techno: minimal

Elektronic

Peaceful/Sunset

🪬🪅🪆

A calm playlist! With chill & electronic artists.

Serenity | Calm Mix

Midpoint

The Runner

Escape

Suikerplein EP

Spaarndammerplantsoen

Purified #280

Follow the adventure on instagram : @jaess_tch

Somebody

.



.
#tangerine #dreams 
#archive 
#the #young #gods 
#föllakzoid 
#oliver #kolletzki 
#sonic #solution #inc 
#deep #dive #corp 
#faithless 
#the #chemical #brothers 
#the #prodigy 
#kruder & #dorfmeister 
#peaceorchestra 
#tosca 
#dieterosbourne 
#kollektiv #turmstrasse 
#kellerkind 
#stilvortalent 
#letfield 
#matafix  
#björk 
#tool 
#radiohead 
#massive #attack
#pottishead
#the #herbaliser
#osi
#röyksopp
#nine #inch #nails
#mich #gerber
#nto
#worakls
#monolink
#jeanmicheljarre
#triphop 
#downtempo 
#downbeat 
#electro 
#electronica 
#krautrock 
#edm 
#techno 
#deep 
#progressive 
#hypnotic 
#organic 
#spheric 
#psychedelic 
#meditation 
#repetation 
#progrock 
#hiphop 
#experimental 
#oriental

#soundcloud #weekly #daily #drops #best #of #charts #top #boiler #room #rebellion #der #träume #ibiza #berlin #stil #vor #talent #kater #blau #kegelbahn #neubad

Col Legno - Mich Gerber Remix

Thank you all for this beautiful year

for any copyright or other problems please write to me first: 
the track isnt monetizing, and its a live extract.

Last life to live [Live extract - Happy new year 31.12.2021]

TL
Leoni Leoni - Go shine, lighwave, reason
Kaleidophone - Calux
Rafael Kasma - Meme Doomer
Speedy J - Fill 17
Aril Brikha - Forward Motion
Boozoo Bajou - Jan Mayen
Leoni Leoni - Easyjet
256 Recordings - Pure Bond
ro70 - Alma
|||||||||||||||||||| - Outlook Remains Untouched
Kuniyuki Takahashi - The Big Wall
Circlesquare - Music For Satellites
Intelligent Chaos - Untitled #1
DJ IBON - Sorgpad
Radioactive Man - Hector's Blues
DJ 3000 - My Sunday Afternoon
Technova - Waiting
Rafael Kasma - Ghost Vessle
Closer Musik - One Two Three (No Gravity)
Paul van Dyk - For an Angel (Escape Mix)
Leoni Leoni - Langsam Müed

outlook remains untouched

5æ [(albinskye)]

⬡ Listen/Save the new EP 'Flaws in Our Design' ▶ https://odesza.lnk.to/flawsSo
⬡ Listen/Save the 'The Last Goodbye (Deluxe Edition)' ▶ https://odesza.lnk.to/tlg-deluxeSo
⬡ Subscribe for more ODESZA releases ▶ http://odesza.co/youtube
⬡ Shop ODESZA store ▶ http://odesza.co/store

'The Last Goodbye (feat. Bettye LaVette)', out now on Foreign Family Collective/Ninja Tune: https://odesza.lnk.to/tlgSo

Follow ODESZA -
Spotify: http://odesza.co/spotify
Apple Music: http://odesza.co/apple-music
YouTube: http://odesza.co/youtube
Bandcamp:  http://odesza.co/bandcamp
SoundCloud: http://odesza.co/soundcloud
Website: http://odesza.co/official
Facebook: http://odesza.co/facebook
Twitter: http://odesza.co/twitter
Instagram: http://odesza.co/instagram
Snapchat: http://odesza.co/snapchat
TikTok: http://odesza.co/tiktok

The Last Goodbye (feat. Bettye LaVette)

Foresight

Midi Sans Frontieres (Avec Batterie)

Falling

Like A Good Old Friend

Mushroom Abolitionist

Something About You

Fault Lines Remix

Fault Lines (Dauwd Remix)

Deaf Safari

The Devil Threatens Me

’Leitmotiv’ Out Now -
Technicolour / Stream / Download: http://dauwd.lnk.to/tocSO

Taken from ’Theory Of Colours’ released 2nd June 2017 via Ninja Tune imprint Technicolour.

Follow Dauwd -
Facebook: http://found.ee/dauwd-fb
Twitter: http://found.ee/dauwd-tw
Soundcloud: http://found.ee/dauwd-sc
Spotify: http://found.ee/dauwd-sp

http://technicolourmusic.co.uk/dauwd

Leitmotiv

THANK YOU ALL FOR HELPING ME REACH 10K!

This (https://imgur.com/a/S1DrU) is my SoundCloud account back in 2013 before laxcity was even a project. It's so wonderful to look back at this because its a reminder of how much I've improved as well as where I started from. At one point on this journey, there was a lot of discouragement that caused me to give up. But then a massive variety of diverse and awesome human beings came into my life, and I've never looked back since! There's been so much support and growth in my music in the past year and it's unbelievable the number of lives I've been able to bless with the art I create. All i can say at this point is a huge thank you to all those that support what i do and i hope you enjoy whats to come in future! 🌹

license this track for commercial use here: https://www.musicbed.com/songs/good-morning/33459

🌹instagram.com/laxcitymusic
🌹facebook.com/laxcitymusic
🌹twitter.com/laxcitymusic
🌹twitch.tv/laxcitymusic

Good Morning

new official video! 🎶

Ottolenghi

Four Tet - Daughter

‘New Atlantis’, @Efdemin aka Phillip Sollmann's 4th album, oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and avant-garde music projects. The latter include 2017’s Harry Partch-inspired ‘Monophonie’ performance and 2018’s ‘Panama / Suez’ EP with Oren Ambarchi and Konrad Sprenger.

