Ich schreibe ungern Texte über mich selbst, daher steht es dir frei mich kennenzulernen :-)

HARD / INDUSTRIAL TECHNO

Inspired by the symbiosis of many well-known artists and their sounds within the techno scene Ninette is reinventing herself again and again. The synthesis of  dark and always high energetic industrial techno with a bunch of hypnotic acid allows her to build a unique sound raising the crowd to another world.

Besides expressing her passion for pounding kicks behind the booth she is constantly eager to try out new things in order to ensure making the crowd sweat without mercy.

Meanwhile, she can proudly name the oldest techno club in the old eastgerman territory - Distillery as her musical homebase. Additionally curating the techno event series LÄRM allows her to actively shape and enrich the scene as well as leverage her own ideas.

Gayle San's Upcoming Gigs
Sat 21 Dec, 19 
Technodisco, Wetzlar, Germany

Powered by GigaTools



Gayle Sans career already began in the early 90 s in her hometown Singapore. She started as a warmup DJ for Bands such as Kool and the Gang Earth Wind and Fire and the Commodores,in the Top ten club which was the club of that moment on that island. Leaving her native Singapore in 90 s,to pursue her dj career in the UK, nobody expected such a massive success for Gayle in the music business. Gayle's first steps into the London clubs were via DJing at record company parties, various one-off guest spots and fashion shows.


These slots soon led to Gayle being made resident at 'Reach for the Sky' at London's Limelight club, where she played alongside global DJs which Gayle describes as "the steepest learning curve possible". Having honed her DJing skills and broadened her understanding of music, Gayle began to experiment with the harder side of dance music, particularly the lesser known techno sounds coming into Britain from Europe and the US of that time. Her chance to pioneer this music in England came when Gayle became resident at Universe's legendary Final Frontier club, at Club U.K. in south London, which then moved on to become Universe Voyager at their new club, the Complex in north London,and she was also resident at all the Tribal Gatherings Festivlas. Final frontier was widely regarded as one of the best club nights in the world, it was not long before Gayle had amassed a following of techno pilgrims who would make journeys from as far as Edinburgh to hear her play. Gayle's reputation of her 3 decks mixing skills and dj sets spread like wildfire over the techno centres of Europe, most notably a residency once a month at the legendary Omen club in Frankfurt, the socalled 'Mecca of techno' that opened doors.


Other European and American dates have included some of the most underground clubs in the world,from playing at high profile parties for Prince,Chaka Khan and Kylie minogue to name a few, to playing clubs like Bionic in Detroit, Pure Pleasure parties in Chicago, Soma in Montreal, Twilo in New York, Zouk Club in Singapore, Florida 135 in Spain, Fuse Club in Belgium,M47 in Hungary and many more all over Europe, South America and the U.S.A. In 2000 she was voted number 6. of the most popular international DJs in Germany. Remaining in the top ten list has been a regularity ever since. In regards to the massive competition of the worlds DJs,and to be the only female dj in the top ten, it was an honour of her hard work in the last years. DJing has naturally led to various studio work and starting her own label Equator. Gayle has developed a sound that takes the intelligent beats of the underground, funky/hard/groove techno sound mixed with her very own style. Gayle loves producing on her own but also enjoys collaborations with other producers to absorb outside creativity. She has released on numerous labels throughout europe. Gayle has reduced her touring dates in the last 2 years,not surprising after travelling the world for 18 years to make more time for her production /collaboration works. Gayle never fails to rock the world..s dancefloor with her mixing skills and her choice of music. Gayle has already been called the best female techno legend and she is not ready to hang up her headphones just yet. 

Ich Versuche heute etwas auf die Beine zu stellen, dass in meinem Leben wohl eine der zentralsten Rollen spielt...
Das ist die Liebe der Familie keine Frage, doch meine grösste Ambition ist die Leidenschaft zur Musik und diesen geilen glücks momenten die ich damit verbinde, jeden einzelnen Tag auf unserer voll verrückten Erde.

Es erwartet euch eine satte Sound Welle aus meinen LEBEN also, passt bitte auf!!!!
Den schönen Erfahrungen, werde ich Style und Rhytmem mit der Portion an frechen Beats einheizen. Ein  tiefes Verlangen und die Lust am leben werden neben euch Platz nehmen..

Vergangenes BLEIBT vielen vielleicht ein  RÄTSEL, doch verändert alles!
                                       Nur die Musik bleibt....!!!
                      Dear music,                                                                      Thanks for good and bad times.


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Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

MÉSZÁRØS, better known as T.G.I.-Friday, is a DJ who electrifies audiences with his unique sound. Inspired by bootlegs, remixes and his own productions, he creates a captivating mix of genres that keeps the crowd dancing on their feet. 

His characteristic “cutup-techno break-beat sound” has established him as a permanent companion in the Saxon party scene. With a comprehensive sound package, it delivers a diverse and engaging performance. 

Years of experience as a DJ and a huge collection of references from which he can draw inspiration. He confidently combines these skills to create a set that promises concentrated sonic power and captivates the audience.

Podcasts and live recorded sets from Geheimclub.
Booking application: booking@geheimclub.de

Love. Techno. You're Invited.

No accurate depiction of electronic music culture would be complete without special mention of Deborah De Luca. Widely acknowledged as one of the most prominent flag-bearers for Techno globally and a regular fixture inside the world’s most distinguished DJ booths, Deborah has the unique ability to transfix crowds with her electrically charged, technically nuanced sets, fusing hard techno with minimal grooves and melodic soundscapes to absorbing effect. A pioneer in the use of social networks as a promotional tool, whilst somehow managing to retain a strong sense of discretion in her private life, Deborah is unrivalled in her determination and passion, earning every part of her current status as one of the most exciting talents to emerge from the international Techno scene over the past decade.
Born under the shade of the infamous Vele di Scampia – one of the toughest districts in Naples – the now-globally recognised DJ, producer and label head came from humble beginnings, forging her path to international success against unlikely odds. However this was to become her making. “You shouldn’t let anybody tell you what you can or can’t become”, she expounded in a rare interview, referencing her early livelihood as a nightclub dancer. “It’s true, in recent years I have gained popularity, but I am very grateful for the long journey it’s taken”. More than anything else, Deborah’s roots and her unwavering ethic are an integral part of the flourishing artist we see before us today.
Deborah spent the formative years of her musical career in Northern Italy, following a brief stint at fashion school in Modena. Cutting her teeth on the European club circuit, where she quickly realised music was her true calling, Deborah’s hard work and relentless determination eventually began to pay off and in 2013 she launched her very own imprint Sola_mente Records. Created as a platform by which to release her own music, free from creative pressure and external constraints, the label went from strength to strength and in November 2018, Deborah marked a decade-long career in the industry with the critically acclaimed release of her debut album ‘Ten’. A huge milestone for the Italian producer, ‘Ten’ represented an important rite of passage and a body of work that she would cherish indefinitely.

ALL REQUESTS to:
Annie Zaremba
annie@supdub.eu

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