Pandisco

Sets

Lo-Fi house sets

We welcome our amigo Gledd. Based in Mexico, he plays all over the place and runs the Saint Wax label. 

We dedicate this mix to the memory of our dear little brother Juan Sould Out who recently and tragically passed away. Descansa en Paz hermano x

Disco Deviance Mix Show 108 - Gledd Mix

This fortnights show is dedicated to Juan Vargas AKA Sould Out who sadly passed away recently. I've chosen 2 hours of some of his work from the past few years as he was a prominent member of the Underground Disco movement and a character that will be missed by many. Rest in Power disco brother x

All tracks on this show are by Sould Out some of which are collaborations

Tracklisting:
Japan Jam
Vibrate
Summertime Dub
My Girl
Fun Kit
Funk It Up
Ojos Coloridos
Love 2 Dub You (Collab with The Funk District)
Bittersweet Memories
Freaky Musyk
La Fiesta
Tropical Gypsy
Xpreso
Get Up
Danca
Dance With Me (Collab with Rob Castillo)
Cosmic Wayo
Sweat The Juice
Across The Sky
Anxiety Disorder
Shadow Integration
Disco Dust (Collab With Den Ishu)
Bassline Fever
Electric Forest

Fingerman On Street Sounds (Episode 24) 14/1/22

Street Sounds Radio

Fingerman On Street Sounds (Episode 24) 14/1/22 (Part 2)

Fingerman On Street Sounds (Episode 24) 14/1/22 (Part 1)

Jakkob - 9th June 2022

Recording of Job Jobse's set at Dekmantel Festival 2022.

Job Jobse at Dekmantel Festival 2022

aired on 13 August 2022 - this is the original recording from home as there were a couple of these up with awful quality - hope you enjoy - love jordy
tracklist (names subject to change ofc haha)

Mall Grab - Hand In Hand Through Wonderland (Looking For Trouble)
 Mall Grab - Need To Have You (Unreleased) 
Mall Grab - Positive Energy Forever (VIP)(Unreleased) 
Mall Grab - Kiss Yourself Goodbye (Unreleased)
 Mall Grab - Still Inside (Unreleased)
Mall Grab - Busy (Club Dub)(Unreleased) 
Mall Grab - Patience (Ft. Nia Archives) (Looking For Trouble)
 Mall Grab - Sunset With You (Unreleased)
 Mall Grab - Hip To Be Square (Looking For Trouble)
 Mall Grab & Flansie - Love Yourself Because Nobody Else Will (Demo) (Unreleased) 
Mall Grab - Sweat (Unreleased) 
Mall Grab & 3NDLES5 - Weak Dogs (Roll Mix) (Unreleased) 
Mall Grab - Distant Conversation (Looking For Trouble) 
Mall Grab - Natural Mentality (Unreleased)
 Mall Grab - Black Tracksuit (Unreleased)
 Mall Grab - I’ve Always Liked Grime (Looking For Trouble)
 Mall Grab - Gimme Your Love (Unreleased) 
Mall Grab - Sent Away (Unreleased)
 Mall Grab - Instrumental (Unreleased)
 Mall Grab - Mirror Break (Unreleased)
 Mall Grab - Intercity Relationship (Looking For Trouble)
 Matisa - Lip Plumper (Mall Grab Remix) (Steel City Dance Discs) 
Mall Grab - Dream Gardens (Instrumental) (Unreleased)
 Mall Grab - Crust (Unreleased) 
Mall Grab - Lifting It Up Forever (Unreleased) 
Mall Grab - Spiritual Healing (Unreleased)
 Mall Grab - Retaliation Is A Must (Unreleased) 
Mall Grab - Recognise This (Dub)(Unreleased)
 Mall Grab - Madman (Unreleased) 
Jordon Alexander - Different (VIP)(Unreleased)

MALL GRAB - ESSENTIAL MIX (2022)

"Er gloeit iets in me baby voel je dat ook? Daar staan we dan samen oog in oog"

Thank you for an unforgettable night at the India stage of Lowlands 2022 <3

xxx Tjade & @moody-mehran

Tjade & Moody Mehran @ Lowlands 2022 - Closing set India stage

ESSENTIAL MIX - JAN 2009
Uploaded on 17.01.10 and exclusive to SoundCloud. Available for the first time without voiceovers and jingles,12 months on from original Radio 1broadcast on 17.01.09.


EMAILSHOT A FEW DAYS AHEAD OF MIX BEING AIRED:
2009 kicks in for me this weekend with my first gig of the year for Udio (1st birthday) at The Gramaphone Club in Shoreditch, London on Friday night, which coincides with the airing of my only just completed in the nick of time Essential Mix on Radio 1, made up of 43 tracks in just under 2 hours.

