Noah

M.I.L

audio gold

none

Dope

Eminem relapsed

ROOSEVELT - Elliot 

Taken from the Roosevelt - Elliot EP. OUT NOW.

Get Roosevelt - Elliot EP here: http://smarturl.it/ElliotEPiTunes

For more on Roosevelt head to: 
https://www.facebook.com/iamroosevelt
http://www.iamroosevelt.com/

Follow: 
https://www.facebook.com/Greco.Roman 
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Roosevelt - Elliot

Cloud Nine | Orkestrated 6-7am

Seinfeld In Da Club

Recently saw the movie "Notorious" and thought I put together a quick mix of Biggie's hits.
  
  24 min /  16 tracks

Track List:
1. Big Poppa - Notorious BIG
2. Can't You See - Total Ft. Notorious BIG
3. Flava In Ya Ear - Craig Mack ft. Notorious BIG
4. Dreams - Notorious BIG
5. Respect - Notorious BIG
6. The Benjamins - Puff Daddy ft. Notorious BIG & Lil Kim
7. Get Money - Junior Mafia
8. Player's Anthem - Junior Mafia
9. One More Chance - Notorious BIG
10. Unbelievable - Notorious BIG
11. Hypnotize - Notorious BIG
12. Juicy - Notorious BIG
13. Real Love - Mary J Blige ft. Notorious BIG
14. Going Back To Cali - Notorious BIG
15. Mo Money Mo Problems - Notorious BIG ft. Puff Daddy
16. Nasty Boy - Notorious BIG

Biggie Smalls "Notorious BIG" Mega Mix

Lil Wayne ~ She Will Feat. Drake (Rick Ross Remix)

Eminem, Slaughterhouse, Yelawolf - Shady 2.0 Cypher (BET Awards)

http://www.thewalkmen.com/heaven/ 

The Walkmen’s new album, “Heaven”, is the sound of a band hitting maturity, comfortable in its mastery, after a decade together. “When you’re starting out, you’re sitting there trying to come up with a big idea, but after a while, you learn about the process of writing,” says guitarist Paul Maroon. “You learn about your friends in the band and how they work best.” Singer Hamilton Leithauser backs him up. “I wrote more stuff that I liked for this record,” he says. “To me, they sound like classic American rock songs.”

It’s been ten years since the band made their debut album, Everybody Who Pretended To Like Me Is Gone. Ten years since they mixed the lovingly recorded analogue tapes down to the cheapest CD burner they could find. Ten years since Leithauser broke Maroon’s arm in a celebratory wrestling match. Ten years since critics attached them to a New York scene they never wanted any part of. But when Leithauser sings “We Can’t Be Beat,” on the opening track of Heaven, he means it, like Cool Hand Luke getting up off the floor for one more round. “The world is ours,” he declares. This time, he may be right.

This spring, the band played a series of tenth anniversary shows that demonstrated how far they have outstripped their peers: two sets over two hours, no filler, rapturously received. In contrast, fellow graduates from the class of ’02 have burned out or faded from view.

The Walkmen are the great New York band of their generation, and in Heaven, they have delivered their third killer album in a row. Although Leithauser states that “our biggest accomplishment is just being here,” they are making the best music of their career and filling their largest venues yet, including a sold-out show at Shepherd’s Bush Empire in 2011.

‘In The New Year’, a standout track on their fourth record, You & Me, implies that at one point there was pressure to quit: “My friends and my family, they are asking of me, how long will you ramble, how long will you still repeat?” Lauded as a stunning collection of songs, beautifully arranged, the 2008 album revitalised their career.

Lisbon, released two years later, confirmed that trajectory, garnering 4 and 5 star reviews for its short stories and spare, Sun Records sound. The clanging tones of Paul Maroon’s Rickenbacker Capri 360 and Gretsch Streamliner set the 1950s mood, as Leithauser channelled Orbison and Sinatra, in all their melancholy defiance.

On last year’s tours with Arcade Fire and Fleet Foxes, the Walkmen formed enduring friendships. “There’s a kinship,” says multi-instrumentalist Pete Bauer. “You feel like someone else is out there taking music as seriously as you’re taking it. You realise that you’re a lifer.” So when Fleet Foxes producer Phil Ek approached them, asking if they’d like to make a record with him, they travelled to the studio he uses in the woods outside Seattle for the most intense recording sessions they had ever experienced. “He was relentless,” says Maroon. “And in the end, you can hear the difference.”

“We have never been on better behaviour,” agrees Leithauser. “When Phil had an idea, we would be ‘OK, let’s try it.’ That’s not who we are! But we came up with a sound that we love.” Although the chime of Maroon’s guitar is unmistakable in the cascading arpeggios of Song For Leigh or the driving metallic riff of Heartbreaker, the setting is fuller, the production lush.

