Musician, d.i.y. promoter and editor.
Played in a bunch of angular punk bands for 20+ years. 
Solo act since 2015. Transited so far between an industrialesque layering of noise and idiomatic compositions of twilight guitar instrumentals to strict free improvisation with prepared guitar and electro-acoustic music based on the sampling of field recordings.
Some collabs too.
In 2022 composed the soundtrack to the documentary film "Durangas".
Doing the Ritualistic Drone Noise thing lately.
Performed in Spain, Portugal, France, Belgium, Germany, Poland, Norway, Sweden, Finland, Denmark, Czech Republic, Italy and Great Britain.

Tumblr: http://samurairobotics.tumblr.com
Instagram: http://Instagram.com/samurairobotics

Vittorio Garis, architect musician and improviser is an artist of strong sensitiveness, tightened also to the random discoveries of the percussions and the electronics connected with them, without forgetting the cultural relations with different arts.
His set consists of a bass drum, a snare, cymbals, a bow and many objects, for a sonic research that leads the experimentation between the surprises of the amplification and the friction of the objects: it is an electro-acoustic effect that wants to rule, a vibration that begins from his hands and projects in paradises of sensation and of liminal images.(freely taken and remixed from Percorsi Musicali "Few notes on italian improvisation” by Ettore Garzia)
Recently released cd on Setoladimaiale with Ulrike Lentz (flutes) Anja Kreysing (accordion).
http://www.setoladimaiale.net/catalogue/view/SM3370.

Vittorio Garis, architetto, musicista improvvisatore è artista di sensibilità spiccata, teso anche alle scoperte "casuali" delle percussioni e dell'elettronica collegata ad esse, senza dimenticare le relazioni culturali con arti diverse. 
Il suo set percussivo si compone di una grancassa, un rullante con piatti ed archetto e tanti oggetti, per una ricerca sonora che conduce la sperimentazione segmentare tra le sorprese dell'amplificazione e gli attriti degli oggetti: è un effetto elettro-acustico che si vuole dominare, una vibrazione che parte dalle sue mani e proietta in paradisi della sensazione e delle immagini liminali.(liberamente tratto e rimixato da Percorsi Musicali "Poche note sull'improvvisazione italiana" di Ettore Garzia)
http://www.percorsimusicali.eu/2016/11/25/poche-note-sullimprovvisazione-italiana-la-ricerca-di-una-movimentazione-tra-fisicita-elettronica-ed-atopia/
http://www.percorsimusicali.eu/2016/05/25/poche-note-sullimprovvisazione-italiana-da-ismene-al-riduzionismo/

Shara Lunon aka Sha-Raw the panther paw, aka RaRa bird no.3, has dedicated herself to the art of voice. She studied Ethnomusicology and Vocal Performance at the University of Florida under Dr. Elizabeth Graham, focusing on the operatic technique and attended master classes with revered vocalists as Kiri Te Kanawa and Denyce Graves. Shara also attended the University of São Paulo, where she studied voice with Francisco Campos Neto, Ricardo Ballestero and researched Brazilian modernism with Ivan Villela to complete her thesis. Shara furthered her education at Manhattan School of Music’s SVA program under the instruction of Maitland Peters and participated in master classes with Hilda Harris, Mignon Dunn, Rhoda Levine, and Joan Caplan. 

During and since, Shara has experimented in the vocal stylings of electronic/dance, hip-hop, and R&B in such groups as MSNRA, Jovian Junction Orchestra, and Wizard Women. In addition, she has opened for such artists as Nicole Miglis of Hundred Waters,  M1 from Dead Prez and performed with renowned musicians Marcio do Bahia and Celso Machado. Shara has also been a member of the Church of Holy Colors/Milagros art collective, and aided in the formation of the Elestial Sound record label serving as a founder, board member, artist, and administrative assistant. She has now started her second label, Orbital Mechanix, which pushes the frontier of hip hop, electronic, and neo-soul. Relocated to the big apple, she hopes to further her work in codifying her style of "hip-hopera".

tellKujira
"Avant-garde quartet, stylistically stateless, at times hypnotic"

Agnese Amico - Violin (I)
Francesco Diodati – Guitar (I) 
Francesco Guerri – Cello (I)
Stefano Calderano – Guitar (I)

The band was formed in the autumn of 2020. Music moves between contemporary, electronics, art rock, and free jazz, and is based on improvisation sessions. This approach establishes a fluid musical path that is open to contamination and moves towards abstract soundscapes, ambient, polyrhythm, and industrial timbres. A diverse combination that is not afraid to dismantle any language.
Although the band had a distinct character from the start, its music evolved swiftly. During the study sessions, the themes explored were deconstruction and fragmentation, while the live performances gradually evolved into moments of total absorption, increasingly serving as a site of deliberate recomposition. This effort eventually led tellKujira to a Fragmentarium, a tool for gathering and rearranging pieces based on an instruction code that generates an unlimited palette of possibilities. This strategy allows them a lot of freedom while keeping the composition rigour.

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