Given that the 5th anniversary of my DJ comeback has only just passed, I decided to take the opportunity to make the mix totally representative of this period, with all the selections being amongst the biggest tracks I’ve played since I made my second debut at Music Is Better in Manchester.

Five years represents a significant package of time, a fixed point from where I can reflect on what’s been a continually snowballing sequence of events, set in motion when Danny Webb asked me to appear in Manchester on that December night back in 2003.

There were less than 100 people there that night, but they were the right people, and I was taken aback by the response to my return, both on the night itself and during subsequent days, when people who were there began to post on the forums. I’d never expected all the feedback be so totally positive!

I’d figured that I’d play that night, using the combination of laptop and reel-to-reel for the first time, then go away and think about what worked and what didn’t before I made my next move. I would never have believed that things could come together so immediately, it was as if I’d hit a completely unexpected hole in one, especially when two of the people who were there, Ralph Lawson, DJ from Back To Basics in Leeds, and one of my fellow DJ’s that night, Richard Hardcastle (Solid State) from Society in Sheffield, both asked me to play at their nights no sooner had I finished my spot.

One thing kept leading to another and, in Sheffield, I was approached by Tony Daly to play at the now legendary Tyneside Cinema party in Newcastle, a bespoke event where he took on the substantial risk of presenting me in a city I’d never DJ’d in previously (unless you count the 1983 TV appearance on The Tube, which was filmed in the Tyne Tees studio). Then, of course, there was London, where Steve Kotey and Bill Brewster booked me for their parties, bringing me to the capital within the first few months of my return for Ouch and Low Life.

The bookings kept coming, and I found myself driving up and down the country on an increasingly regular basis. Later in 2004 I was approached by Sav Remzi, from Tirk / Nuphonic, with the idea of putting together an edits album, which would be issued the following year as ‘Credit To The Edit’. This would help bring my name to the attention of people outside the UK. There was soon a need to step things up further, now that I was receiving enquiries from Europe, and so began a fruitful relationship with my agent, Matt Johnson (Matty J), who’s done a wonderful job of representing me during recent years.

The last few months have been, to say the least, manic for me, with 25 flights, including 6 long haul, taking me to gigs in the US, Japan, Australia, Brazil and Europe. From a personal perspective I still find it remarkable the way everything has developed, pretty much organically, since I made the decision that I was going to be a DJ once again – had I concocted some sort of comeback masterplan, it could never have worked out anything like as well as it has. It’s definitely been a case of ‘from small acorns’.

It still never ceases to amaze me that people from another continent are interested in my DJ past. Back in the early 80’s, before I went into retirement for 20 years, the furthest I travelled (with the exception of the appearances I made in the South of England as part of The Hacienda Review in late ’83) was to places like Birmingham and Nottingham, when I played at All-Dayers, so to find myself in clubs on the other side of the world is pretty nuts!

Anyhow, I’d like to wish everyone all the best for 09. Big thanks to all the promoters who booked me and everyone who danced to the tunes I played during ’08 in Adelaide, Barcelona, Belfast, Berlin, Birmingham, Blackburn, Brighton, Bristol, Dublin, Dundee, Edinburgh, Fukuoka, Glasgow, Hamburg, Leeds, Lisbon, Liverpool, London, Los Angeles, Manchester, Melbourne, Milan, New York, Newcastle, Nottingham, Paris, Porto Alegre, San Francisco, Sao Paulo, Sheffield, Sydney, Tokyo and Warsaw. Also the festivals and special events that I appeared at - Bestival (Isle Of Wight), Big Chill (England), Camp Bestival (England), Garden Festival (Croatia), Ibiza, Lovebox (England), Notting Hill Carnival (England), Rockness Festival (Scotland), Sonar (Spain) and the Southport Weekender (England).

Hope to see you soon.

Greg


FORUM POST DURING FOLLOWING DAYS:                                                        
Thanks for all the positive words. The feedback has been pretty phenomenal, far exceeding what I’d hoped for, especially on the BBC page, where I’d expected that some people would criticize the amount of older music included - the Radio 1 audience is used to current stuff ('in new music we trust'), so I’d anticipated a more mixed reaction. What’s particularly pleasing is that they were all made without the people seeing what each other wrote (they all came online at once, having been checked first by whoever moderates the BBC pages, I presume for swearing etc following the Ross / Brand controversy).

You always hope something you've done will be well received, but the response to this has blown me away.

