The path from dreams to success does exist...
Ambivertal is a record label for open minded and creative artists.
Delivering quality deep - to - tech vibrations worldwide, label is not only based on music, but also original art and share new ideas from other enthusiastic artists based on sacred drawings.
-----
general info: infoambivertal@gmail.com
-----
demo: labelambivertal.label-engine.com/demos

Supported by many international artist on the globe:
Tiesto, Erick Morillo, EDX, Andi Durrant, Neverdogs, Trevor Rocklife, Hector Romero, Davina Moss, Marina Karamarko, Wade, Piem, Cristian Varela, Pedro M, Lucien Foort, Marco Bailey, John Digweed, Dubfire, Igor Marijuan, Fernando Mesa, Sam Divine, Paul Hazendonk, M.A.N.D.Y., Graham Gold, Josh Wink, Anthonny Pappa and many more

For All Bookings Please Contact:
info@restructured.net

Greg Gow is one of Canada’s most accomplished electronic musical talents with a growing presence and impact at home and across the world. He regularly brings his unique sound and performance excellence to premium venues across four continents. The award-winning producer and DJ consistently pushes the boundaries of his art, with his hypnotic sound, a skillful hybrid of soulful Detroit techno, marinated in the diverse flavors of his Toronto roots. 

There are haunting echoes in Greg’s music to the sounds of legendary world techno pioneers Derrick May, Kevin Sanderson, and Carl Craig, all of whom are his musical mentors and his abiding inspiration. Greg’s track “The Bridge” was instrumental in re-launching May’s iconic Transmat label, and his releases on Sanderson’s KMS took the techno world by storm at a pivotal time. Multiple collaborations have spread his penetrating sound to other leading labels, including Radioslave’s Rekids/ RSPX, Steve Bug’s Poker Flat, Christian Smith’s Tronic, Adam Beyer’s Truesoul, and Dubfire’s SCI+TEC.

Since 2001, Greg’s own label, Restructured Recordings, has pushed deep, funky,
driving melodic techno from artists such as Mateo Murphy, Samuel L Session, Ian
O’Donovan, and of course, Greg himself. For over three years he has produced and distributed a well-received monthly podcast series. This Is Modulations, features recordings of live sets as well as studio mixes.

Beyond his studio prowess, Greg is one of Canada’s most respected techno
ambassadors, regularly playing alongside other behemoths of dance music. He has starred from coast to coast in each of Canada, the United States and Mexico; from the top to the tip of South America; and widely across Europe and Asia. Global highlights include The BPM Festival; Output NYC; Movement Detroit; Movement Torino, Italy; Watergate Berlin, Ushuala, Ibiza; Club Space Miami; Creamfields, Dubai; and Club Air Tokyo; among many more. 

On his home turf, Greg has a residency at Toronto’s Vertigo, highlights at Montreal’s Stereo, and appears frequently at many of Canada’s premiere festivals like Electric Island. Greg’s track I Knew Techno, released on his Restructured Recordings label, won the 2023 Juno Award in the Underground Dance Single Of The Year category. These prestigious awards presented annually by the Canadian Academy of Recording Arts and Sciences to recognize outstanding national achievements in Canada’s music industry. 

With the help of Avid Artist Agency Greg Gow is now planning a world tour to celebrate his 20 years of ever evolving success and spread his vibrant Techno sound.

AIEOU is an experiment in what happens when human emotion and machine logic decide to make melodic techno together.

Psyche Daisy raffole des gros sons et des rythmes fous qui envoient du lourd...
Née à Lille, tout près de la frontière belge et des précurseurs de la Techno, P. Daisy a grandi dans une famille d'artistes où les émotions, les mots et la musique tenaient une place importante.

Utopiste, elle est tombée amoureuse du mouvement Techno dans les années 90 alors qu’elle n’était encore qu’une adolescente et l’a défendu bec et ongle contre les préjugés et les incompréhensions que cette musique pouvait susciter.

