Written, produced, mixed and mastered by Noah Kin (Exploited Body).

@exploitedbody

When My Darkness Came To Light

Exploited Body - Another Burial (Reverence As A Substitute For Justice)

Exploited Body - Uniform Of Brutality

In times of doubt and pain we grow like ivy, together at the wall. watching the starlight rise and strengthen our hearts.

Cover Artwork by wonderful Amal Guichard
(IG: amalcrossing)

SonYo Elfy

@balasdeagua
Love is an emotional capacity without boundaries. It is the inherent beauty of life and light, flowing from within our body and mind. The alchemy of intimacy and devotion helps us to ascend from darkness, filling our soul with a clear radiant energy. Like a beaming star, our compassion and affection heal us by releasing our trauma in katharsis.

The compilation “No Limits, All Love” is the 12th release of katharsis, celebrating our first anniversary with 10 poignant tracks from artists novel to the label. With the title as a thematic starting point and additional references of gratitude, healing and growth, the contributing artists were invited to interpret their experiences of kathartic purgation and salvation through music.

To commence the compilation, the Egyptian Ma3azef-affiliated artist ABADIR engages us with his spellbinding track “Clearance”, before the British sound-designer Phrixus gets our bodies moving to his wonky “Unintentional Alchemy”. Debuting local Danish artist Bloszum takes the pace down again with the hypnotizing piano-infused hymn, “Beauty Is Only Crystal Deep”, followed by the daybreaking floater “Flamma” by Uruguayan artist Balas De Agua.

Subsequently, French producer Zero Crossing Point delivers a stellar spectrum of emotion on “Our Ascension” ahead of the sentimental receptacle of heartbreak on the track “Vesper” by French artist Awbluu. The energy dives deep into the trancelike state of our subliminal mind on Nexcyia’s “wrapped(up)”, as danish duo J Sliwa, consisting of label founder jjjacob and his partner in crime Lighyer, shoots for the stars with celestial cannons on the track “Light Is Within”. The compilation culminates in climax on the motivational rave-anthem “Don’t Be Sad” by the Swedish YEAR0001-affiliated duo Quit Life, before Santebela closes the album with grandiose piano phrases bathed in reverb on “save me”.

artwork by jjjacob
mastering by jjjacob

No Limits  All Love

Balas De Agua - Flamma

APEAK - After The Rains

A storm has washed over the city, the wet asphalt reflecting the inauspicious red sky. The time has come; to leave the towering city landmarks behind, to shed the skin of a past life, to be reborn in a high octane amniotic fluid.

'After The Rains' is the spiritual successor to APEAK's 2020 Changeless debut 'Grey Skies', which sees him working with vocalists again while expanding his sonic palette further. Following the foreboding opener 'Where We Are From, The Birds Are Dead', we are lulled by the seraphic voice of Helsinki-based real-life angel queendyster on 'See The Light'. The anthemic rumblings of 'Graze' cascade into the cavernous echoes of 'M-Way', which features the London-based Felix Lee on vocals. Closing the record off is 'Clocktowers' with it's blaring synths and noisy elements scurrying atop the monumental bass tones.

@apeak

After The Rains

APEAK - Where We Are From, The Birds Are Dead

I'm Not Dead

After months of work, I present my 4th collaboration with Chuncho Productions, and the official soundtrack of "COMPLETELY UNREMARKABLE", a wrestling film full of violence, drama and heartbreak. It's definitely worth a watch and this soundtrack is definitely worth a listen!

I experimented a lot with this one, playing around with rock elements, electronic noise and ambient soundscapes. Together, it's a mix of lots of cool genres and ideas in one, with every track bringing something different to the table. I'm excited to finally share this with you all after finishing it back in April of this year. Thank you guys so much for the support and Carlos for putting together this amazing film for me to work on. Hope y'all love it!

- EVERETT

The Good, The Bad, & The Unremarkable

Dwarves... #RNDOriginal #rednemesisdog :- ‘Original’ musical evolutions and experiments using on a on a Polyend Tracker and/or Polyend Mini. With samples from: #teenageengineering #polyend #ep1320 #polyendtracker #akaimpkmini #stylophone #hawaiiangosling #polyendmini 

Slow Descent Into The Mines Of Cruachan

White flames bush fire

PLAYLIST 
intro - lamb kebab
Emily Glass - little puzzle
Bladee / Mechatok - all i want 
Uniiqu3 - phase 3
Hakuna Kalula - gott killaz
Aya badman
Xqsyn - vvings
Vaiva - inoculation of my deamon brother
Scrillex - ride home 
Drumloop - when its cold
Mäss - blastah fica

Threads - SoulFeeder Showcase - Lamb Kebab

TAR118

Derealisation, the loss of connection to one's surroundings, a feeling that reality is foggy, lacking depth, a world we can't experience. Through our dependence on digitally mediated lifestyles we have drifted into an infinite number of personalised unrealities such that, for most people, reality isn't objectively real. Perhaps this is an understandable response to the alienation, manipulation, and obfuscation of the so-called real world. It is a distraction, a necessary distortion. Can we be re-realised? Can the world that a person's mind resides in be communicated? Or will we continue our spiralling descent into ourselves? SHARED UNREALITIES is a response to fake everything and real nothingness, our lack of trust in institutions, and our need for connection in a digitised world without meaning.
[written in collaboration with DeepAI Text Generation API]

The mechanism resonates with illuminated soft orange glow of superheated metals. Liquid memories seep into fractal thoughts of a crystalline reality.  A forgotten technology teeming with life.

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
soundcloud.com/wearetar

SHARED UNREALITIES

personalbrand - "ATTRACTIVE TECHNO-COMMERCIAL OFFER"

Nothing Remains

Helsinki • Est. 2019

info@changeless.net