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Reposting undiscovered talent & DJ mixes!

inquiries & submissions: 
acidtuesdays@gmail.com

curation:
@brohlson
@rambothefifth
@colbyjreis

Got A Girl's debut album "I Love You But I Must Drive Off This Cliff Now" will be out on July 22nd! In the meantime, you can pre-order it and get the first single now (itunes only).

@iTunesMusic = http://smarturl.it/GAGIloveyou_itunes
@AmazonMusic CD = http://smarturl.it/GAGiloveyou_AMZCD
@AmazonMusic LP = http://smarturl.it/GAGiloveyou_AMZLP

Electronic music lovers know Dimitri and Mike Thivaios as the monolithic brotherly duo "Dimitri Vegas and Like Mike". The brothers are superstars in the electronic music scene that earned the adoration of crowds around the globe. From becoming the first-ever duo to win the World #1 DJ's crown at the prestigious DJ Mag Top 100 DJs Poll in 2015 and 2019, the twosome has continued to stand firm and stay in the top 5 positions in the Poll since 2014.

Collecting more Gold and Platinum records than they can count, Dimitri and Mike have won the hearts of icons across genres collaborating with heavyweight hitters like David Guetta, Daddy Yankee, Natti Natasha, Gucci Mane, Snoop Dogg, Martin Garrix, Diplo, Swedish House Mafia, Steve Aoki, Armin Van Buuren, Afrojack, Ne-Yo, Wiz Khalifa and many more. An invite from Disney Records led the brothers to work with Hans Zimmer on a big room flavour of the film's lead score 'He's a Pirate' for the fifth instalment of the Pirates of the Caribbean movie franchise Dead Men Tell No Tales. They also created the theme for Mortal Kombat 11, the latest instalment of the iconic video game series.

After a stellar rise in the scene for many years, their monumental single 'The Hum' starring Jean Claude Van Damme and Charlie Sheen in the music video scaled new heights. Netting the #1 spot in their native Belgium, the single went platinum, with the music video receiving over 200 million views online. The brothers repeated their magic touch on the Ne-Yo collaboration 'Higher Place', which spent ten weeks atop the Belgian singles chart and secured the #1 Billboard Dance Chart spot. They claimed the #1 spot again with the release of their Diplo collaboration 'Hey Baby' and then again when 'Selfish' featuring Era Istrefi secured the #1 position on the Billboard Dance Chart. Their summer 2017 single 'Complicated', with David Guetta and Kiiara, became one of the year's biggest hits with over 165 million streams on Spotify and 88 million YouTube views. The duo joined forces with W&W on 'Crowd Control', the sonic representation of their iconic dance move. Their involvement on the All-Star collaboration 'Instagram', which included David Guetta, Afro Bros, Daddy Yankee and Natti Natasha, gifted the scene with one of the biggest songs of the summer in 2019 and which currently sits at more than 280 million streams on Spotify. In 2020 they released this monster hit Do It! together with Kimberly Loaiza and Azteck. The single has received more than 235 million TikTok views and over 80 million total streams.

The launch of their yearly homecoming arena concert in 2013 was another example of their enduring appeal. Nearly a decade later and after 25 sold-out concerts, welcoming more than 500,000 fans, Dimitri and Mike had firmly brought the madness of the biggest annual arena show to Antwerp's Sportpaleis. However, it's their position as the ambassadors of the worldwide phenomenon Tomorrowland which has seen them grow to an unprecedented level of stature, playing their part in the incredible rise of the world-famous Belgian festival.

Dimitri and Mike are locking up more than 30 million fans on social media, combined with billions of music streams and video views. In the meantime, they tour the world, selling out stadiums and arenas with immersive live performances. From iconic clubs like Amnesia, Green Valley, Ministry of Sound and Ushuaïa Ibiza, where the duo holds a summer residency in partnership with Tomorrowland, to festival mainstages such as Airbeat One, Balaton Sound, Creamfields, EDC Las Vegas, Lollapalooza, Parookaville, Soundstorm, World Club Dome, Tomorrowland, Untold and many more.

With a globe-trotting tour schedule while running one of the most iconic record labels in the scene and producing some of the biggest electronic records of the past decade, Dimitri Vegas & Like Mike have proved that together, they have what it takes to dominate the scene as they persistently strive to give their global fan base the best experience and memories feasible.

Booking:
scott@newmail.dk
5COTT stands out as one of the most versatile DJs in the industry, renowned for seamlessly blending music across an array of genres—a skill honed over many years immersed in the world of music.

His Groove-Yard mixtapes traverse the spectrum of house music, from the depths of underground beats to the vibrant energy of funky rhythms. Meanwhile, the 5cottland-Hard mixtapes showcase his mastery of progressive house. And then, there's the eclectic mix of everything in between.

His journey into the realm of DJing began with a fascination for turntablism, scratching, and the technical craftsmanship behind the art. Initially drawn to Hip Hop, his musical exploration soon led him into the realms of Funk, Disco, and ultimately House music. The culmination of these experiences is a remarkable blend of skill, musicality, taste, and boundless creativity.

