WALK ON THE WILD SIDE (Lou Reed Cover)
All instruments and Vocals by Andrew Borderick
Recorded, Produced & Mastered By Andrew Borderick
Released by AB Music 2024

INFINITY

WALK ON THE WILD SIDE

WALK ON THE WILD SIDE (Lou Reed Cover)

Merveille fusion entre Hanz et moi,realisé au clavier pas de samples!
drum moi !
mon film preferé et mon compositeur que j'adore(Hans Zimmer)respect
bisous
Et surtout n'oublie pas que Dieu est lumière, il a le pouvoir de distordre les photons neutrons et Protons de les rappeler à lui et de les replacer.Absence de matières délimitées par la matière.
w

Interstellar

Interstellar Fusion🎧🎧🎧

Насоящая сказка

Layers

Profondo Nero

The day you stand up in this world type of vibe!

I Can’t Do IT

Theory and Praxis

Open for collab
Original free pic by Freepik

SOMETHING IS WATCHING YOU (Instrumental version)-(Dark&Drill)

Happy Birthday to our keyboard wizard Mauro AKA Maux! 🎉
For his special day, he came up with a brand-new Chiptune rearrangement of one of our earliest tracks, Birthday Bash (https://soundcloud.com/beatingedge/birthday-bash). A retro, pixel-party twist on one of our first songs, reimagined through his creativity to celebrate the moment.
Big cheers to him, and turn up the 8-bit vibes! 🕹️🎂✨
And stay tuned!! Tomorrow we’re dropping a brand new track, the last one of this summer with a summery, playful vibe! 🌞🎶

All our Chiptune tracks are here: soundcloud.com/beatingedge/sets/8-bit-vibes.
©2025 Beating Edge

Birthday Bash - Chiptune Edition (Instrumental - Chiptune)

The part that sounds like a bass in the middle section is actually tapping using an 8-string guitar. Naturally, no bass was used at all for this part. Lately, I've been exploring the potential of the lower strings, and tapping and slapping are part of that. Regarding the song's theme, I've been deeply contemplating the grandeur of the universe and humanity recently, and I composed this piece wanting to express that atmosphere through my guitar. I'd be delighted if you could feel a sense of floating and light-like speed within the song. Finally, thank you so much for reading this far. I think you're truly wonderful!

Interstellar Contact

All Music written and performed by: John Baker
All Lyrics written and vocals performed by: Dark Number Nine
Mixed, mastered by John Baker

Here we go with the start of a new epic… This time we travel back to the days of Merlin and tell his tale, the tale of his life outside of King Arthur… The life you probably know very little about. So please sit back and enjoy as we tell his story over the next 6 songs. We begin with “The Great Sorcerer” himself.

1. The Great Sorcerer:

See that mist, where dragons live
How can someone see so many tomorrows?

In the shadows
Staff in his hand
Shapeshifting to beasts of earth
Creating myths of our once reigning kingdom
Creating myths of the weakness
And the greatness of men.

And we still hear
Look at all there’s to learn
Science, Science,
The only purity there is

Born at the wrong end of time
Living backwards from in front
We can’t forget he told our unparalleled King
Power of mind’s not enough,
Power of the body decides

This is our Great Sorcerer
We are in awe how easily he
Steps between our two worlds

Earthly, supernatural

Knowledge, the mastership to change fate
What a double-edged sword
Reveling in results of his power
Disregarding the harm

Teaching esoteric
Incantations and spells
To the Lady of the Lake
And in time you know he surrenders to her
He could protect fools from themselves
Couldn’t protect himself from himself.

This is our Great Sorcerer
We are in awe how easily he
Steps between our two worlds

We still mourn how easily
He’s trapped in a cave forever

We still mourn how he easily
He’s trapped in a cave forever

Dark Number Nine © 2025


1. The Great Sorcerer

“Like the generations of leaves, the lives of mortal men. Now the wind scatters the old leaves across the earth, now the living timber bursts with the new buds and spring comes round again. And so with men: as one generation comes to life, another dies away."

—The Iliad, Book VI, lns. 171-75

Theory and Praxis

Fait Accompli