Guatemalan dj and producer Luis Herbruger (Bruxxas). Started out in 2004 spinning vinyls @ local clubs. In 2006 began producing progressive house and trance. Got signed by Istmo Music, In Charge, Wildchild Records, Neuroscience Recordings, Dub Tech, Redux Recs, Cube Recs and Hig Contrast NuBreed Recordings. Tracks were supported by Marco V, Eddie Halliwel, Paul Van Dyk, Tiesto, Markus Schulz and Solarstone.

As a dj, Bruxxas has shared the decks with Infected Mushroom, Above and Beyond and Andy Moor.

After releasing his album on 2011 with Neuroscience Recordings, Bruxxas retired from the musical scene due to professional issues (yes.. i went to work to the countryside), and when he returned he found that hos favorite musical genre, progressive house, was all but fucked up with EDM tunes. Later on decided to produce a mix of melodic progressive sounds with a housey groove and bpm.

Hope you enjoy bruxxas´s music ;)

FOLLOW @ FB.... http://www.facebook.com/bruxxas?fref=ts

A disc jockey (abbreviated D.J. or DJ) is a person who plays recorded music for an audience. Originally, "disc" (sometimes spelled "disk", although this is now uncommon) referred to phonograph records, not the later compact discs. Today, the term includes all forms of music playback, no matter the medium.

There are several types of disc jockeys. Radio DJs or radio personalities introduce and play music that is broadcast on AM, FM, shortwave, digital or internet radio stations. Club DJs select and play music in bars, nightclubs or discothèques, or at parties or raves, or even in stadiums. Hip hop DJs select and play music using multiple turntables to back up one or more MCs/rappers, perform turntable scratching to create percussive sounds, and are also often music producers who use turntablism and sampling to create backing instrumentals for new tracks. In reggae, the DJ (deejay) is a vocalist who raps, "toasts", or chats over pre-recorded rhythm tracks while the individual choosing and playing them is referred to as a selector.[1] Mobile DJs travel with portable sound systems and play recorded music at a variety of events. Some mobile DJs also serve as the master of ceremonies or MC directing the attention of attendees, and maintaining a room-wide focus on what is included in the event's agenda.[2] According to a 2012 study, there are approximately 1¼ million professional disc jockeys in the world.[3]

The title "DJ" is also commonly used by DJs in front of their real names or adopted pseudonyms as a title to denote their profession and the music they play

Deep house was largely pioneered by Chicago producers such as Marshall Jefferson (On The House) and Larry Heard (Mr. Fingers) and with tracks such as "Mystery of Love" (1985) and "Can You Feel It?" and (1986);[1] the latter had a similar impact on deep house as Derrick May's "Strings Of Life" (1987) did on Detroit techno.[2] Heard's deep house sound moved house music away from its posthuman tendencies back towards the lush soulful sound of early disco music (particularly that of old Philadelphia International and Salsoul records).[3]

Later period deep house tracks (1993—94) were more heavily influenced by disco and even merged into a disputable disco house genre.[citation needed] Modern deep house (post-2000) often shares features with the related genre of tech house but tends to focus on musical complexity where tech house focuses on simplicity.[citation needed]

The Underproject is an Italian electronic music artist who has made a name for himself in the hardtechno and hardcore scenes with his intense and energetic productions. His music is characterized by fast-paced rhythms, heavy basslines, and dark, aggressive atmospheres, making him a reference point for fans of the genre. With a unique and recognizable sound, The Underproject has conquered the underground music scene and continues to surprise with new explosive productions. If you're a fan of extreme and intense electronic music, The Underproject is definitely an artist to discover and follow!

He is also known for his other projects, Emix Oblivion and Trancephonic, which demonstrate his versatility and range in the electronic music genre. 

Emix Oblivion is The Underproject's techno alias, characterized by energetic tracks with a tempo range of 128-130 BPM, perfect for the dancefloor. 

Trancephonic is The Underproject's trance alias, featuring atmospheric and melodic tracks that showcase his ability to create emotive and engaging music.

He also produced for: E-Mills - Steve Andrew -Sim One -James Human - Julia Young
Group: The Abominius 
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DARKCROW RECORDS is an independent techno label built for the most intense peak-time hours. With a raw urban aesthetic and an aggressive, no-compromise sound, DarkCrow is for those who live for high-energy nights.

The label is part of the DarkCrow Music Group, which includes:
	•	DarkCrow Sinful Edition: the group’s darkest and hardest entity — raw, merciless, and built for destruction.
	•	Tamase Records: the softer, more melodic soul of the group — focused on emotional, atmospheric, and introspective electronic music.

Each release is a blend of sonic precision and artistic vision — bold, minimal, and unmistakably DarkCrow.

DarkCrow doesn’t follow trends — it shapes them.

• Owner of DarkCrow Music Group
DarkCrow Records
DarkCrow Sinful Edition
Tamase Records

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