how I been feeling has nothing to do with the sun

skream

T r i s h

from the album 'common era' available 3/21.

http://belongneworleans.blogspot.com/

belong 'perfect life'

Perfect Life

pic: Church of the Most Holy Trinity, designed by Fritz Wotruba

John Maus - The Silent Chorus

John Maus - My Whole Worlds Coming Apart

'Believer' is taken from John Maus' We Must Become the Pitiless Censors of Ourselves out June 28th on Ribbon Music (North America) and June 27th on Upset the Rhythm (Europe).

View the 'Believer' video directed by Jennifer Juniper Stratford here: http://youtu.be/PMku-GbafEg

Hear another track, Quantum Leap, from the album here: John Maus - Quantum Leap by RibbonMusic

Signup to stay informed of the latest John Maus news, including a chance to pre-order the new album on CD/limited-edition LP:
http://www.ribbonmusic.com/label/
http://www.upsettherhythm.co.uk/

John will be playing shows across the US this summer including co-headlining shows with LA's Puro Instinct.

05-13 Los Angeles, CA - The Echo
06-18 San Francisco, CA -  Brick And Mortar Music Hall *
06-20 Portland, OR - Doug Fir *
06-21 Seattle, WA - Chop Suey *
06-24 Minneapolis, MN - 7th St Entry *
06-25 Chicago, IL - Empty Bottle *
06-26 Detroit, MI - Magic Stick *
06-28 Brooklyn, NY - Glasslands * 
06-29 New York, NY - Mercury Lounge *
06-30 Boston, MA - Great Scott *
07-02 Winooski, VT - Monkey House
07-03 Philadelphia, PA - Making Time @ Voyeur *
07-05 Washington, DC - Black Cat Backstage *
07-06 Atlanta, GA - The Earl *
07-07 Birmingham, AL - Bottletree Cafe *
07-08 New Orleans, LA - Wolf Den at Howlin Wolf *
07-09 Austin, TX - Mohawk Inside * 
07-12 San Diego CA - Casbah *
07-13 Costa Mesa, CA - Detroit Bar * 
07-15 Los Angeles, CA - Echoplex *

* w/ Puro Instinct

We Must Become the Pitiless Censors of Ourselves

Believer

John Maus - Believer

John Maus - Keep Pushing On

13 Nowhere To Run

The Law (John Maus Cover)

Composed and arranged by Adrian Schmidtke
All instruments played by Adrian Schmidtke
Recorded, mixed and mastered by Adrian Schmidtke • Studio Dr. S. (11/2025)

Rimes of Redemption

Breaking You

John Maus - No Title (Molly)

DyE- Fantasy (slowed)

Blank Banshee 0

Teen Pregnancy

Not In Love (slow) Crystal Castles ft. Robert Smith

Crystal Castles - Kept (slowed)

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

John Maus - No Title (Molly)

Charles Gr

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