Angelo Badalamenti - Mulholland Drive Main Theme.mp3

Colin Stetson and Sarah Neufeld - "The sun roars into view"
from 'Never Were The Way She Was'

available 28 April January 2015 on Constellation:
cstrecords.com/cst113

Never were the way she was

Colin Stetson and Sarah Neufeld • "The sun roars into view"

From "Agua" 
Recorded during the Lanzarote Music Festival, December 1989

Agua

A piano, synths and subtle percussions piece which evokes both hope and melancholy.

Acheter

Beyond Good and Evil

Twilight Funtiture is my experiential ambient project playing with meditative states, entrancement, soothing introspection & repetition through electronic synthesis, kosmische, acoustic chamber, drone, minimalist compositions, ambient, experimental, post-classical & improvisation.
This edit is taken from a 20 minute longform track released in April on a split cassette with Erlöst on No SIdes Records. https://nosidesrecords.bandcamp.com/album/erl-st-twilight-furniture-split

I have also just released my first full length DL/Cassette of Twilight Furniture here:
https://danieljamesburke.bandcamp.com/album/twilight-furniture-just-a-moment

here are some codes if youd like the download.
thanks for listening 

https://danieljamesburke.bandcamp.com/yum?code=
lqq7-7vfl
4grx-5kej
cuxs-u8fy
elee-efvf
gs6b-3aza
2h3l-cny7



bandcamp  

Twilight Furniture -Hazefilter (excerpt)

Yoshi Wada - Off The Wall LP (SLT-003)

First vinyl reissue of composer and Fluxus artist Yoshi Wada's second album, Off The Wall, originally released in 1985 by famed free jazz label FMP. Recorded in Berlin on May 11 and 12, 1984, by a quartet featuring Yoshi Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ (hand-built by Wada), and Andreas Schmidt Neri on percussion. Edition of 750. Mastered by Rashad Becker and housed in old-style gatefold jackets printed by Stoughton.

"Off The Wall belongs somewhere between the exuberant harmolodic ritual of Ornette Coleman's Dancing In Your Head, a damp, medieval dirge and the inner ear soundings of composer Maryanne Amacher." – David Keenan, The Wire

"It may be more accurate to think of Wada as a sculptor than as a composer, because his music seems to be a physical reality, like wood or stone, and also because of the way he treats this material. Most composers work with ideas. Their basic interest is in melodies, harmonies, thematic relationships, tone rows, tonal centers, emotional qualities, and other rather abstract things, all of which can then be conveyed in sound, but none of which really are sound. Wada, on the other hand, works directly with the sound itself. His music would sound silly arranged for church organ for example. And if he prefers to preserve some improvisatory freedom rather than to notate specific musical ideas, this is at least partly because he is not so interested in the kinds of musical ideas that can be written down on paper. He wants to maintain direct contact with the physical reality of the sound." – Tom Johnson

Yoshi Wada – Off The Wall I (excerpt)

David Lynch - Noah's Ark

From the upcoming Extended Version of Kelly Lee Owens self titled debut album, out Nov 24th on Smalltown Supersound

Kelly Lee Owens - Spaces

from the album ~~~
https://anaroxanne.bandcamp.com/album/-

Ana Roxanne is an intersex Southeast Asian musician based in Los Angeles. Born & raised in the Bay Area to immigrant parents, Ana's love for music and singing began through her mother's cd collection of 80's/90's R&B divas. Raised in the catholic church, she became a devout choir nerd and found any opportunity to sing, whether for religious mass, the jazz ensemble of her catholic high school, or karaoke at family gatherings. Her commitment to singing led her to a brief stint at a vocational jazz program in the cornfields of the midwest; in a remote town of 7,000 people, she began a formal study of jazz and classical music. During these years she would tour with her jazz and chamber ensembles to beautiful old cathedrals in nearby cities and became enamored with the sacredness of choral music, as well as the enveloping sound of harmony. 

A near death experience, too, served as a connection between music and spirituality, and music as a healing art after facing tragedy. 

In 2013, Ana was also fortunate enough to spend a few months in Uttarkhand, India where she met an incredible voice teacher who introduced her to classical Hindustani singing. Living and studying with this teacher deeply impacted her outlook on the voice as art. It was there that she began to see the singer - the Diva - as a symbol of divinity; that the unique power of one's voice comes from the vulnerability of using the body as an instrument. Be it romance, love, or worship of a deity - in order to access such depths of emotional expression, one must be willing to be intensely vulnerable, lay one's heart in the open air, expose what is kept hidden. This brief study was the catalyst that led her to finish her music study at the experimental Mills College in Oakland, CA, where she began to combine all of these influences into her current self-titled project. This album ~~~ was created during her last years residing in the Bay Area, a tribute to the great musicians who inspired her and the landscape where she spent her formative years. 

In addition to the worship of R&B and pop divas, Ana's current practice explores themes of gender & identity. In October of 2018, she decided to come out publicly as intersex, and is dedicated to being a voice for her community and speaking out about social justice for intersex youth.

Angelo Badalamenti - Mulholland Drive Main Theme.mp3

Charles Barkley AKA Chuck

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