Sollmann took inspiration for ‘New Atlantis’ from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. 

Out now: “New Atlantis”, the epic, psychedelic title track off of Efdemin’s upcoming album out February 15 via Ostgut Ton. Across 15 minutes, Efdemin’s experimental spirit is in full swing, with morphing drones/chords generated by a mix of Efdemin’s hurdy-gurdy and drum machines, Konrad Sprenger’s MIDI-controlled Stratocaster, Joachim Schütz’s electric guitar and Nika Son’s synthesizer – recorded live during the quartet’s Tony Conrad tribute concert in Hamburg.

Listen at
Apple Music: https://itunes.apple.com/album/new-atlantis/1446617084
Bandcamp: https://ostgut.bandcamp.com/album/new-atlantis
Deezer: https://www.deezer.com/album/84349402
Spotify: https://open.spotify.com/album/0DvULRThTYtegc9nMTxkTx?si=tmOYwipxTt-Coq7XJGyc5A
YouTube: https://www.youtube.com/watch?v=dIBQEH6TH1Y

Efdemin | New Atalntis [OSTGUTCD45/LP31], out February 15, 2019.
Buy ‘New Atlantis’ as 2xLP, digipak CD or in digital formats: http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutlp31.html / http://ostgut.de/shop/music/efdemin-new-atlantis-ostgutcd45.html https://ostgut.bandcamp.com/album/new-atlantis

All info: http://ostgut.de/ton/record/234
Artwork: The Centers Of The World, Brussels, https://centersoftheworld.wordpress.com | Layout: Yusuf Etiman

Efdemin | Good Winds

Give it a heart on HypeM: https://hypem.com/track/2v84k/ALIGN+-+Found
Spotify: open.spotify.com/track/7zaGk6u5i1cCFGyqis2do5?si=aLjRKBiRRZ6b8lxfjH9c1w
Audiomack: audiomack.com/song/align/05-found

Stream/Download

ALIGN - Found

Stream / Download

ALIGN - Embrace

Shadows & Silhouettes

Siren (feat. Pola & Bryson)

In Retrospect

I feel alive

Wild

Bunny

Swept

Drawn

Under 1 House

I Felt Love

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - How To Fight (PAN 112)

Buy/Stream Anjunadeep pres. Reflections Vol. 2: https://anjunadeep.ffm.to/rv2-1.pbt
Listen to Anjunadeep New Releases: https://anjunadeep.ffm.to/newreleases.pbt
Discover the Anjunadeep Discography: https://anjunadeep.ffm.to/discog.oyd
Listen to Anjunadeep Radio 24/7: https://anjunadeep.ffm.to/radio
Release Date: 11th January 2021

----

Anjunadeep, the A&R hotbed that ignited the careers of label legends Lane 8, Yotto and Dusky, now present the second instalment of their new ‘Reflections’ compilation series. Following the inaugural volume in October, ‘Reflections Vol.2’ is a collection of downtempo and electronica from label stars Jody Wisternoff, Kidnap, Croquet Club and Luttrell, along with rising talents Luigi Sambuy, Lycoriscoris, Tryst and Dotmaka.

The compilation’s second single, stirring piano composition ‘Love Theme’, is from Berlin producer Martin Roth. 2021 marks over a decade long relationship with the label since Martin’s debut release back in 2010 and since, he’s produced some of the most memorable and fan favourite moments in Anjunadeep’s 15 year history; including ‘Beautiful Life’ and his ‘Hypno Seq’ and ‘Organic Cold Brewed Hipster Funk’ EPs in recent years. With an undeniable flair for emotive and cinematic songwriting, his 2020 ambient LP ‘An Analog Guy In A Digital World’ winning widespread acclaim, Martin makes a welcome return to the label with his latest filmic offering on the beautifully crafted ‘Love Theme’, out now.

'Reflections Vol. 2’ also features the long-awaited full release of Croquet Club’s Anjunadeep 09 highlight ‘Night Lights’, an exclusive piano piece from San Francisco’s Luttrell and label debuts from REVE D’ELLE a.k.a Fur Skillman (Eli & Fur) and TÂCHES, UK duo Tryst and Dotmaka.

'Reflections Vol. 2’ is out now.

----

Follow Anjunadeep:
Youtube: http://Anjunadeep.lnk.to/DeepSubcc
Website: http://www.anjunadeep.com
Facebook: http://www.facebook.com/anjunadeep
Twitter: http://www.twitter.com/anjunadeep
Spotify: https://Anjunadeep.lnk.to/NewReleasesYo/spotify
Instagram: http://www.instagram.com/anjunadeep
SoundCloud: http://soundcloud.com/anjunadeep
Reddit: https://reddit.com/r/AboveandBeyond/
Twitch: https://www.twitch.tv/anjuna
Discord: http://www.discord.gg/anjuna

Buy / Stream

Martin Roth - Love Theme

Released January 2010 on Wolf + Lamb Records
www.wolflambmusic.com
BEATPORT: btprt.dj/1w4QpVj
ITUNES: bit.ly/14wQScq



Buy on Beatport

Nicolas Jaar - Time for Us

love for the arts / not afraid of pop
scholee [chaudlait] is:
Part of @tiefgang-recordings
1/2 of @fauxlab with @tttralala
1/2 of @agglotrance with @niasrocket
Host "Aus der Tiefe" on @radiorabe