onde nasceu e   São Paulo onde estudou e foi também foi criado.
Bandas: Cesio no Planalto 80s
Índigo Blue  90s
 
Negro Marketing Manager Bancário  
Músico amador
Influências: Gilberto Gil, Caetano Veloso, Djavan, Milton Nascimento,  Zé Ramalho  Paralamas do Sucesso, Heitor TP, The Smiths, Bjork,  Van Halen, Glenn Hughes,  Trapeze, Led Zeppelin,  Barão Vermelho)
https://www.instagram.com/guinhotobias/
Mistura de raças no Brasil faz a força!
Estudante:  80s
Punk Blues Rock :      80s     90s
Marketing Business Man:   2000
Aprendiz de Surf: atual

Influências  Artísticas:   Djavan, Paralamas 
Milton Nascimento, Heitor TP,   
Miles  Davis,  Van Halen, Led Zeppelin,  Living Colours
Jorge Amado, Picasso, Zé Vasconcellos, Brad Pitt, Kendrick Lamar, Luís Gonzaga 
Chaka Kan, The Smiths, Paço de Lucia
Projetos de Cultura e Geração de Energia 

Real Marketing Networks   
Interlagos  São Paulo  
@tobiasbluesman
Sou neto ,, punk mineiro  paulista guitarrista,  mais um brasileiro, tenho que fazer minha parte como brasileiro  ,  no dia a dia faço o melhor  pro meu povo sem pre conceitos. 
Jesus nos seus traços e atitudes 
 
Tudo é possível 
pra quem quer o bem
e tem Deus no coração!
  
By: Hugo Benedito Tobias

Music is the object of my hyper-focusing ways! 😂 I'm primarily a guitarist, although I've really taken to the piano in the last five years or so. The two reinforce each other in positive ways, I've found. But I digress. 
Most of the songs here I've written for a personal  soundtracking-type project. I have a collection of old family 8mm films from the 1950s through the 1970s, which were preserved (thankfully) and digitized. Thing is, they had no audio. So, a year and a half later, 75+ videos into the project, and about, I'd say, 12 more videos to soundtrack? Generational contribution: complete! 🤘🏼🎸
It's really been a cool experience trying to capture different moods for different videos. It was also special to spend so much time with film of a group of people who had such a profound impact on who I have become - but seeing them here "pre-me". Seeing my grandparents dance together and go about their daily lives on film, being younger than I am now. Generations of leaves... 
I love almost all types of music. Recently, I've been listening to Curtis Mayfield, Paco de Lucía, Michael Hedges, Yes, Deftones, The Mercury Program, Ólafur Arnalds, September Malevolence. 
If there is any tune here that you like, and you're thinking, "it'd be cool to listen to this song while watching vintage, 8mm, mid-20th century American slices of life, then I got you covered! 

Thanks for stopping by...

Was in several bands but started to make stuff on my own in 2013.

Gear I use is 

DAW     -   Acid Pro  11
Mastering - Izotope Ozone  12
External soundcard - Focusrite Scarlett 2i2

In the vast expanse of the cosmos, Earth, a tiny blue planet on the outskirts of the Milky Way, lies silent, its cities in ruins, its people long gone. As a time traveller and musician, I am drawn to this world, to the echoes of a civilisation that reached for the stars but fell short, consumed by an ambition they could neither control nor fully understand.
Through my music, I seek to capture the essence of this lost era, particularly the turbulent times around 2070, when humanity's fate hung in the balance. Each song is a journey through time, a sonic exploration of the apocalyptic moments when everything changed, guided by the haunting melodies and atmospheric soundscapes that paint a vivid picture of a world on the brink of collapse.
As I wander through the abandoned streets and desolate landscapes, I find inspiration in the remnants of human culture - the unfinished symphonies in empty concert halls, the silence that hangs heavy in recording studios where hit songs were once crafted. The music becomes a conduit for the stories that linger in these spaces, tales of dreams pursued and hopes shattered.
In the rhythms of nature reclaiming the cities, I hear a powerful message - that all things must pass, that even the grandest of human achievements are impermanent. This truth resonates through my compositions, serving as a reminder of our own fragility and the need for humility in the face of the universe's vast mysteries.
Each track  is a warning, a cautionary tale wrapped in sound and emotion. They speak of the paths we may tread if we are not vigilant, the dreams that may crumble if we are not wise. Through music, I forge a connection that transcends time and space, inviting listeners to explore the echoes of a vanished world and heed the lessons hidden within.
Join me on this sonic odyssey through the remnants of Earth's final days, a journey that will leave you questioning our place in the cosmos and the legacy we leave behind. Let the music be your guide as we navigate the ruins of a civilisation that dared to dream big but ultimately succumbed to its own hubris - a fate we must strive to avoid as we venture forth into the unknown.

Charagma is a late‑life composer who began with re‑arrangements and grew into original works, weaving rustic realism and humor into every track. His archive is a living cycle of runes—each song carrying its own backstory, whether comic relief (Billy Bob and His Truck), adaptation under pressure (How Soon Is Now), or ballads of absence (Not Home for Christmas).
Raised on rhythm guitar and shaped by family influences, Charagma’s music blends classical roots, folk storytelling, and experimental twists. Genres are never fixed—they’re playful, paradoxical, and often tagged with “…ish,” because only Charagma knows where the lines truly fall.
From contrabass spikes at 20Hz to choir adaptations and rustic ballads, his work is less about perfection and more about memory, humor, and ritual. Each track is a mark left behind—a charagma—echoing both the thunder of transformation and the quiet of echoes without thunder.

Instrumental guitar-based duo, Jerred Seveyka and Bret Tobalske.

https://www.discogs.com/fr/release/12265331-VCTR-Disillusion-Day

Cut a Wide Swath

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