Name: LEX TALIONIS by Chaos Vector in Chaos Vector
Duration: 3 min 32 s
Description: Vengeance is a monster of appetite, forever bloodthirsty and never filled..

i can't believe i'm just now finding out about you, this shit is e x a c t l y what i like

Chaos Vector

its out guys time for me to not upload for another 4 months

american swag

[ ToteM Higher Drop ]  DYB

БANANЫ EX

ActRazer Tease1

BLOOD NEXUS (DEMO VERSION)

Cry Havoc and let slip the hounds of hell!

HELLHOUND

slightly inspired by some epic Bathory tunes..

HYPERBOREA

Vengeance is a monster of appetite, forever bloodthirsty and never filled..

LEX TALIONIS

Darksynth Cyberpunk song from the album Nemesis by Shredder 1984

Nemesis

CyberKult

08 - CyberKult

Download here

https://microchipterror.bandcamp.com/album/illegal-remixes

HAILS and SALUTATIONS to : 

Hubrid 
hubrid54.bandcamp.com 

Electric Dragon 
electricdragonuk.bandcamp.com 

Battlejuice 
battlejuice.bandcamp.com 

COGEX 
cogex.bandcamp.com 

Protector 101 
protector101.bandcamp.com 

Gregorio Franco 
gregoriofranco.bandcamp.com 

Artwork by Atomcyber 
www.artstation.com/atomcyber

Battlejuice - Serpent Head (Microchip Terror Remix)

02 - DoomWave

● Bandcamp: http://bit.ly/jst-burnthenightaway-bc 
● Spotify: https://spoti.fi/2Q7kYgw 
● iTunes: https://apple.co/35N77mg

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Belgium based artist Stieglitz broke onto the Darksynth/Synthwave scene in 2018 with a fantastic debut album titled 'For The Love Of The Living Dead'. Now, almost a year and a half later, Stieglitz is back with his second album “Burn The Night Away’ and what an impressive follow-up this is!

In addition to his trademark rocking guitars and groovy parts, this time the Belgian artist decided to experiment with vocals too, adding a New Wave flavor as well to his already multi-dimensional songwriting. 

‘Burn The Night Away’ is a fine example of creativity working in perfect harmony with talent and musical maturity. Even though it channels and draws influences from many different bands and musical genres of the ‘80s (Synth music, Heavy Metal, New Wave) Stieglitz never loses his head or gets over-ambitious. He remains grounded throughout the album, finding that perfect balance between the different moods, styles and sounds and constantly maintaining the dynamics and flow that separate great from good albums.

But don’t take our word for it, just press play and burn the night away…

● Follow Stieglitz:

Soundcloud: https://soundcloud.com/stieglitzmusic
Facebook: https://www.facebook.com/StieglitzMusic
Bancdamp: https://stieglitz.bandcamp.com
Spotify: http://bit.ly/spotify-stieglitz

● Follow JST Records:

Website: www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords

Burn The Night Away

Stieglitz - Perdition

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

Darksynth & Cyberpunk from the bowels of Hell itself.

✞✞✞✞✞✞✞✞✞✞✞✞
Legal Playlists Collection!
✞✞✞✞✞✞✞✞✞✞✞✞
HauptGenre: 
#Electro, #Industrial, #EBM, #PostPunk, #Neofolk, #Neoklassik, #NDH, #NDT, #Gothic, #Darkwave, #Aggrotech, #Synth- und #FuturePop, #Folk, #MittelalterRock, #Bloodwave, #Witchhouse, #GothicRock, #GothicMetal, #Punk, #Metal, #Rock, #BlackMetal, #PowerMetal, #VikingMetal, #Avantgarde, #HorrorRap, #HorrorHipHop, #Orchestral, #Dark #Country and much more! 
✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞✞

LEX TALIONIS

Chaos Vector

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