Check out some of the freshest tracks on the club scene!

SounDriven Selection

Gold playlist (volume 2)

Fresh new music with great energy, vibes, and a groove to make you move. Big vocals, builds, drops keep it burning hot. Massive bassline and percussion keep the feeling live. Massive thanks for your support.

Sweet Candy

Sweet Candy (Original Mix) - Remi Blaze

Got To Have Your Love

ÖRNFLYCHT – Musikken dør aldrig
Et samfundskritisk elektronisk værk, hvor tunge rytmer og atmosfæriske klange flettes sammen med et digt om naturens forfald og musikkens evige kraft. Musikken stopper aldrig – den forener os, selv når verden falder fra hinanden.

Örnflycht er det elektroniske projekt af Jon Krasheninnikoff Skarin, som bevæger sig mellem techno, trance og eksperimenterende elektroniske lydlandskaber.

Tekst/tale:
De fælder skovene for mursten og beton.
De dræner engene, de dæmmer vandet.
For at de rige kan bygge deres paladser,
og kalde det fremskridt.

Men hvad med jorden under vores fødder?
Havet, der engang bar livet,
nu tungt af gift og plastik.
Grundvandet, der engang var klart som glas,
nu en brønd af kemi og skygger.

Floraen svinder.
Insekterne forsvinder, stille som en glemt melodi.
Skovene, hvor vi engang fandt livets ånde,
står nu tavse, hugget ned, glemt, forrådt.

Alligevel er der noget, de aldrig kan knuse.
Musikken.

Musikken fortsætter,
som hjerteslag i mørket.
Den binder os sammen,
løfter os over støjen af maskiner og magt.

Og så længe musikken lever,
så længe vi synger, spiller, deler,
er der håb.
Håb om kærlighed.
Håb om forening.
Håb om at naturens stemme en dag igen
kan blande sig med vores.

Musikken dør aldrig.
Den er vores ild.
Vores modstand.
Vores kærlighed.


Musikken dør aldrig

A cinematic progressive house journey about reaching for connection when distance and silence feel overwhelming.

Calling

The song's content is about a relationship in which there's nothing left to say.

As for the sound, it's Balearic, with influences from the psytrance genre.
I particularly like the chorus and the emphasis on the line "There is Nothing...".

Every Day

🇧🇷 RG Beat (Fogo & Mar) é uma homenagem ao meu Rio Grande — terra dos extremos, mas também de complementaridades que se encontram. O calor do fogo e a força do mar se traduzem em batidas de melodic techno/EDM, onde o acordeon ganha um novo papel: não como ritmo folclórico, mas como melodia pulsante e viva que dialoga com kicks, claps, hi-hats e camadas eletrônicas.

🇺🇸 RG Beat (Fogo & Mar) is a tribute to my Rio Grande — a land of extremes, yet deeply complementary. The heat of fire and the strength of the sea are translated into melodic techno/EDM beats, where the accordion takes on a new role: not as a folk rhythm, but as a vivid, driving melody intertwined with kicks, claps, hi-hats, and electronic basslines. The track moves through atmospheric breaks, intense build-ups, and powerful drops, blending tradition with modernity — roots meeting the future on the dance floor.

RG Beat (Fogo & Mar)

Every time you come around, you know I can't say no
Every time the sun goes down, I let you take control
I can feel the paradise before my world implodes
And tonight had something wonderful


My bad habits lead to late nights endin' alone
Conversations with a stranger I barely know
Swearin' this will be the last, but it probably won't
I got nothin' left to lose, or use, or do
My bad habits lead to wide eyes stare into space
And I know I lose control of the things that I say
Yeah, I was lookin' for a way out, now I can't escape
Nothin' happens after two, it's true, it's true

My bad habits lead to you-ooh
My bad habits lead to you-ooh
My bad habits lead to you


Every pure intention ends, when the good times start
Fallin' over everything to reach the first times spark
It started under neon lights, and then it all got dark
I only know how to go too far


My bad habits lead to late nights endin' alone
Conversations with a stranger I barely know
Swearin' this will be the last, but it probably won't
I got nothin' left to lose, or use, or do
My bad habits lead to wide eyes stare into space
And I know I lose control of the things that I say
Yeah, I was lookin' for a way out, now I can't escape
Nothin' happens after two, it's true, it's true

My bad habits lead to you-ooh
My bad habits lead to you-ooh


We took the long way 'round
And burned 'til the fun ran out, now

My bad habits lead to late nights endin' alone
Conversations with a stranger I barely know
Swearin' this will be the last, but it probably won't
I got nothin' left to lose, or use, or do

My bad habits lead to wide eyes stare into space
And I know I lose control of the things that I say
Yeah, I was lookin' for a way out, now I can't escape
Nothin' happens after two, it's true, it's true

My bad habits lead to you-ooh
My bad habits lead to you-ooh


*Licensed Cover Recording*

Bad Habits

Hey everyone! Check out my EDM track "Lights Out". Check out the exciting saw lead. The vocals and lyrics of this song fits into most of the themes in my music. Also check out the vocoder effects on those vocals. I used a flanger on some of the percussion to create a dream-like effect. I love the energy of this track and the atmosphere created.
Thanx 4 listening.
Quentin SounDrive. 

Lights Out

A song I wrote thinking about a long term relationship that began to smother me.

Give Me Some Time Give Me Some Space

Music was my first language, a passion that took root before I could properly form words. I spent 16 years studying piano, including two at the university level, though I didn't graduate. By fourteen, I was already sealing envelopes, sending my demos out into the world with a teenager’s hopeful desperation. I spent years trekking to office buildings, dropping off those tapes, until I landed a meeting with the late, great Morris Levy. He was the first to call me out on what he saw: I was all over the map. Opera, Bluegrass, and everything in between—I had no distinct genre, just a deep, abiding love for sound.

That eclectic ear was forged in the Southern Baptist church, where I was taught piano for one reason: to ensure the choir always had a musician. I played that role faithfully until a single, accidental experience—attending a service on acid—shook my faith in the institution, though never in God. It was a turning point among many too numerous to mention.

Morris saw my chaos not as a weakness, but as a strength. He suggested I stop trying to fit into a box and instead build my own. He was right on point. So, being who I am, I turned away from hip-hop and rap and dove headfirst into the rock market. That leap of faith became Cheektowaga Records.

My process is my own. I work in Cubase or Magix, and I don't rely on A.I. for composition—my tools are synthesizers, samples, and a network of incredible session singers and musicians I hire from across the web. While I might use an A.I. studio to sketch a demo, the final product is always human.

To many in the industry, I’m a villain; to others, a savior of sorts. And unlike most executives, I write the majority of my own releases. But don’t mistake me for another Frank Farian; my operation is built on a different kind of alchemy.

The work you hear started as unpolished demos. It has taken a lifetime to hone them, and the polishing is a process I’m still deeply immersed in. A more detailed story is coming in a book, but for now, recognize this: I am not "gay," I am Vince. And Vince is a man of many contradictions. I've had meaningful relationships with both men and women; my preference is for adults, connection, and chemistry, not a specific gender. I don't really have a type, and I believe a person can be fluid, loving one thing one day and something else the next. To each their own.

Trust me, I have lived an interesting life. Read the book. As for the music, enjoy it or not—we all have our preferences.

(And Ryan… when you pass on, I’m throwing the biggest party you’ve ever seen. That’s an inside diss, y’all.)

Give Me Some Time Give Me Some Space

Cheektowaga Music and Moving Pictures