Son premier mix ? De 05 à 07 heures du matin en free party.. 
Alors oui à cette heure là, ça déménage !!
Repérée par des organisateurs, elle sera bookée dans de nombreuses soirées parisiennes et jouera des sets TECHNO et PSYTRANCE à La Machine du Moulin Rouge, La Pointe Lafayette, La Dame de Canton, aux caves Saint Sabin, la péniche cinéma mais aussi au Nowhere festival en Espagne.

Toujours à l’affût des nouveautés, Psyche Daisy aime mêler selon ses envies ses dernières trouvailles à des pépites funk, jazz, jungle, house, disco, new wave mais aussi aux percussions africaines et du monde entier.

Aujourd’hui, Psyche Daisy  se lance dans les performances LIVE où se mêlent poésie, sound design et programmation !
Son univers vous l’aurez compris, est sans limite !! 
Alors embarquez avec elle pour des nuits sans fin… vous ne serez pas déçus du voyage !

---------------------------------------------------------------------------------------------------------------

Psyche Daisy raffole de gros son et de rythmes fous qui envoient du lourd...
Née à Lille, tout près de la frontière belge et des précurseurs de la Techno, P. Daisy a grandi dans une famille d'artistes où les émotions, les mots et la musique tenaient une place importante.
Comédienne de métier, il lui manquait toujours quelque chose… la musique! 
Alors elle a cherché, écouté, récupéré, amassé des sons de toutes sortes qu’elle a fini par associer !
Hip-hop, Rock psychédélique, Raggae, Funk, Jazz et bien évidemment Techno…
Dans ses mixes vous croiserez David Linch, Tim burton, le pape, Kurt Cobain, Lou Reed, Bob Marley ou même des anges en mobylette ! Dépaysement assuré …prenez vos billets, on décolle !!

Dans sa musique viennent se mêler toutes les images, tous les sentiments, toutes les colères du monde dans lesquels elle se débat …
Psyche Daisy... c’est votre dernier arrêt avant le paradis !

Meta Junction is a community of London-based electronic musicians and progressive experimentalists working with with classic hardware and innovative software.

The community’s output mixes a wide range of styles uninhibited by arbitrary labeling, marrying digital communication and new technology with analogue music production methods. Meta nurtures innovation and the characters of Meta Junction are a broad pallet - an inclusive mix of music makers and talents to enhance the electronic spectrum.  

  Realised by seasoned producer Phelan Kane, the Meta sound was born from an obsession with vintage analogue Moog, ARP & Oberheim synthesizers, modular systems, classic effects units, dub production techniques and a big arse Calrec mixing desk that takes the output way out of the box – with a nod to the classic sounds of the electronic trail blazers and confirmation that the computer is only one part of the production mix. 

Phelan Kane

From an early age Phelan Kane has been a purveyor of electronic music. Visiting the legendary BlueBird records long before UNKLE’s James Lavelle, Phelan soaked up the latest hip hop and Go Go releases in the mid '80s that led to ardent following of the likes of DJ Froggy and Pete Tong in Blues & Soul magazine. 

In 1987 Phelan was introduced to the Chicago & Detroit sound and the legendary Tony Humphries KISS FM radio show on a trip to New York, while back in the UK the emerging underground sound ushered in likes of Jazzy M’s Jacking Zone on LWR Radio, KISS FM, Centreforce, Phantasy and the legendary parties held by MFI, Sunrise and Genesis. 

Ever a devotee, this obsession continued through the next twenty years or so of rave culture and all its associated web of genres and styles, from the birth of Drum & Bass, the invention of Tech House & the early DMZ Dubstep parties.

By the late '90s, after graduating from Islington Music Workshop, the same engineering school that gave the world Grammy winner producer Paul Epworth, Kane was engineering and programming professionally and over the next decade clocked up a formibale roster including Placebo (Pure Morning, Every Me Every You, 20 Years), Witness (Before the Calm), Dido (Here With Me remix), Amanda Ghost (Ghost Stories), Snow Patrol (Starfighter Pilot), Elastica (Mad Dog), Aziz Ibrahim (Our Fold), Alabama 3 (Too Sick to Pray), Deus (Ideal Crash remix), Fangoria (El Extraño Viaje), Das Pop (I Love, The Human Thing) & Lalalover (Heliotropic). 

