Dustpipe

dramatic/emotional techno focused on euphoria and feelings with maybe a little bit of hardcore here and there 

Inspired by the likes of BLK, shrotthagen, böstjan and only numbers who are known for producing euphoric, emotional, cinematic techno 
I’ve adopted this style with my own twist in arrangements that aren’t your typical mainstream style, after all music is how you make it 

DM
UK, NW,
21 

Spotify/YT : Mullio  support returned / DM me for collabs

Hi! open for collaborations and in any style 😉

https://on.soundcloud.com/y2z383meyQjZ5MC17
with jusuisse 😌

https://on.soundcloud.com/dVrP9fvESkSETh797
with [Metal] (Meditations)😊

https://on.soundcloud.com/5SeWShkHvAV4chnd9
with Chris 🤘

salut ouvert pour des collaborations et dans n'importe quel style 😉

https://patreon.com/c/cytheranet/collections
https://misterchristian.bandcamp.com/album
https://reverbnation.com/misterchristian
https://soundclick.com/misterchristian
https://audiomack.com/CytheraNet
https://youtube.com/@CytheraNet
https://hearthis.at/CytheraNet
https://vk.com/CytheraNet

Mister Christian is based out of Cologne, Germany and Atlanta, Georgia, USA.

- - - - - - - - - - - - - - - -  - - - - - - - - - - -
AI 'Build-A-Cyth' - Prompt_To_Image Challenge:

'An extreme close-up portrait of a light-skinned, blonde, blue-eyed, female at twenty-four years of age which exhibits a symmetrical cranial contour with prominent zygomatic arches and a gently tapered mandible. Supraorbital ridges frame deep-set orbits, housing irises of pale cerulean. A convex nasal bridge leads to rounded alae. Vermilion borders are full, with a defined philtrum. Epidermis is smooth, lightly freckled; pilose extensions cascade in golden waves. The hairstyle is voluminous and slightly tousled, featuring blonde highlights. The makeup is subtle, with soft eyeshadow and rosy lipstick. Her expression is neutral with hint of a faint smile. The colors are muted and natural.' ---> Et voilà. - It's Me! 👀...'Cyth'

⠀⠀⠀⠀⠀⠀⠀⠀ ⠀~-.,,.~
⠀⠀⠀⠀⠀⠀'`¨¯¨( o o )¯¨¨´
⠀⠀⠀⠀⠀⠀ ⠀⠀⠀/⠀  ⌣ ⠀\
⠀⠀⠀⠀⠀⠀⠀  ⠀_/▐\_▐\🌸
⠀⠀ ⠀⠀ ⠀⠀⠀/ ⠀⠀  ||  ⠀⠀ \
⠀⠀⠀⠀⠀⠀⠀/___ _/\______\

(AI DeepSeek R1 ASCII Art Rendering of Cyth holding a flower)

Hi, my name is Omar. I make music and upload various demos i have made at home here. 
Peace and Love.

Charnel House is:

Limited Bob: https://soundcloud.com/bob-bowden
Necrogurgitron: https://soundcloud.com/necrogurgitron

A drummer/percussionist/tinkerer who creates electronic music consisting of percussive textures, syncopated rhythms, and an odd sense of humor.

Consistency is not an absolute necessity, although I sometimes maintain a steady output of material. Most of my compositions are uploaded to the Sinnysounds accounts, although this account will continue to receive occasional releases.

All music is released under the Creative Commons. Feel free to remix, sample, create derivative works, and/or cover any of these songs. You can even message me on Soundcloud for the chord progressions and/or original stems. Music is meant to be shared collectively, not owned.

troksnis ir patvērums no pasaules kņadas.
noise is the shelter from tumult of the world.
-----------------------------
marginal electronics since 1996.
antireality since 1999.
ambientoid and visionary noise, abstract soundscapes, drone meditation.
using feedbacks, vintage tone generators, acoustic objects, field recordings, tape manipulations and some modulars lately.
there are/were several sideprojects and kollaborations - an, syndrome, surreogate, i.m.plant, b.r.a.k.e., stalkspace, logos 29.11., jaunā vienmuļība, shamanorgru.
-----------------------------
perpendikulāri visam.
omniperpendicular.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Dark comedy, fusion expérimentale, chanson à texte²... Humour absurde holistique, métaphysique sorbique, géliturbation poétique, horreur et bonhomie.

Je me fous complètement de savoir quel est le style de ma musique tant que les morceaux que je fais sont bons. Quand un morceau est bon, je le garde. Un morceau bon est un morceau qui : 
_ est original
_ déconcerte au début, et puis ensuite, provoque quelque chose qui fait qu'on ne peut plus s'en passer.
- n'est jamais démonstratif ou académique. (on se fait chier avec des morceaux comme ça.)

Dark comedy, experimental fusion, song lyrics²... Holistic absurd humor, Sorbic metaphysics, poetic geliturbation, horror, and bonhomie.

I couldn't care less about the style of my music as long as the songs I make are good. When a song is good, I keep it. A good song is one that:
_ is original
_ disconcerts at first, and then provokes something that makes you can't live without it.
_ is never demonstrative or academic. (We get bored with songs like that.)