AM Radio - Chemtrails

"Bombing At Starbucks" by A:.A:. Is a three-track ambient album that delves into the impact of global corporations and the rise of conspiracy theories. It features samples from various countries recorded before 9/11, particularly Istanbul and other Eastern European locales, creating a nostalgic and eerie atmosphere.

The album draws inspiration from "Twin Peaks," with tracks like "Black Lodge" and "Bombing At Starbucks" incorporating eerie synths and ambient textures that reflect a sense of disquiet. "No Martians" explores themes of corporate greed and conspiracy theories, blending reality and fiction in a way reminiscent of David Lynch's work.

"Bombing At Starbucks" is a thought-provoking listen, offering a unique blend of ambient music and cultural commentary. It’s an intriguing album for those interested in exploring deeper narratives through sound.

Bombing At Starbucks

Chemtrails is the sonic brainchild of Steve Hubbard, a music visionary. Crafting ethereal soundscapes and haunting melodies, Chemtrails emerges from the depths of Nord Studio, where Steve masterfully weaves together the textures of a keyboard, the resonance of a guitar, and a rich tapestry of ambient samples. His project, Chemtrails, is a testament to his unparalleled ability to transcend musical boundaries, delivering an immersive auditory experience that lingers long after the final note fades.

There's Music In Them Damn Darn HIlls

Rain On The Plain Falls Mostly ...

Cavallo E Gatto - Insane Gods Left Alive

Mini Breakup

Night Jammin' - Terra-Firma-Music

Released in 2022, "Bombing At Starbucks" by A:.A:. is a three-track ambient album that delves into the impact of global corporations and the rise of conspiracy theories. It features samples from various countries recorded before 9/11, particularly Istanbul and other Eastern European locales, creating a nostalgic and eerie atmosphere.

The album draws inspiration from "Twin Peaks," with tracks like "Black Lodge" and "Bombing At Starbucks" incorporating eerie synths and ambient textures that reflect a sense of disquiet. "No Martians" explores themes of corporate greed and conspiracy theories, blending reality and fiction in a way reminiscent of David Lynch's work.

"Bombing At Starbucks" is a thought-provoking listen, offering a unique blend of ambient music and cultural commentary. It’s an intriguing album for those interested in exploring deeper narratives through sound.

Bombing at Starbucks

No Martians

The Black Lodge

A:.A:.'s "Bombing At Starbucks," released in 2022, is a haunting three-track odyssey that transcends the traditional boundaries of ambient music, inviting listeners into a world where global corporations and conspiracy theories intertwine. The album, steeped in the eerie mystique of pre-9/11 recordings from Istanbul and Eastern Europe, channels a sonic landscape that feels both distant and disturbingly close.

Drawing heavily from the surreal atmosphere of "Twin Peaks," tracks like "Black Lodge" and the titular "Bombing At Starbucks" are drenched in ominous synths and unsettling ambient layers, evoking the same sense of disquiet that David Lynch’s universe is known for. "No Martians" delves deeper, blending the line between corporate dystopia and paranoid fiction, a reflection of our increasingly blurred reality.

"Bombing At Starbucks" is not just an album; it's an immersive experience that challenges the listener to confront the unsettling undercurrents of modern society. A:.A:. crafts a narrative that is as much a commentary on the pervasive influence of corporate power as it is a meditation on the cultural psyche. For those willing to dive deep into its shadowy depths, this album offers a complex, thought-provoking journey that lingers long after the final note fades.

A Bombing At StarBucks

Who (remaster)

Honey Honey

In Red

Our Glass Lake

Killing Iris

There's magic in them hills

Air Plane Cabin

Troubledawg

Sweet Pumpkin

A Certain Roadtrip

Longest Road In

Steven J Hubbard’s Chemtrails unfurls like a hallucinatory haze—part soundscape, part otherworldly transmission. In a Nord Studio, Hubbard builds sprawling, ethereal compositions by layering shimmering keyboards, resonant guitar, and intricately woven ambient textures. The result? A sonic journey that blurs the lines between reality and dream, where each track feels less like a song and more like a deeply immersive experience. With Chemtrails, Hubbard defies musical conventions, creating a space that lingers in the mind long after the sound fades, pulling you back in for just one more listen.

A Certain RoadTrip

Balad Of James St. James

This track takes Blade Runner and slices it into something new—distorted fragments that pull you into a futuristic dreamscape. The chopped sample rides on top of deep synth work, blurring the lines between nostalgia and a dark, hopeful future. It feels like you’re walking through a forgotten city, neon lights flickering in the rain, the past barely holding onto the edges of the present. There’s a rawness here, with influences from Vangelis, Aphex Twin, and Radiohead pulling you deeper into this eerie yet somehow comforting space. The experimental sound design, bending and twisting, takes you off guard but still feels grounded. It’s a mix of cold, metallic elements softened by emotional undertones, leaving you thinking about what was, and what might have been, long after the beat fades out.

Sailing - With A Horse

Jeno Bang The Drum Side A

Jeno Bang The Drum Side B

Corrupt

Crazies

In a world increasingly dominated by technology, "Do You Like Our Owl" drops like a slow, heavy pulse straight into your consciousness. This atmospheric gem, featuring an iconic Blade Runner sample, is not just a song—it’s a meditation on our growing alienation from one another. Imagine if Autechre were scoring the melancholy of human isolation, and you’re halfway there.

With a hypnotic electronic rhythm and introspective layers, the track pulls you into a soundscape that feels both futuristic and eerily familiar. The slow tempo mimics the aching disconnection many of us feel in a tech-driven world, creating a sonic space that questions: How far have we drifted from our humanity?

"Do You Like Our Owl" might just be the most hauntingly relevant track of the year. Get ready to feel every beat of the future we’re all living in—stream it now before it disappears into the void of our digital existence.

Do You Like Our Owl?

Dranken

Eat Techno

Litany

Put The Jam On

Sands

Strings

Somewhere towards the end of the 20th century government sponsored agencies began an experimental attack upon the citizens of numerous cities and towns throughout the postindustrial nations of the world. The reasons and the effects at that time were questioned as well as the validity of the questions raised towards such events. In the midst of these events individuals and groups began to develop theories and documentations of these anomalies, known since as the chemtrail  phenomena, and publish these findings in blogs and personal publications. From the inner sanctums of the conspiracy and from the most insightful fringes of the theorists arose a hybrid of propaganda and mysticism.

chemtrails

Pinned to spotlight

Popular tracks