In 2001 Phelan worked closely with pioneering synth Mute recording artist, the late great Fad Gadget a.k.a. Frank Tovey. playing an instrumental part in Fad Gadget's support on Depeche Mode’s 2001 ‘Exciter’ tour and as part of the Fad Gadget band, performing at Euro Rock in Benelux and Wembley Arena.

Around this time Kane also began teaching his cutting-edge production techniques at Tech Music School, London where, in 2001, he taught Radiohead members Ed O'Brien and Phil Selway and in 2006 he completed a Masters degree in Audio Technology. He also became one of the first wave of Ableton Certified Trainers in 2007 and Kane has recently embarked on the path of Digital Audio DSP with study for a second Masters in Digital Music Processing.

Phelan Kane's sound is a seamless mix of analogue and digital thump, a collage of modular synth, outboard effects, plug-ins, mixing desk and computer - a mix of FX and sounds cut on the fly. This is the audio soundtrack to a psychedelic biomechanical future. 

Mole Vanity

By consistently misusing electronic musical hardware, Mole Vanity aims to put the experimental back into electronic music, under pinned by a robotic groove. Mole Vanity is propaganda for a state of mind.

Lag

Born out of an obsession with pushing the boundaries of electronic music beyond the 21st Century, Lag delivers an analogue and digital meld of weaving melodic contours and intricate rhythmic content.  An unfolding future shock of audio evolution, Lag re-defines the electronic blueprint.

Inpuht

Ripping up the blueprint for the so called future techno sound, Inpuht takes soaring squelch lines and marries them with melodic overtones, warm bass and shuffling beats. Welcome to the next era of Techno, where the music wears its heart on its sleeve, has a grin on its face and preconceptions are left away from the dance floor.

Ollie Torr

Ollie Torr is a musician, music producer and DJ from Prague. He is currently supported by the likes of RedBull, Puma and Jagermeister, as well as being a core member of the Bass Drop crew that is currently holding down the scene in Prague, a part of the infamous Life is Porno crew, and works with the PVP music label. His production and electrifying stage performance has got him sharing line ups with world class artists such as Foreign Beggars, Borgore, Baauer, Kendrick Lamar, Noisia, De La Soul, Fatboy Slim, Bloody Beetroots, Cyberpunkers, Cooh, Balkansky, to name but a few. He has appeared in many czech press articles, and has had a hit in Slovakia collaborating with legendary musician Miro Zbirka. Ollie often features on czech FM radios such as Expres radio (where he is a regular of bass music show Rezonator), Dance radio and Spin radio, and has also had his own show on MTV cz (Party Zone by Ollie). He has created sound and music work for companies such as Pepsi, Hugo Boss, Nydrle and countless others.

-Calc-

Accessible yet elusive, -Calc-‘s music is a blended fusion of analogue and digital; throwing at the listener sonic challenges without them even realizing it. A bouncy sensibility gilded with menacing grit charges his sound with a dynamic and invigorating temper, nodding heavily to the past but winking cheekily to the future. 

Phink

Rumoured to be the in-vitro love child of Miles Davis, Phillip Glass and John McCririck, the child Phink was monstrous and eventually adopted by Amish parents at the age of 43. As a teenager he developed an addiction to gobstoppers and finally found his voice after an embarrassing accident. The young Phink was saved by a revolutionary plastic surgeon, who performed a unique combination of skin grafts and analogue hardware. Phink's face was saved but he still has to live with a cumbersome 15 oscillator synth in his neck in place of his voice box.