Greg


ANSWER TO POST RE MIXING PROCESS:                                                      
It was quite a laborious process. Before I could start the actual mixing part I had to edit every track to a coherent length of around two and a half minutes average, inclusive of in and out points. I had a pool of about 90 tracks that fitted the criteria I'd set (a representative selection of the biggest tunes I've been playing during the past 5 years). It wasn't as straightforward as just editing the 43 tracks I ended up featuring - in order to have the necessary options once I started to piece the mix together I needed to have all the tracks at my disposal, just as I would have if I was out deejaying in a club, so the only thing to do was edit all 90 to the required length, even though I knew that only half would make the cut .

Once that was finally done they were all taken across into my laptop, enabling me to vari-speed them via PCDJ whilst I recorded across to my home computer into Cool Edit Pro, where I put the mix together track by track, before adding overdubs (fx, samples, textures) in a similar way to what I do live using the Revox (reel to reel).

I could quite easily have spent another day, tweaking bits here and there and adding more overdubs (the older I get the more finicky I become), but I had a deadline to work to, so, as it moved ever nearer, it became a race against time, with me doing as much as I could before the cut off point arrived.

Greg
                       

Greg Wilson - 2009


ESSENTIAL MIX (by greg wilson for bbc radio 1 2009)

Here is our BBC Essential Mix with two hours of mostly unreleased music enjoy

FJAAK - BBC Radio 1 Essential Mix

Experience Sammy Virji live at Night Bass UK Garage Special. Recorded at Sound Nightclub in Los Angeles on July 20, 2023.

Instagram: instagram.com/nightbass
TikTok: www.tiktok.com/@nightbassrecords
Spotify: nightbass.ffm.to/spotify
Merch: store.nightbass.info

Sammy Virji - Live at Sound LA (July 20, 2023)

Yooo everyone!
Here is my set from the Rave in the Woods at Electric Picnic. This was honestly one of the most enjoyable sets ever! My set time was 11:30-1 on the last day so I wanted to build the vibe and then end with some euphoric bangers to close it out. It was so special getting to play on of my favourite stages and playing to 4000+ people was just insane... Thanks to everyone who came and supported this set and i appreciate all of the messages and love from everyone. it was amazing <3 

Hope you all enjoy

love, 
dave

SHEE @ Anachronica, Rave In the Woods, Electric Picnic 2023

@Prosumer's beautiful set from The Beach on Friday, now available for your listening pleasure. One of the OG residents of P-Bar, for us very few play house as deep, classy and downright sexy as Achim.

He joins us again this summer in Tisno - hips at the ready 🪩

Prosumer - Live From Dimensions 23'

SHEE CAME, SHEE SAW, SHEE CONQUERED
https://www.instagram.com/davidsheerin/
https://soundcloud.com/known-as-dave

TRACKLIST:
All SHEE Track IDs

SHEE : LIVE FROM CHAOS 005

Mark 'Patty' Paterson has been on the Aberdeen scene for a good few years now starting his very first night 'Everything else sucks' in the Tunnels, he's grown fantastically as a DJ supporting so many huge artists that have passed through the granite city over the years, and having a hand in bookings for the late 'Snafu'. Now running his new night "All Night Passion" he's get toes tapping with a 70's / 80's disco funk and soul vibe.  

Mark Paterson (All Night Passion, Aberdeen)(Local Produce 006)

Follow @kataraktmusic for new fresh stonerhouse!

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LoFi House Mix 1988 | The Stoner House Edition by Katarakt

Highly requested. Here it is. The 1992 Edition.
Follow @kataraktmusic for the next Stoner House


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LoFi House Mix 1992 | The Stoner House Edition II by Katarakt

Get cozy on your couch. Let the visuals and music do the rest.

♫ Support your local Lofi House Dealer!♫

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LoFi House Mix 1996 | The Stoner House Edition III by Katarakt

We interrupt your regularly shceduled programming with a Wave State Guest Transmission, brought to you by Hush Hush @hooshhoosh

I've been a HUGE fan of their tracks ever since I first heard 'Don't Leave Me This Way' a couple years back. Since then, Hush Hush hasbeen consistently putting out feel good house tunes ranging from the higher nrg dance to some lofi house vibes. Feels good to have them on the guest mix roster.

Hope you enjoy the mix and support Hush Hush with the links below:

https://soundcloud.com/hooshhoosh
https://hooshhoosh.bandcamp.com/

WSGT 029 - HUSH HUSH

The last LoFi House Mix of my famous Stoner House series. It all started with Koyaanisqatsi and some house music and ended with a series of five great videos. Thank you all for your great support!

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LoFi House Mix 2004 | The Stoner House Edition V

JAZZY + ROSSI. + MALUGI + CONFIDENCE MAN + NOTION + TAIKI NULIGHT

SHEE : LIVE FROM CHAOS 005

CHAOS LABEL