I recorded this for use in a track being written by Sean Payne and Jason Novak. It was to be released at the Cold Waves memorial show, but I'm not sure if it ever got done. At least I never saw it. I'm pretty sure that this full piece would have been almost impossible to shoehorn in unless it was a major feature, but it wasn't meant to be a highlight. I just assumed that they'd judiciously cut'n'stutter it to pieces. 
I recorded it at 2:30 in the morning, outside, in the South of France with the bats flitting dagger-like just above my head, flitting tattered through the warm, black air.

..in the dark, at the end, shuttling 'cross our maps, shuffling through the wires and shards of shadow and flashes of blinding light, we search for connection, for love, for passion, for the thing unknown to us until we find it. I hope you find it, Jamie. I'm glad I knew you while I did.

For Jamie Duffy, in the dark, at the end.

I've been making computer-based music since 1991. Primarily I do instrumental electronics as Dead Agent. Previously Cult of Jester. EBM, breaks, soundscapes, synthetics.

https://youtube.com/soundsofmassproduction

64K deviates from the norm to explore the depths of politics and science fiction with SMP frontman Jason Bazinet. This EP features six original songs ranging from dark conspiracy themes to far off futuristic concepts that parallel many of today's political barriers. Bazinet's vocals take the main stage here, sometimes making you question your own existence and wondering if the world around you should be taken at face value. 64K's dark industrial wizardry remains in-tact, sometimes even stepping outside of it's own genre. The majority of Choke was mixed by Wade Alin (Christ Analogue, The Atomica Project). At this time "Choke" is a digital only release.

For Jamie Duffy, in the dark, at the end.

Chemlab