Noole

Multi-instrumentalist from Guernsey via London, Noole has been involved in the electronic music scene since the late 90s as a producer, programmer and DJ. A self-confessed editing fanatic and all round gear head, Noole mixes abrasive glitchy rhythms with playful melodies and field recordings to create ambient noise pollution. 2014 is the year he shares this pollution with the world.

Flexagon

The term eclectic is oft over used, but where Flexagon is concerned it’s an accurate statement: since the mid 90s Flexagon has been playing music from ambient straight through dubby US garage and into Goa. With an ear to setting a positive mood and turning people on to new and interesting music, Flexagon’s trademark is starting out easy with an eye to directing people straight to the floor. Within the Guernsey-based producer / DJ’s prolific output you are always guaranteed to hear something new.

The sound of the community is influenced by the likes of:

Kompakt, Matthew Jonson, Robert Hood, UR, Matthew Dear, UK M25 Orbital Parties 1989, Drexciya, Traum Schallplatten, Phuture, BPitch, Juan Atkins, Derrick May, Kevin Saunderson, The Congos, Jeff Mills, Rhythm & Sound, LTJ Bookem, Booka Shade, Gui Borrato, Drumcode, Hyperdub, Richie Hawtin, DMZ, Punks Jump Up, Robert Ownes, Harmonia, Cornell Campbell, Jazzy M's Jacking Zone on LWR 1988, Cluster, The Orange Club @ Camden and the Rocket 1990, Johnny Clarke, DJ Rolando, Raindance @ Jenkins Lane 1989, Ron Hardy, Ian O'Brien, Horace Andy, Steve Reich, NEU, George Clinton, Kraftwerk, CenterForce 88.3FM 1989, Robert Rich, Tony Humpries on KISS FM NY 1986, Joey Beltram, Steve Roach, Phillip Glass, Marshall Jefferson, Ian Pooley, Ian Boddy, Carl Craig, Apple, Ableton, Moog, ARP, Oberheim, Roland, Waldorf, Kyma, Meta Synth, London, Berlin, Detroit, Koln, New York & the late great (& dearly missed) Fad Gadget.

For Remixes, Live performances or DJ bookings email:

info@metajunctionrecordings.com

http://www.metajunctionrecordings.com/

https://soundcloud.com/metajunction

https://www.facebook.com/MetaJunction

http://www.mixcloud.com/MetaJunctionRecordings/

http://www.youtube.com/user/MetaJunction

https://twitter.com/Meta_Junction

Keep it locked for forthcoming releases...

Dj Natron I Solar-Tech Records's Upcoming Gigs
Sat 09 Sep, 17 
Hadra Festival 2017, open air, Grenoble, France
Sat 09 Dec, 17 
Amarasya, Zenit, Schwerin, Germany

Powered by GigaTools

Dj Natron aka Laugi hails from the Northeast of Germany, has been born in November of 1983, and has been living in Hamburg since 2001. Pystrance began enticing him in 1999. Loving the laughing people on the floor and the music which put them into meditation he also started to dj in 2002 and went from organising his first small open air in 2004 to organising the Intact xpanda in Hamburg every Winter and the Psychedelic Experience Open Air every May as well.

His contribution to the quest for the original Psytrance sound was founding his own label Solar Tech Records in March of 2009. Its motto already says it all: Serious Psytrance.

Thru many ups and downs, thankful for the support of his family and friends Dj Natron keeps playing music in between Progressive and FullOn, at 140-145 bpm - deep high quality on the dot with a progressive touch, pumping baselines intended to let people fly. Preferably at sunset or dawn he has had sets at all larger European festivals.
The first compilations of Solar Tech were teeming with rolling, deep basses, mind-bending sound figures and hypnotic melodies. Pushing but still relaxed this music is definitely aiming at the mind! In the future international djs from all continents will present their visions of original Psytrance music here.

-----------------------------------

Electronic dj and music producer
PARIS/FRANCE


BOOKING/REMIX/REQUEST: mycheapset@gmail.com


For more info, check my Facebook Page.

-----------------------------------

Cheapset is following