5COTT's career has taken him to cities far and wide, collaborating with esteemed DJs and leaving an indelible mark on the industry. With a discography dating back to 1996, his production and remix work have graced numerous labels. His accolades include Dj Awards and other prestigious honors.

Moreover, he's a key member of the A5 collaboration, known for the viral success of "Adagio For Strings (Extreme intro mix)," which garnered over 100,000 plays on a new profile without any promotional efforts. You can find it here: @a5-promo.

Yet, perhaps the most compelling testament to 5COTT's prowess is his music itself. Explore his extensive catalog of tracks and mixes, and you'll quickly discover that 5COTT's musicality and creativity speak volumes on their own—asserting him as a force to be reckoned with in the industry.

Enjoy!

licensing: Kelsey.Richardson@virginmusic.com 
PR: leigh@bighassle.com

STARTED AS A DJ, RECORD PRODUCER AND REMIXER IN MY HOMETOWN, BREDA. ULTIMATELY VOTED THE WORLD'S NUMBER ONE DJ ON DJ MAG IN 2013 AND AGAIN IN 2014. NOW A MUSICAL CREATIVE FOLLOWING MY OWN PATH, BACK FOR MORE.

#REBELSNEVERDIE

www.djhardwell.com

Dutch DJ and producer duo W&W, formed in 2007, continues to push boundaries with their high-energy fusion of big room, trance, techno, and hard dance. They’ve earned over 12 million monthly Spotify listeners, and have a decade-long presence in DJ Mag’s Top 25. Known for their anthemic festival hits, they perform at the biggest worldwide festivals and have over 20+ million followers across all social media platforms. W&W’s imprint label Rave Culture has become a staple in the modern dance scene, shaping the sound of Mainstage EDM with relentless energy.

'This Is How You Do It' album out now on 2LP / CD / DIG


Bandleader Lance Ferguson and his nine piece Melbourne outfit The Bamboos have come a long way since forming in 2001. Initially inspired by the instrumental raw funk of the late ‘60s and early ‘70s, they made waves internationally and were quickly labelled as one of the greatest funk and soul bands of our time. But while many would be happy to simply soak up the praise and keep on keeping on, The Bamboos have proven that they are more than meets the eye; over five acclaimed albums, their evolution in sound and style has consistently confounded and exceeded expectations, pulling the rug from under the feet of those who like to pigeonhole. 

The band signed to respected Brighton (UK) indie label Tru Thoughts in 2005, where they remain a cornerstone of the roster. Across their five studio albums to date - ‘Step It Up’ (2006), ‘Rawville’ (2007), ‘Side-Stepper’ (2008), ‘4’ (2010) and 'Medicine Man' (2012) – the metamorphosis of The Bamboos has been full of twists and turns, and it continues apace. A seasoned DJ, solo producer (aka Lanu) and all-round insatiable music obsessive, Ferguson's myriad influences and passion for pushing things forward ensure that each new release is a discovery for devout fans and newcomers alike.

Their fifth long-player ‘Medicine Man’, released in June 2012 was a watershed - a forward-looking record brimming with fresh ideas, stellar turns, classic songwriting and a brand of multi–layered pop they can truly call their own. Guest vocalists Aloe Blacc, Tim Rogers (You Am I), Megan Washington, Daniel Merriweather, Bobby Flynn, alongside resident singers Kylie Auldist and then newcomer Ella Thompson helped make the album their biggest at home to date. Lead single "I Got Burned" feat. Rogers was a sizeable radio hit, made it to #54 on radio station Triple J's Hottest 100 listeners poll (the biggest publicly voted song poll in the world) of the top songs of that year.

Like its predecessor, the band's sixth album 'Fever In The Road' was co-produced by ARIA- nominated, multi-instrumentalist studio wizard John Castle – whose work with the likes of Washington, Josh Pyke, Gossling, Pez and Kate Miller-Heidke has ranked him amongst the first-call producers in Australia. The new record (the first on Ferguson's own Pacific Theatre label) sees Castle and Ferguson venturing into sonic landscapes The Bamboos have previously touched on but never fully inhabited. There is a sense that the music is leaner and more muscular, yet upon closer inspection the tracks reveal themselves to be densely multi-layered in a 'Wall Of Sound' style. And it's this aural complexity and depth that allows darker moods to roam through the album, taking their sound to a new place. The songs career from the wondrously anthemic ('Avenger', The Truth', 'Rats', 'Jump My Train'), to the dreamy and psychedelic ('Looking West', 'Harbinger') and the darkly fragile ('Killing Jar', 'Before I Go'). Choosing this album to reflect the band as it is on stage, the vocals are split between Kylie Auldist and Ella Thompson. And each bring contrasting styles that complement each other magically, but show The Bamboos to be utterly unique.

Their songs have been regularly on playlists of national radio stations in Australia, the UK, France, the US, Japan and beyond. The unshakable charm of their songs has also seen them licensed to hit movies including Crazy Stupid Love, the soon to be released  Adore - Naomi Watts & Robin Wright. and TV shows such as Grey’s Anatomy, CSI New York, One Tree Hill, Ugly Betty and Australian shows such as Underbelly, House Husbands, Offspring, Packed To The Rafters.

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Chen Anidam is following