Control

Coldwave

In the air linger sweet
With every heartbeat
Our souls intertwine, complete

[Chorus]
When you call me
Stars align in silence
When you call me
Drifting softly
Through the night sky
Through the night sky

[Verse 1]
I drift in and out
Of echoes and light
A whisper flows
Through the velvet shadows
Colors blend
In a misty glow
[Chorus]
When you call me
Stars align in silence
Drifting softly
Through the night sky
[Verse 2]
I dance with the dreams
On a silver stream
A tide of thoughts
That gently surround you
Time suspends
When your heart beats close
[Chorus]
When you call me
Stars align in silence
When you call me
Drifting softly
Through the night sky
Through the night sky
[Bridge]
In this lullaby
We’re lost in the waves
Floating endlessly
In a dreamscape maze
[Chorus]
When you call me
Stars align in silence
When you call me
Drifting softly
Through the night sky
Through the night sky

In the night’s embrace
We wander the spaces
Where whispers collide
With the breath of the dawn

[Chorus]
When you find me
Clouds will part with ease
When you find me
Floating gently
Through the starlight

In the quiet hum
Lost in reveries, we soar
The world fades away
With every sigh, we explore

[Verse 3]
Your voice like silk
Cradles the dawn's light
In shadows we weave
As day gives way to night
 
In the twilight glow
We linger like smoke
Chasing fading echoes
Of laughter and hope

[Chorus]
When you hold me
Time drips like honey
When you hold me
Underneath the moonlight
Underneath the moonlight

In your gaze I see, the universe unfold
A tapestry of dreams, woven with threads of gold

[Verse 4]
Through the starlit haze, our spirits collide
Drifting on a breeze, where love can't hide

[Chorus]
When you kiss me
Time stops, a moment glows
When you kiss me
Floating softly

In the echo of the night\
Your whispers call to me\
Like shadows in the twilight\
We drift so free\
\
[Chorus]\
When you touch me\
Hearts ignite, a spark so bright\
When you touch me\
Through the silence\
We rise and fall\

Subsonic Shadows - Call Me

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Taken from their self-titled debut album 'Exploded View', Out Now!

 New band from Berlin & Mexico City fronted by Anika. 

Download Orlando instantly: https://explodedview.bandcamp.com
Order the LP/CD: http://hyperurl.co/EVAMZ

Facebook: www.facebook.com/explodedviewband/
Instagram: www.instagram.com/explodedviewband/
Twitter: twitter.com/ExplodedViewBnd
Tumblr: explodedviewband.tumblr.com/

Tour dates: bit.ly/1R1m34M

Exploded View

Orlando

Exploded View – Orlando

Exploded View's 'Summer Came Early' EP isout November 10 on Sacred Bones Records.
12" EP Preorder: https://www.sacredbonesrecords.com/products/sbr180-exploded-view-summer-came-early-ep
Digital Preorder: https://explodedview.bandcamp.com/album/summer-came-early-ep

http://explodedviewband.tumblr.com/
https://explodedview.bandcamp.com/
https://www.facebook.com/explodedviewband/
https://twitter.com/explodedviewbnd

Summer Came Early

Premiered on Libération : http://next.liberation.fr/musique/2018/02/02/le-son-du-jour-240-marmonne-comme-delage_1626975

Debut album to be released on march 2, 2018 on Field Mates Records
Red Vinyl, limited edition (150 copies)

Pre-order:  https://fieldmatesrecords.bandcamp.com/album/d-lage-loverboy-beatface

Délage - Loverboy Creation

Solid Space - Tenth Planet (1982)

medio mutante 17 Anos

Released May 27th. Night School Records.
CD/LP/Digital.
Pre-Order: http://nightschoolrecords.bigcartel.com/product/lssn016-terror-bird-all-this-time-lp

“All This Time” is the 3rd full length LP from Terror Bird - aka Nikki Nevver - and is by far the most personal, emotionally affecting and musically developed. Recorded at home over a period of 5 months, the 10 songs on “All This Time” document a period of intense emotional upheaval, a period wherein Nevver underwent major shifts in her personal life, rediscovered the solo recording process (previous albums having used live drumming and studio production) and married a raw, personal music with a straight-to-tape aesthetic most in-tune with her early recording experiences. The difference this time is that Nevver’s unique voice - at turns operatic and fragile, untutored and wearing its heart on its sleeve - serves as the perfect conduit for the emotional turmoil in the songs.

Nevver’s voice has grown into a formidable instrument, a towering, unabashed vocal whose resonance curls around the synth and drum machine production, at times duetting with itself, at times scaling the vocal register to reach new dramatic heights. Brought up on the music of the 80s “studio” - The Smiths, Kate Bush, The Cure - Nevver’s music exists beyond modern zeitgeists or considerations, subverting “big production” music into a personal DIY aesthetic. It’s a pure songwriting that outgrows genre and thrives purely on the merits of direct communication between songwriter and listener. 

Each song on “All This Time” serves as a chapter in a narrative that is universal; from the self-doubt and loneliness of opener “The Wrong Way,” to the doomed bedroom romance of “Try To Break Me,” from the masochistic guilt of “Locket” to the near-anthemic “Lust & Violence.” Each song speaks directly, plainly, to the listener, dispensing as much as possible with the unnecessary augmentation of modern pop music; “All This Time” is simply the deeply romantic, part-doomed / part-hopeful songs of a singular, unique talent.

The Wrong Way (From LSSN016 - "All This Time" CD/LP/Digital)

ARTIST: Solid Space
SONG: A darkness in my soul
DISC: Space Museum (1982)
LABEL: In Phaze Records

The Wrong Way (From LSSN016 - "All This Time" CD/LP/Digital)

Night School Records

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