“There can be something brittle about our sound,” Maroon says. “He made it just a little bit warmer, a little bit stronger. When I play it in my car, it sounds strong, which I love.” On We Can’t Be Beat, Leithauser is Dion and his bandmates The Belmonts, singing pitch perfect doo-wop. On No-one Ever Sleeps, Fleet Foxes vocalist 
Robin Pecknold plays Don Everly to Leithauser’s Phil, supplying a low harmony at once classic and contemporary. 

The one song that the Walkmen insisted on, over Ek’s objections, turned out to be the track that pulled the record together and gave it a title. “Our children will always hear romantic tales of distant years,” sings Leithauser. “Don’t leave me, you’re my best friend. All of my life, you’ve always been.”

All five members of the band have kids now and if the impact of parenthood is hard to pin down in a single lyric, there is definitely a new openness and emotional honesty to the songs. “The detachment you can feel throughout our younger records is gone,” Leithauser says. “We felt like it was time to make a bigger, more generous statement.”

After ten years, the Walkmen have everything that a great band needs. Leithauser is a mature singer of phenomenal stamina who can trade The Rat’s raw anger for the yearning of Southern Heart in a beat. Drummer Matt Barrick can pummel ferociously and drop down to Buddy Holly’s tramcar click. Bauer is a consummate sideman, effortlessly switching from guitar to farfisa to piano as required, or trading instruments with bass player Walter Martin, who has also written his most resonant lyrics yet.

Most importantly, the old gang mentality has deepened, becoming something worthwhile and lasting. “I’m very proud of what we’ve done. We’ve stayed friends and those friendships have grown,” says Bauer. “We have survival experience and real love that children generate in your life.” Heaven is a definitive statement of purpose and commitment, from a band at the peak of its powers that is finally winning the recognition it deserves.

The Walkmen - Heartbreaker

im Jones brings us part 2 of his "Vampire Life" series with "F.E.A.S.T.: Vampire Life 2." Features from Sen City, Mel Matrix & production from Jahlil Beats, Cookin Soul & more!

06 - True Religion - Feat Ryder & Hynief produced by Jahlil Beats (The Spaced Out Group)

07 - 60 Rackz Feat TWO produced by Triple A x Sanchez Tuitt (The Spaced Out Group)

09 - Don Jaun - Feat Mel Matrix produced by AblazeDaArchitek (The Spaced Out Group)

10 - Dont Judge Me NEW FINAL   VL2 10 - Feat Future (The Spaced Out Group)

king of carrot flowers

LINE EM' UP (JUST BLAZE BEAT) G MIX-M.A.C. FT MISTA BEN HOOD

Meek Mill second edition to the first Dreamchasers mixtape. Hosted by Dj Drama.
www.dreamonnightmarestreet.blogspot.com

01-Meek Mill-Intro Prod by The Beat Bully

It's the dubstep remix of Cry Little Sister, the theme song from the classic 80s vampire movie, The Lost Boys.  Just in time for Halloween!

Cry Little Sister (Theme From The Lost Boys) Ani Quinn & Jus-Ske Brostep Mix

Lil Mouse ft. Lil Durk - Katrina

Lil Herb X Lil Bibby Kill Shit

Lil Mouse - Wit My Team

DOWNLOAD HERE: http://goo.gl/UZ6Vy
Produced by: Million $ Mano, No I.D.
HALL OF FAME Coming Soon.

Big Sean - Switch Up (Ft. Common)

The new album 'CARACAL' is out now
iTunes: http://po.st/P3wCTx
Amazon: http://po.st/pPvCDJ
Official Store: http://po.st/qO7d9s
www.disclosureofficial.com

Disclosure Live: http://disclosureofficial.com/live/
Official Merch: http://po.st/4iqh1L

http://disclosureofficial.com
http://facebook.com/disclosureuk
http://twitter.com/disclosure
http://instagram.com/disclosure
http://instagram.com/disclosure_pics
http://youtube.com/disclosureVEVO
http://youtube.com/officialdisclosure
https://open.spotify.com/artist/6nS5roXSAGhTGr34W6n7Et

Settle

When A Fire Starts To Burn

Buy on iTunes

My official remix for @Disclosuremusic "You & Me"

Get this in VINYL: http://smarturl.it/SpaceCadetBundle

Download The Flume Deluxe Edition on iTunes here:
http://smarturl.it/flume_deluxe

http://www.facebook.com/flumemusic

Disclosure - You & Me (Flume Remix)

Migos ~ Versace Feat. Drake

Big Sean f/ Lil Wayne & Jhene Aiko. Beware. Available on iTunes now. 
http://smarturl.it/ibewareex

Hall Of Fame

Beware (feat. Lil Wayne & Jhené Aiko)

www.drdre.com/
twitter.com/drdre
www.facebook.com/DrDre

Dr. Dre "I Need A Doctor" feat. Eminem and Skylar Grey

We bring you the best of the best of the new of the new from up and coming artists and DJs across the World Wide World and such. (Want to have a track, remix or DJ Set featured? Send it via the Dropbox!)

Eminem, Slaughterhouse, Yelawolf - Shady 2.0 Cypher (BET Awards)

CheckThisSongOut